Tag Archives: Terry Pratchett

Writing Excuses 7.12: Writing the Omniscient Viewpoint

Let’s talk omniscience, because we’re TOTALLY that smart. Specifically, we’re talking about the omniscient viewpoints. This is the POV from which Tolkien wrote, but we see it a lot less often these days. Has it fallen out of fashion, or does it just not work well?

Generally speaking, the omniscient viewpoint is where the narrator can see all of the action, all of the character thoughts, and is not limited to which character we’re following at any given time. We break this down a little, talking about the different types or styles of omniscient POV, discussing the strengths of each, and offering examples from Tolkien, Robert Jordan, Tom Clancy, Terry Pratchett, David Eddings, James P. Hogan, Frank Herbert and others (including some of our own stuff.)

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1) Stick an omniscient narrator scene in between two 3rd-person limited scenes. 2) Have two characters carry on a dialog which is out of sync with what each of them are thinking.

Acacia, by David Anthony Durham, narrated by  Dick Hill

Writing Excuses 5.39: Filking and Writing Music with Tom Smith

Filk.

It sounds like a bad word.

Okay, what it actually sounds like, provided you’ve fallen in among actual filkers, is AWESOME. It’s music named after a typo, and sung around subjects near and dear to genre fans.

Tom Smith, filker extraordinaire and musician magnifique, joins Brandon and Howard at Penguicon to talk about writing music, and to talk about the Filk genre in particular.

Our only episode with actual music in it, this is the last episode of Season 5, and Tom Smith sends us home with a brilliant little song he made up using requests from those in attendance. Tom, we expect an eventual epic song-cycle centering around “The Wizard of Wheat.”

Audiobook Pick-of-the-Week: Night Watch, by Terry Pratchett, narrated by Stephen Briggs.

Writing Prompt: Tom ended up singing his response to our writing prompt. What can you do with the words “wizard” and “bakery?”

Additional References for Filk: The FuMP, Filk resources on the Internet, and (per Tom’s suggestion) a YouTube search for Filk.

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Writing Excuses 5.37: Parody and Satire with Jim Hines

Jim Hines joins Brandon and Howard at Penguicon for a discussion of parody, satire, and why things are funny.

We start by defining parody and satire, and then Jim tells us why he wrote his he-calls-them-satirical Goblin novels, and why aspects of gamer culture so badly need to be satirized. Howard provides his formula for delivering the satire in Schlock Mercenary, and then we begin bandying about the terms “absurdification,” “commodification,” and “DisneyficationTM.”

And believe it or not, we manage to discuss humor in a way that is actually funny, at least some of the time.

Audiobook Pick-of-the-Week: Eyes Like Stars, by Lisa Mantchev, narrated by Cynthia Bishop

Writing Prompt: Start with a highly magical, pseudo-medieval fantasy setting. Now… how do you deal with baldness?

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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