If you haven’t yet read “Parallel Perspectives,” from Schlock Mercenary: Massively Parallel, we have a PDF for you to download and read before you start listening to this episode. It’s a 33mb file in a public DropBox folder.

Parallel Perspectives PDF for Writing Excuses listeners

Got the file? Done reading? Okay, let’s go…

This week is a Project in Depth episode focusing on a 13-page graphic story (“comic book”) found at the end of Schlock Mercenary: Massively Parallel, and our focus this week will be story structure. It’s fun, because the process of structuring a bonus story begins much differently than most projects, and the structure was laid in support of a four-creator collaboration.

The creators? Howard Tayler, Brenda Hickey, Travis Walton, and Keliana Tayler.

(If you’d like your own hard-copy of Schlock Mercenary: Massively Parallel, you can get it from Amazon.com or directly from the publisher.)

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Audiobook Pick-of-the-Week: The Hero's Guide to Storming the Castle,  by Christopher Healy, narrated by Bronson Pinchot

Writing Prompt: Next month we're going to talk Beginnings: decide on the promises you want to make to your readers in your story. Then outline according to those promises.

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By Writing Excuses | August 10, 2014 - 4:00 pm - Posted in Career and Lifestyle, Q&A, Season 9, Theory and Technique

Microcasting!

It’s our Q&A format, in which each answer is like its own, tiny little podcast, only without its own unique URL, intro, writing prompt, or any of the other trappings that would actually make it different from a Q&A session.

Right. So, it’s basically just a Q&A.

Listen to the podcast for the answers… Here are the questions:

  • Are there biases against non-English writers submitting manuscripts in English?
  • What is the most difficult thing Howard experienced when first creating Schlock Mercenary?
  • Are you ever too old to try to get published?
  • What are some pointers for keeping a milieu story focused on the setting?
  • No, you can’t have a sample of our DNA. None of you.
  • If you were to rewrite your early work, what would you change?
  • How do you improve your proofreading and copy editing?
  • How much time do you spend writing each day? Does it matter WHAT you write during that time?
  • Do you add foreshadowing in the editing stage, or are you just that good?
  • How do you improve your craft as a writer?
  • I don’t have time to ask a question, I’m washing my dog.
  • Do you have any writing exercises that you do regularly?
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Audiobook Pick-of-the-Week: Attack the Geek, by Michael R. Underwood, narrated by Mary Robinette Kowal

Writing Prompt: Introduce a random element--dice, coin-tosses, the i ching--and write a story in which you (the writer) commit to letting the random element make the decisions.

This episode of Writing Excuses has been brought to you by Audible.

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Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

By Writing Excuses | March 10, 2013 - 6:07 pm - Posted in Demonstration, Season 8, Theory and Technique

In this episode Brandon, Mary, and Dan help Howard brainstorm a story for a comic!

Howard begins with an uplift-related setting, and a couple of characters, and then the group takes off on a delightful demonstration of brainstorming within very specific constraints. The constraints in this case: existing setting and canon, existing characters, and (Howard’s favorite constraint) a limited page-count.

Disappointment of Epic Levels: Howard struggled so much with this story, even after the brainstorming session, that he decided to abandon the Bonus Story option for this book, and instead write a dozen new footnotes for the existing strips. This is no reflection upon the story itself. Brandon, Dan, and Mary did a great job. This story may see life someplace else, but not between the covers of “The Body Politic.”

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Audiobook Pick-of-the-Week: Fragments, by Dan Wells, narrated by Julia Whelan

Writing Prompt: An uplifted creature wants to get his/her entire species downlifted.

This episode of Writing Excuses has been brought to you by Audible.

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Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

By Writing Excuses | August 19, 2012 - 4:00 pm - Posted in Season 7, Theory and Technique

Let’s talk about how to start the next one — not the next book in a series, necessarily. Your next project might not leverage the worldbuilding or characters you used in your previous project. We discuss the challenges each of us have faced, and how we’ve cleared those hurdles.

If you’re having trouble letting go of your previous project, this ‘cast should help you, if only because you can see it’s something each of us had difficulty with as well. Of course, we also offer you some pointers and some tricks to make this transition easier.

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Audiobook Pick-of-the-Week: The Newsflesh trilogy by Mira Grant, wraps up with Blackout, and is a very satisfying example of a series that does something different with each book.

Writing Prompt: "The Hairy Housewife," because Brandon didn't hear Howard correctly the first time he said "harried."

This episode of Writing Excuses has been brought to you by Audible.

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Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

By Writing Excuses | December 18, 2011 - 10:49 pm - Posted in Demonstration, Theory and Technique

Let’s talk about character foils, and how to use them. We begin with a definition of character foils, expertly read by Mary. Then we talk about some archetypes, like the straight-man and the funny-guy, the hero and the sidekick, and offer some examples.

And then it’s nuts-and-bolts time: we talk about how and why to do this. Howard offers the example of Reverend Theo and Kevyn in the Schlock Mercenary books. Mary explains how she used a foil to strengthen her short story “For Want of a Nail,” (which went on to win a Hugo award.) Brandon tells us how adding a foil character was critical to The Way of Kings. Finally, Dan reveals to us (spoiler alert!) how John Cleaver and Mr. Crowley are foils for one another in I Am Not a Serial Killer.

 

Audiobook Pick-of-the-Week: Late Eclipses: an October Daye Novel, by Seanan McGuire, narrated by Mary Robinette Kowal.

