<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
		xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
	xmlns:media="http://search.yahoo.com/mrss/"
>

<channel>
	<title>Writing Excuses &#187; Surprising yet Inevitable</title>
	<atom:link href="http://www.writingexcuses.com/tag/surprising-yet-inevitable/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.writingexcuses.com</link>
	<description>Fifteen minutes long, because you&#039;re in a hurry, and we&#039;re not that smart.</description>
	<lastBuildDate>Mon, 06 Feb 2012 03:51:29 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
	<copyright>2008-2011 Dragonsteel Entertainment </copyright>
	<managingEditor>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</managingEditor>
	<webMaster>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</webMaster>
	<category>Writing books</category>
	<ttl>1440</ttl>
	<image>
		<url>http://www.writingexcuses.com/graphics/cover_small.jpg</url>
		<title>Writing Excuses</title>
		<link>http://www.writingexcuses.com</link>
		<width>144</width>
		<height>144</height>
	</image>
	<itunes:subtitle>15 minutes long because you&#039;re in a hurry, and we&#039;re not that smart.</itunes:subtitle>
	<itunes:summary>Fantasy Novelist Brandon Sanderson, science-fiction cartoonist Howard Tayler, and horror writer Daniel Wells discuss writing techniques in a fast-paced, 15-minute format.</itunes:summary>
	<itunes:keywords>writing, books, how, to, write, Brandon, Sanderson, Howard, Tayler, Dan, Wells, Mary</itunes:keywords>
	<itunes:category text="Arts">
		<itunes:category text="Literature" />
	</itunes:category>
	<itunes:category text="Education">
		<itunes:category text="Training" />
	</itunes:category>
	<itunes:category text="Business">
		<itunes:category text="Careers" />
	</itunes:category>
	<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
	<itunes:owner>
		<itunes:name>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:name>
		<itunes:email>howard.tayler@gmail.com</itunes:email>
	</itunes:owner>
	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
	<itunes:image href="http://www.writingexcuses.com/graphics/cover.jpg" />
		<item>
		<title>Writing Excuses 4.28: Brainstorming The End and Working Backwards</title>
		<link>http://www.writingexcuses.com/2010/07/18/writing-excuses-4-28-brainstorming-the-end-and-working-backwards/</link>
		<comments>http://www.writingexcuses.com/2010/07/18/writing-excuses-4-28-brainstorming-the-end-and-working-backwards/#comments</comments>
		<pubDate>Mon, 19 Jul 2010 02:21:26 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Conflicts]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Plot]]></category>
		<category><![CDATA[Structure]]></category>
		<category><![CDATA[Brainstorming]]></category>
		<category><![CDATA[Characters]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[Discovery Writing]]></category>
		<category><![CDATA[Endings]]></category>
		<category><![CDATA[Hell's Angels]]></category>
		<category><![CDATA[Outlining]]></category>
		<category><![CDATA[Plot Twists]]></category>
		<category><![CDATA[Red Herring]]></category>
		<category><![CDATA[Surprising yet Inevitable]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=562</guid>
		<description><![CDATA[Brandon, Dan, and Howard start at the ending and work their way backwards for your enjoyment.]]></description>
			<content:encoded><![CDATA[<p>When Oscar Hammerstein wrote &#8220;Let&#8217;s start at the very beginning // A very good place to start&#8221; he was talking about teaching children to sing, not writing a novel. Sometimes the beginning is the very <em>worst</em> place to start, so in this &#8216;cast the Writing Excuses crew starts at the end.</p>
<p>Dan leads with a reminder that we should all watch his <a href="http://www.youtube.com/watch?v=KcmiqQ9NpPE" target="_blank">five-part</a> <a href="http://www.youtube.com/watch?v=mrP9604BEOM&amp;feature=related" target="_blank">lecture</a> <a href="http://www.youtube.com/watch?v=NNZDL9-dN8k&amp;feature=related" target="_blank">on</a> <a href="http://www.youtube.com/watch?v=0WC_WWErNd8&amp;feature=related" target="_blank">story</a> <a href="http://www.youtube.com/watch?v=jD-T-ku4ynk&amp;feature=related" target="_blank">structure</a>, and then hits a couple of the high points in his process. Brandon points out that he and Dan both start in the same way, even though Dan usually discovery-writes his way to the selected ending, and Brandon typically outlines towards it in advance of putting chapters down. Unsurprisingly, Howard starts in the same place.</p>
<p>So what are the problems with working backwards? How do we prevent those things from happening? What are some great things about working backwards? How can we ensure that those happen every time?</p>
