Tag Archives: Third-Person Limited

12.7: Description Through the Third Person Lens

Your Hosts: Brandon, Mary, Mary Anne, and Wesley

The third-person POV lens can be used for simultaneously describing the world to the reader and describing the character. In this episode we’ll talk about where we deploy these tools, where the pitfalls are, and how to do it well.

Credits: This episode was recorded by Andrew Twiss, who heard the AC turn back on, and mastered by Alex Jackson, who was happy to not need to digitally filter the AC out of the mix.

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Homework assignment: read Ursula LeGuin’s Steering the Craftand dive into the exercises there.

Amberlough, by Lara Elena Donnelly

12.6: Variations on Third Person

Your Hosts: Brandon, Mary, Dan, and Howard

This episode focuses on the third person POV, and some variations on them, like omniscient and limited, and some sub-variants like cinematic and head-hopping.

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

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Write a passage, and then re-write it in limited, omniscient narrator, head-hopping, and cinematic POVs.

Sorcerer to the Crown, by Zen Cho, narrated by Jenny Sterlin

WE 5.1: Third Person Limited

We’ve talked about point of view before, but only in general terms: this time we delve into third-person limited in detail, explaining how to use it and when to use it and why.

We apologize for the lateness of the post, and the lameness of this episode description: this is what happens when all three of us go to conventions on the same weekend. Expect a cooler update soon.

[ONE WEEK LATER]

So… yeah, that original post pretty much sums it up. Why should you employ third-person limited, as opposed to first-person, or third-person omniscient, or third-person cinematic? What are the pitfalls, and how can you avoid them?

Audiobook Pick-of-the-Week: Soulless by Gail Carriger. Vampires, werewolves, and parasols in a steamy, punky, bodice-rippy, alternate-history London.

Writing Prompt: Brandon, Dan, Howard, and Producer Jordo all walk through a room, and each of us sees the room differently.

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