Writing Prompt: Generate a list of five character pairs. Pick the most interesting of the set, and write about them.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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By Writing Excuses | November 6, 2011 - 5:02 pm - Posted in Career and Lifestyle, Guest, Theory and Technique

Jonathan Maberry joins Howard, Dan, and Mary to discuss pigeonholes — specifically, not ending up in one. Jonathan was enthusiastic to address this subject, which he treats as serious career advice. Ray Bradbury said “A writer writes,” and Jonathan advises us all to consider that though we may be on fire about a particular genre, sub-genre, or even one given story, the market may not offer an open door for that project. Don’t let rejection keep you from writing, and don’t be unwilling to branch out and try writing something else.

We offer examples from our own careers, and Jonathan talks about the many, many different things he has written during the course of his career, which includes martial arts texts, magazine articles, and sarcastic greeting cards.

And of course we talk about how we’ve worked to broaden our own horizons, diversifying our income streams, and what specific tricks and techniques have helped us.

Audiobook Pick-of-the-Week: Dead of Night: A Zombie Novel, by Jonathan Maberry, narrated by William Dufris

Writing Prompt: Jonathan writes one page to a writing prompt every day, pushing himself out of his comfort zone. Today his prompt for you is to write the opening scene of a steampunk version of Alice in Wonderland.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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By Writing Excuses | April 3, 2011 - 9:59 pm - Posted in Announcements & News, Guest, Live Audience

Sarah Eden and Robison Wells join Dan and Howard at LTUE to talk about writing romance. Sarah writes in the romance genre, but we’re not focusing on the genre — we’re talking about writing romance within the context of whatever else we might happen to be putting on the page.

We lead with how to do it wrong, because nothing is as much fun to talk about as bad romance. It’s also educational.

More importantly (and more usefully) we talk about formulas for doing romance correctly. One of the most practical is to pair characters up by finding emotional needs that these characters can meet for each other. We look at examples from each of our work: Sarah’s The Kiss of a Stranger, Dan’s I Don’t Want To Kill You, Howard’s The Sharp End of the Stick, and Rob’s Variant.

Audiobook Pick-of-the-Week: I Don’t Want To Kill You, by Dan Wells, narrated by Kirby Heyborne. It’s true, this book has some great romance in it. Also, murder.

Writing Prompt: Create a character, and then create a complementary character who both meets a need and provides unwelcome challenge.

Everybody’s Lisp: Brought to you by the noise reduction software we used. Sorry about that. It won’t happen again.

The Bonus Game: Bad Romance! Enjoy!

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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By Writing Excuses | February 13, 2011 - 8:14 pm - Posted in Uncategorized

Kevin J. Anderson, multiple New York Times bestseller, joins us for a discussion of becoming productive, and how this is a reflection of our commitment to our readers.

He starts by telling us about his work day, and it’s pretty obvious that he never lets up. Kevin J. Anderson is known for hitting his deadlines, fulfilling his contracts, and being prolific, and his work day is part of how that happens.

We talk about what it really means for an author to have a contract with a publisher, and how being a writer really is a job, just like any other. Which leads us to a discussion of the mathematics of productivity, and some good suggestions for new and old writers alike.

We close with a the idea that we as authors have a contract with our readers, and that contract is both a privilege and responsibility.

Audiobook Pick-of-the-Week: Island Realm: Crystal Doors, Book 1, by Kevin J. Anderson and Rebecca Moesta

Writing Prompt: Envision a world in which writers are subject to the whims of their readers via a pleasure-pain induction system… in real-time.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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By Writing Excuses | November 28, 2010 - 7:12 pm - Posted in Guest, Theory and Technique

Scott Westerfeld joins Brandon and Howard for a discussion of the visual components of novels. His novel Leviathan is set in an alternate history 1914, and is designed to look like a book from 1914, complete with illustrations. Keith Thompson designed the art to look like period art, and it adds a significant dimension to the book.

Brandon talks about how he employed these same principles in The Way of Kings, which has in-world maps and in-world illustrations throughout its thousand pages. And of course Howard points how these things apply in the illustration-dependent Schlock Mercenary.

We move into a discussion of how the illustrations affect both the publication process and the storytelling, and how things like deck-plans and engineering diagrams feed back into the story.

Audiobook Pick-of-the-Week: Leviathan, by Scott Westerfeld, narrated by Alan Cumming

Writing Prompt: Draw the floor plan of the house or building you’re in. Knock out a wall, and write an action scene involving that.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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By Writing Excuses | August 22, 2010 - 8:17 pm - Posted in Career and Lifestyle, Theory and Technique

Recorded live at Dragons & Fairy Tales, this episode is for anybody who has a novel or two (or more) sitting in the bottom of their trunk. What are the best ways to re-use old material you’ve set aside? We talk about rewriting entire novels, repurposing plots or characters, and moving stories from one place to another.

Sometimes we do this because an idea is just too good to let sit, but the execution on that idea (at least the first time around) wasn’t good enough. And sometimes we shouldn’t do it at all.

Audiobook Pick-of-the-Week: Feed by Mira Grant – it’s 1/3 zombie novel, 2/3 political thriller.

Writing Prompt: “Interspeciated workplace.” Go!

Prompt #2: You just got a “Cease & Desist” from a webcartoonist…

Audience Noises: Delivered on cue, thanks to cleverly positioned signs…

This episode of Writing Excuses has been brought to you by Audible.

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*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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