<p>That&#8217;s the first half of the &#8216;cast. The second half is a right treat, as you get to listen to Brandon, Dan, and Howard attempt to brainstorm a great ending from which they can work backwards to a beginning. Producer Jordo provides a pair of headlines as prompts, including programmable matter, Harley Davidson motorcycles, and a thrown puppy.</p>
<p><strong>Audiobook Pick-of-the-Week: <em><span style="font-weight: normal;"><a href="http://www.audible.com/adbl/site/products/ProductDetail.jsp?productID=BK_PENG_001109&amp;BV_UseBVCookie=Yes">Furies of Calderon: Codex Alera Book 1</a>, </span></em><span style="font-weight: normal;">by Jim Butcher &#8212; a book that Brandon tells us was written when somebody dared Jim Butcher to build epic fantasy around Pokémon.</span></strong></p>
<p><strong>Writing Prompt: </strong>What&#8217;s the character arc for our mathematical analyst biker dude? Yes, you&#8217;ll have to listen to the &#8216;cast in order to figure this prompt out.</p>
<p><strong>Sound Effect of the Week: </strong><a href="http://bit.ly/bUgixL">George Jetson&#8217;s Harley</a></p>
<p><strong>Weekly Feature You Won&#8217;t See Every Week: </strong>Sound Effect of the Week.</p>
<p><strong> </strong></p>
<p><strong>This episode of Writing Excuses has been brought to you by Audible.</strong></p>
<p>Visit <a href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.</p>
<p>*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p><strong>Audible® Free Trial Details</strong><br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2010/07/18/writing-excuses-4-28-brainstorming-the-end-and-working-backwards/feed/</wfw:commentRss>
		<slash:comments>32</slash:comments>
			<enclosure url="http://www.writingexcuses.com/podpress_trac/feed/562/0/Writing_Excuses_4_28_Brainstorming_Endings.mp3" length="13275327" type="audio/mpeg" />
		<itunes:duration>0:18:26</itunes:duration>
		<itunes:subtitle>Brandon, Dan, and Howard start at the ending and work their way backwards for your enjoyment.</itunes:subtitle>
		<itunes:summary>Fantasy Novelist Brandon Sanderson, science-fiction cartoonist Howard Tayler, and horror writer Daniel Wells discuss writing techniques in a fast-paced, 15-minute format.</itunes:summary>
		<itunes:keywords>writing, books, how, to, write, Brandon, Sanderson, Howard, Tayler, Dan, Wells, Mary</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
		<enclosure url="http://bit.ly/bUgixL" length="203026" type="audio/mpeg" />
	</item>
		<item>
		<title>Writing Excuses 4.7: Q&amp;A with James Dashner</title>
		<link>http://www.writingexcuses.com/2010/02/21/writing-excuses-4-7-qa-with-james-dashner/</link>
		<comments>http://www.writingexcuses.com/2010/02/21/writing-excuses-4-7-qa-with-james-dashner/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 01:32:42 +0000</pubDate>
		<dc:creator>Howard Tayler</dc:creator>
				<category><![CDATA[Career]]></category>
		<category><![CDATA[Conventions]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Guest]]></category>
		<category><![CDATA[Live]]></category>
		<category><![CDATA[Plot]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[Dan Brown]]></category>
		<category><![CDATA[Discovery Writing]]></category>
		<category><![CDATA[James Dashner]]></category>
		<category><![CDATA[Outlining]]></category>
		<category><![CDATA[Plot Twists]]></category>
		<category><![CDATA[Surprising yet Inevitable]]></category>
		<category><![CDATA[Try/Fail Cycles]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=319</guid>
		<description><![CDATA[Recorded live at LTUE 2010, here&#8217;s a high-energy Q&#38;A session with the Writing Excuses crew and our special guest James Dashner, author of The Maze Runner. We cover outlining vs. discovery writing, the return to the hairy palate, education for writers, killing people, whether or not we want a bagel, pragmatic approaches, authors who don&#8217;t inspire [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Recorded live at LTUE 2010</strong>, here&#8217;s a high-energy Q&amp;A session with the Writing Excuses crew and our special guest <a href="http://jamesdashner.blogspot.com/"><strong>James Dashner</strong></a><strong>, </strong>author of<strong> </strong><em><a href="http://www.audible.com/adbl/site/products/ProductDetail.jsp?productID=BK_LILI_001096&amp;BV_UseBVCookie=Yes"><strong>The Maze Runner</strong></a><strong>.</strong></em><strong> </strong>We cover outlining vs. discovery writing, the return to the hairy palate, education for writers, killing people, whether or not we want a bagel, pragmatic approaches, authors who don&#8217;t inspire us (and by &#8220;us&#8221; we mean &#8220;James Dashner&#8221;), and cooking up complex plots.</p>
<p><em>Note: Brandon says &#8220;Episode 6&#8243; but he was totally wrong. This is 4.7, for real.</em></p>
