Tag Archives: Word Count

12.27: Choosing a Length

Your Hosts: Brandon, Mary, Dan, and Howard

We discuss the ways in which we decide upon the length of the stories we write, and at which point(s) in the creative process we make that decision.

Liner Notes: This is the story-length formula that Mary shared with us:
Ls=((C+L) *750)*1.5Mq
(In English: Add the number of characters and the number of locations. Multiply that sum by 750. Then multiply that number by 1.5 times the number of MICE elements the story incorporates.)

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Take a big, complex story, and re-tell it as a children’s story—something you’d read at bedtime, like Are You My Mother? or Goodnight Moon.

Seventy Maxims of Maximally Effective Mercenaries, by Howard Tayler
(Note: the book is shipping now to Kickstarter backers. You can order it now via Backerkit, but it won’t appear at Amazon or the Schlock Mercenary store until August.)

Writing Excuses 8.32: Microcasting

Microcasting! It’s what we call a Q&A, because it’s like several little podcasts in one! Here are the questions (you’ll have to listen to the show for the answers):

  • How do you manage your workload?
  • Are writing contests worth it? Which ones are good?
  • How do you make it clear that the weird aspects of your world are done on purpose rather than just being bad science?
  • How do you know when to take a break from your writing?
  • What are your word count suggestions for various markets?

Some Worthy Links: Writer Beware, Writers of the Future

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Keep track of your hourly word count for a day’s writing. Then set goals to beat that word count in subsequent sessions.

The Madman’s Daughter, by Megan Shepherd, narrated by Lucy Rayner

Writing Excuses 6.10: Scott Card’s M.I.C.E. Quotient

Orson Scott Card’s M.I.C.E. quotient is a concept from his books Character and Viewpoint and How to Write Science Fiction. M.I.C.E. stands for Milieu, Idea, Character, and Event, and can serve as a way to identify what kind of story you’re telling, and which elements you might need to spend more time fleshing out.

Mary walks us through each of the M.I.C.E. elements, and then we discuss ways in which writers can apply the quotient for improving their writing.

Then we try to take the Billy Goats Gruff tale and spin it as four different stories, one each for the M.I.C.E. elements, but that proves to be a pretty ambitious undertaking for us. Oh, the stumbling.

Audiobook Pick-of-the-Week: Enchantment, by Orson Scott Card, narrated by Stefan Rudnicki.

Writing Prompt: Apply the M.I.C.E. quotient to Red Riding Hood, and write at least one page of story per element. Wow, this sounds a lot like homework.

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