Fifteen minutes long, because you're in a hurry, and we're not that smart.
All unreliable narrators aren’t unreliable in the same way. How do they differ and how does that change the way that we write them? Erin shares her unified theory (look at the graphic below!) of unreliable narrators. Homework: Take an event that you’re familiar with, and write about it as…
In our second episode on Dan Wells’ audio-only book, “Dark One: Forgotten,” we provide you with tools and advice to consider when deciding whether or not to have a narrator. We also talk about location-aware dialogue, or how you can have your characters info dump without it being an info…
Your Hosts: Brandon, Mary Robinette, Amal, and Maurice Narration is that stuff which tells your story, but isn’t dialog. It’s the voice of your narrator, and it might be multiple voices depending on how you’re handling point of view. In this episode we’ll talk about the things you can do…
Nancy Fulda joins the cast for a discussion of narrative versus character perceptions
Special guest Bree Despain of the Dark Divine trilogy joins us for a ‘cast on character quirks. A character quirk, avoiding the tautological definition, is something that makes your character memorable. We talk about good quirks, bad quirks, and how to tell the difference. We also laugh a lot because it…
We’ve talked about point of view before, but only in general terms: this time we delve into third-person limited in detail, explaining how to use it and when to use it and why. We apologize for the lateness of the post, and the lameness of this episode description: this is…
What’s the fourth wall? What happens when you break it? Should you be breaking it at all?
This episode totally would have updated earlier if I’d only known sooner that it was ready to go. Jordo says he emailed me early this evening, but if he HAD then you’d have been listening to this by 8:00pm Sunday. So… how much of that do you believe? Is the…