<p><strong>Audiobook Pick-of-the-Week: </strong>James pitches one of his favorites to us<strong> &#8212; </strong><em><a href="http://www.audible.com/adbl/site/products/ProductDetail.jsp?productID=BK_RAND_001171&amp;BV_UseBVCookie=Yes">False Memory</a></em> by Dean Koontz</p>
<p><strong>Writing Prompt:</strong> You&#8217;re flying in an airplane when a wing falls off&#8230; but the plane keeps going.</p>
<p><strong>This episode of Writing Excuses has been brought to you by Audible.</strong></p>
<p>Visit <a href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.</p>
<p>*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p>Audible® Free Trial Details<br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2010/02/21/writing-excuses-4-7-qa-with-james-dashner/feed/</wfw:commentRss>
		<slash:comments>13</slash:comments>
			<enclosure url="http://www.writingexcuses.com/podpress_trac/feed/319/0/Writing_Excuses_4_7_James_Dashner_QA.mp3" length="11799513" type="audio/mpeg" />
		<itunes:duration>0:16:23</itunes:duration>
		<itunes:subtitle>Recorded live at LTUE 2010, here&#8217;s a high-energy Q&#38;A session with the Writing Excuses crew and our special guest James Dashner, author of The Maze Runner. We cover outlining vs. discovery writing, the return to the hairy palate, education [...]</itunes:subtitle>
		<itunes:summary>Recorded live at LTUE 2010, here&#8217;s a high-energy Q&#38;A session with the Writing Excuses crew and our special guest James Dashner, author of The Maze Runner. We cover outlining vs. discovery writing, the return to the hairy palate, education for writers, killing people, whether or not we want a bagel, pragmatic approaches, authors who don&#8217;t inspire us (and by &#8220;us&#8221; we mean &#8220;James Dashner&#8221;), and cooking up complex plots.
Note: Brandon says &#8220;Episode 6&#8243; but he was totally wrong. This is 4.7, for real.
Audiobook Pick-of-the-Week: James pitches one of his favorites to us &#8212; False Memory by Dean Koontz
Writing Prompt: You&#8217;re flying in an airplane when a wing falls off&#8230; but the plane keeps going.
This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!
Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</itunes:summary>
		<itunes:keywords>Career, Conventions, Education, Guest, Live, Plot, Q&#38;A</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 31: Tragedy</title>
		<link>http://www.writingexcuses.com/2009/12/27/writing-excuses-season-3-episode-31-tragedy/</link>
		<comments>http://www.writingexcuses.com/2009/12/27/writing-excuses-season-3-episode-31-tragedy/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 01:21:28 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Plot]]></category>
		<category><![CDATA[Catharsis]]></category>
		<category><![CDATA[Characters]]></category>
		<category><![CDATA[Doctor Horrible]]></category>
		<category><![CDATA[Lord of the Rings]]></category>
		<category><![CDATA[Morality Play]]></category>
		<category><![CDATA[Surprising yet Inevitable]]></category>
		<category><![CDATA[Three-Act Format]]></category>
		<category><![CDATA[Tragedy]]></category>
		<category><![CDATA[Tragic Flaw]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=215</guid>
		<description><![CDATA[Tragedy. It&#8217;s just TRAGIC. Tragedy is also one of the classical forms that writers need to know how to work within. Why? Well&#8230; because the Greeks thought we should be forced to have strong emotional responses to literature. Writing Prompt: Write a delightful story about happy, cheerful anthropomorphic creatures who all die horribly. This episode [...]]]></description>
			<content:encoded><![CDATA[<p>Tragedy. It&#8217;s just TRAGIC. Tragedy is also one of the classical forms that writers need to know how to work within. Why? Well&#8230; because the Greeks thought we should be forced to have strong emotional responses to literature.</p>
<p>Writing Prompt: Write a delightful story about happy, cheerful anthropomorphic creatures who all die horribly.</p>
<p>This episode of Writing Excuses has been brought to you by Audible. Visit <a href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.</p>
<p><strong>*Note</strong>: From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p><em>Audible® Free Trial Details</em><br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/12/27/writing-excuses-season-3-episode-31-tragedy/feed/</wfw:commentRss>
		<slash:comments>29</slash:comments>
			<enclosure url="http://www.writingexcuses.com/podpress_trac/feed/215/0/Writing_Excuses_Episode3-31-Tragedy.mp3" length="10893554" type="audio/mpeg" />
		<itunes:duration>0:15:56</itunes:duration>
		<itunes:subtitle>Tragedy. It&#8217;s just TRAGIC. Tragedy is also one of the classical forms that writers need to know how to work within. Why? Well&#8230; because the Greeks thought we should be forced to have strong emotional responses to literature.
