Tag Archives: Viewpoint

12.9: Q&A on Viewpoint

Your Hosts: Brandon, Piper, Dan, and Howard

You had questions about viewpoint. Here they are!

  • Do you have tips and tricks for making 3rd-person omniscient compelling?
  • How do you make 3rd-person limited compelling?
  • Is it normal to need several drafts to nail down a character’s voice?
  • What’s the best way to portray an unreliable 3rd-person limited narrator?
  • What are your most effective methods for immersing yourself in character attributes so that you can get the voice right?
  • How do you choose between 1st and 3rd person?
  • How do you select the viewpoint character for a scene?
  • How do you smoothly transition between viewpoints?
  • How do you prevent character voices from blending into each other and becoming indistinguishable?

(Our answers are in the podcast.)

 

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Swap dialog between characters. How do different characters say the same thing? How do they react when something they would say is said to them?

Writing Excuses 8.50: Q&A with Mercedes Lackey

Sometimes you get lucky. Sometimes the stars align and serendipity is made manifest. And sometimes Mercedes Lackey happens to be hanging around at the same convention you’re recording podcasts at, and sits herself down to answer questions with you. Or rather with us.

Here are the questions. You’ll need to listen to the podcast for the answers:

  • (For Mercedes) How do you stay relevant through the numerous changes in the industry?
  • How do you go about creating a title for a project?
  • Is blending 1st-person and 3rd-person viewpoints cheating?
  • (For Howard) Should marketing research be done before launching an online story?
  • When, where, and how do you end chapters?
  • How can you tell if you’re overusing narrative language?
  • How should a young writer balance their writing time against other activities?
  • What are the parts of being an author that you hate (specifically the non-writing parts)?
  • (For Mercedes) What advice do you have for finding alpha & beta readers?
  • Is it distracting to write out a character’s accent?

 

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Eavesdrop on a conversation at the coffee shop, then go home and write the end of that conversation.

Bastion: Collegium Chronicles Book 5, by Mercedes Lackey, narrated by Nick Podehl.

Writing Excuses 8.27: Chapter Breakdowns

What determines our chapter breaks? How do we handle POV shifts, scene-sequel balance, and other considerations when we’re carving our stories into chapters?

Dan starts with a discussion of the POV considerations in Fragments and in Ruins (from the Partials series,) and Brandon contrasts that with some of the epic fantasy methods. We argue the respective merits and pitfalls of rapid switching and large blocks, and then we talk about how the chapters take shape during our outlines and initial drafts.

Episode Trivia: This was the first episode we recorded at the Out of Excuses Workshop and Retreat, and was the first time in a year that the four of us had been together to record. So rusty!

This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*.

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Outline a two-character plot arc, and then break it into chapters. Experiment with big blocks and little blocks of POV in this chapter-chopped outline, and consider how this will affect the arc.

Promise of Blood, by Brian McClellan, narrated by Christian Rodska

Writing Excuses 5.16: Critiquing Dan’s First Novel

Late last season we took a look at Brandon’s first novel and did some line-editing and critiquing. It was so much fun we decided that Dan needed to take a turn in the dunking booth.

He totally gets wet.

In the course of dunking Dan we cover beginnings, descriptions, character development, pacing, and viewpoint as we tear into the first couple of pages of this novel. Brandon and Howard argue a bit over stylistic approaches, and of course Dan doesn’t get a say in things because he drowned. (Note: Dan does get a say in things, but mostly because he is not defending his old work at all.)

Audiobook Pick-of-the-Week: I Shall Wear Midnight, by Terry Pratchett, read by Stephen Briggs

Writing Prompt: Take an idiomatic expression and make it literal (not as a pun.) For instance, “the crack of dawn” as an actual crack in the sky through which dawn’s light shines.

Word That Is Not A Word But Totally Should Be: Discontiguity: [dis-kon-ti-gyoo-i-tee] – noun. A break in a series of things in continuous connection. A severance of contact.

Word That Isn’t In The Book, But Brandon Totally Put It There: Scrumptiously.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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Writing Excuses 5.3: First Person Viewpoint

Bree Despain joins us for a discussion of writing the first-person viewpoint. We talk about “method writing” and get briefly creeped out by Dan. We discuss some key aspects of this particular POV, including the unreliable narrator, the over-the-shoulder vs. the memoir perspective, and the presence or absence of a framing story.

We cover a few pitfalls, including the clichéd “mirror scene,” and then offer advice to new writers who are looking for ways to get first person right the first time.

Audiobook Pick-of-the-Week: Beastly, by Alex Finn

Writing Prompt: The main character has a secret. Write from that character’s point of view, but keep the secret from the reader.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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WE 5.1: Third Person Limited

We’ve talked about point of view before, but only in general terms: this time we delve into third-person limited in detail, explaining how to use it and when to use it and why.

We apologize for the lateness of the post, and the lameness of this episode description: this is what happens when all three of us go to conventions on the same weekend. Expect a cooler update soon.

[ONE WEEK LATER]

So… yeah, that original post pretty much sums it up. Why should you employ third-person limited, as opposed to first-person, or third-person omniscient, or third-person cinematic? What are the pitfalls, and how can you avoid them?

Audiobook Pick-of-the-Week: Soulless by Gail Carriger. Vampires, werewolves, and parasols in a steamy, punky, bodice-rippy, alternate-history London.

Writing Prompt: Brandon, Dan, Howard, and Producer Jordo all walk through a room, and each of us sees the room differently.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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