Tag Archives: Query Letters

12.23: Proposals, Pitches, and Queries

Your Hosts: Brandon, Mary, Dan, and Howard

Let’s talk about selling your stuff. In this episode we discuss query letters, pitches, and proposals—the tools that you use to present your material to people who can pay you for it, and who will partner with you in the task of selling it to the general public.

Liner Notes: This episode pairs very nicely with episode 11.50, “Hand-Selling Your Book,” with Michael R. Underwood.

Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered deep beneath a rugby pitch by Alex Jackson

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Write a pitch. Memorize it. Get other people to stamp your “I pitched my story to you” card. (link leads to a printable PDF)

Code Name Verity, by Elizabeth Wein, narrated by Morven Christie and Lucie Gaskell

Writing Excuses 10.51: Q&A on Showing Your Work, with Daniel José Older

Daniel José Older joins us for a Q&A on showing your work around. Here are the questions, which were submitted by attendees at the Out of Excuses workshop:

  • What’s the best way to meet editors and agents at conventions?
  • How do you write a good query letter?
  • What do you mention as credentials in your query letter?
  • You didn’t cover self publishing at all this month. Self publishing is legit, right?
  • Can you submit the same work to more than one agent or editor at a time?
  • Can you re-submit a revised work to an agent who previously rejected the piece?
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Write a query letter for a book that you love, but did not write. Then write a query letter for your own work.

Mystic, by Jason Denzel, narrated by Mary Robinette Kowal

Writing Excuses 6.5: Query Letters

Dan and Howard had the recent opportunity to interview Dan’s agent, http://saracrowe.com/index.html, who works with the Harvey Klinger agency. We decided to address a topic that is by far the most-requested (and under-addressed) topic on our list: query letters.

Dan begins by reading the query letter he sent to Sara four years ago. Sara then explains why she accepted him as a client. The letter had something to do with it, yes. Sara talks a bit about what she likes and doesn’t like in query letters, and this leads us into a nice discussion of what does and doesn’t work, and why.

We then further deconstruct the letter, and Dan’s decision-making process in writing it. We discuss the synopsis he included, and how well the hook of the novel was presented. We then distill this into some basic points for query-letter writing.

Audiobook Pick-of-the-Week: Alien Invasion and Other Inconveniences, by Brian Yansky, narrated by Alexander Cendese

Writing Prompt: Write a query letter based on your current project.

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Writing Excuses 5.27: Perseverance, with Sherrilyn Kenyon

We’re joined again by Sherrilyn Kenyon for a discussion of perseverence, at her request no less. Sherri tells us about how the struggles she’s had, even after having bestsellers and 98% sell-throughs. And many of us have heard stories like this from other authors.

We talk about breaking in, about how each of us have had discouraging spells, and how important it is to persevere throughout it all. Hopefully the advice we offer will help some of you through the grind as well. Never give up. Never surrender. By Grabthar’s Hammer, even.

Audiobook Pick-of-the-Week: Born of Night: A League Novel, by Sherrilyn Kenyon, narrated by Kelly Fish.

Writing Prompt: Somebody wrote a novel about an alien invasion. One year later the aliens invade exactly per the details in the novel.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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