Writing Promp[...]</itunes:subtitle>
		<itunes:summary>Tragedy. It&#8217;s just TRAGIC. Tragedy is also one of the classical forms that writers need to know how to work within. Why? Well&#8230; because the Greeks thought we should be forced to have strong emotional responses to literature.
Writing Prompt: Write a delightful story about happy, cheerful anthropomorphic creatures who all die horribly.
This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!
Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</itunes:summary>
		<itunes:keywords>Plot</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 23: How to Write Without Twists</title>
		<link>http://www.writingexcuses.com/2009/11/01/writing-excuses-season-3-episode-23-how-to-write-without-twists/</link>
		<comments>http://www.writingexcuses.com/2009/11/01/writing-excuses-season-3-episode-23-how-to-write-without-twists/#comments</comments>
		<pubDate>Mon, 02 Nov 2009 04:15:03 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Conflicts]]></category>
		<category><![CDATA[Plot]]></category>
		<category><![CDATA[Apollo 13]]></category>
		<category><![CDATA[Big Reveal]]></category>
		<category><![CDATA[Dan Brown]]></category>
		<category><![CDATA[Die Hard]]></category>
		<category><![CDATA[Jane Austen]]></category>
		<category><![CDATA[M. Knight Shyamalan]]></category>
		<category><![CDATA[Plot Twists]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Surprising yet Inevitable]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=173</guid>
		<description><![CDATA[Question: Can you write a good book without a plot twist? Better question: is it a good book if your readers predicted what was coming? Best question: is a podcast about predictable prose itself predictable? No, seriously&#8230; the best question is &#8220;how can we use predictable, formulaic plotting effectively?&#8221; We actually answer that one. Writing [...]]]></description>
			<content:encoded><![CDATA[<p>Question: <em>Can you write a good book without a plot twist?</em></p>
<p>Better question: <em>is it a good book if your readers predicted what was coming?</em></p>
<p>Best question: <em>is a podcast about predictable prose itself predictable?</em></p>
<p>No, seriously&#8230; the best question is &#8220;how can we use predictable, formulaic plotting effectively?&#8221; We actually answer that one.</p>
<p>Writing Prompt: &#8220;Sense &amp; Sensibility &amp; Terrorists&#8221;</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/11/01/writing-excuses-season-3-episode-23-how-to-write-without-twists/feed/</wfw:commentRss>
		<slash:comments>31</slash:comments>
			<enclosure url="http://www.writingexcuses.com/podpress_trac/feed/173/0/Writing_Excuses_Episode3-23-Without-Twists.mp3" length="11296394" type="audio/mpeg" />
		<itunes:duration>0:15:41</itunes:duration>
		<itunes:subtitle>Question: Can you write a good book without a plot twist?
Better question: is it a good book if your readers predicted what was coming?
Best question: is a podcast about predictable prose itself predictable?
No, seriously&#8230; the best question is[...]</itunes:subtitle>
		<itunes:summary>Question: Can you write a good book without a plot twist?
Better question: is it a good book if your readers predicted what was coming?
Best question: is a podcast about predictable prose itself predictable?
No, seriously&#8230; the best question is &#8220;how can we use predictable, formulaic plotting effectively?&#8221; We actually answer that one.
Writing Prompt: &#8220;Sense &#38; Sensibility &#38; Terrorists&#8221;</itunes:summary>
		<itunes:keywords>Conflicts, Plot</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
	</channel>
</rss>

