We’re drawing to the close of Season 7, so here’s some microcasting (that’s what we call a fast-paced Q&A) where we field your questions. Here are your questions:

• What are your embarrassing early projects?
• How do you tell if your idea is too big for the story you’re working on?
• How do you avoid discouragement?
• How do you handle multiple magic systems in one book?

Audiobook Pick-of-the-Week: Who Fears Death, by Nnedi Okorafor, narrated by Anne Flosnik

Writing Prompt: Two different characters, two different magic systems…

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Writing Excuses Season 7.52: Microcasting [ 17:49 ] Play Now | Play in Popup | Download (25053)

It’s important to be original, but is it possible to be TOO original? Further, is it possible that we over-value originality?

Dan raises the question in regards to James Cameron’s Avatar, which made lots of money and was widely enjoyed, but which was also roundly criticized for being a story we’ve already heard before. Christopher Paolini’s Eragon is similarly criticized. It is solid execution upon a story cycle that science fiction and fantasy fans are already intimately familiar with.

Howard talks about borrowing “uplift” from David Brin, Mary points out that David Brin borrowed it from Christian Missionaries in Africa, and Brandon then ponders aloud whether this ‘cast is going to be of any use to any of you.

Each of us have struggled with this. It’s exceedingly unlikely that you won’t. The point? Originality is not the be-all, end-all some make it out to be, and authors need to take care not to pursue it to the point that they miss other objectives.

Audiobook Pick-of-the-Week: Sharpe’s Rifles, by Bernard Cornwell, narrated by Frederick Davidson

Writing Prompt: Regarding riding mounted beasts — make the cost to the rider so high that it’s almost never worth it. Now create circumstances under which it’s always worth it.

Meme of the Week: “If I pee far, it’s because I stand on the shoulders of giants.” — Howard Tayler

This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*.

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Writing Excuses 7.27: The Problem of Originality [ 16:23 ] Play Now | Play in Popup | Download (21989)

It’s the Writing Excuses Fantasy Setting Yard Sale!

In this experimental (at least for us) ‘cast, Brandon, Dan, Mary, and Howard build a couple of fantasy settings for you, and they’re free. Seriously. TAKE THEM.

We start our world-building with an unusual way for someone to obtain magical powers. We ended up with space-dust. We then head into what these powers do, and again we look for something unusual. We picked mutation. Then we start applying limitations: astrological, alchemical, and geological.

Our second pass (we’re giving away more than one of these!) began with cultural elements. We toy with how political power is granted, and end up with some neat linguistic bits, puerile humor, dance steps, ambidexterity, and a callback to the earlier puerility.

Audiobook Pick-of-the-Week: The Alloy of Law: A Mistborn Novel, by Brandon Sanderson, narrated by Michael Kramer

Writing Prompt: This whole episode is one big writing prompt, and you need one because NaNoWriMo is over, but that’s no excuse to not write. You’re out of excuses, as we’ve told you on more than one occasion. Write!

Puerility: “Fart joke.”

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Writing Excuses 6.27: Fantasy Setting Yard Sale [ 17:21 ] Play Now | Play in Popup | Download (18705)

Andrew P. Mayer joins Howard, Mary, and Dan at Dragon*Con 2011. Andrew’s has one book out, The Falling Machine, and the second book in this “Society of Steam” series, Hearts of Smoke, comes out on November 22nd. Andrew describes them as “steampunk superhero” novels, which nicely takes us into our topic, which centers around taking a ridiculous, over-the-top concept and using it to create brilliant and realistic literature.

We discuss a number of concepts which seem, at least on the surface, to be completely ridiculous, and which have been turned into wonderful stories, books, and series of books. We also talk about how to pull this off, and what writing skills we need to bring to bear.

Audiobook Pick-of-the-Week: Mainspring, by Jay Lake, narrated by William Dufris

Writing Prompt: Give us a story about a character who discovers that there exists a pill to grant you the powers of a god.

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Writing Excuses 6.24: From the Ridiculous to the Sublime [ 18:38 ] Play Now | Play in Popup | Download (14881)

We’ve done brainstorming casts before. This time we’ve prepared something quite a bit different. It’s different, in fact, because we prepared it — in advance, even.

Producer Jordo provided your hosts Brandon, Dan, Mary, and Howard with four wacky news headlines. From these, we each hammered together rudimentary bits of story, and we did so independently. You get four different takes on this four-headline mashup.

The four headlines:

• Wary of Iguanas, Bored Germans Finally Venture Out
• Heroic Mailman Saves Three Lives While On the Job
• Dolphin Charged With Battery Against Girlfriend
• Austrian Power Company Tells Customer She is Dead

Mary goes first and sets the bar rather high with an entire story outline.

Brandon goes next, and gives us a magic system.

Then it’s Howard’s turn. What looks like story shrapnel turns out to be the prologue.

Finally, Dan gives us a nice, post-apocalyptic piece, or at least the robotic skeleton of one.

Audiobook Pick-of-the-Week: The Man in the High Castle by Philip K. Dick, narrated by Tom Weiner.

Writing Prompt: No prompt this week. Not unless you want to try your hand at these headlines.

Those Bullet Points from Brandon: Nope, not in Howard’s email. We’ll get them eventually. Or maybe not.

This episode of Writing Excuses has been brought to you by Audible.
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Writing Excuses 6.21: Brainstorming Random Ideas [ 16:08 ] Play Now | Play in Popup | Download (15954)

Orson Scott Card’s M.I.C.E. quotient is a concept from his books Character and Viewpoint and How to Write Science Fiction. M.I.C.E. stands for Milieu, Idea, Character, and Event, and can serve as a way to identify what kind of story you’re telling, and which elements you might need to spend more time fleshing out.

Mary walks us through each of the M.I.C.E. elements, and then we discuss ways in which writers can apply the quotient for improving their writing.

Then we try to take the Billy Goats Gruff tale and spin it as four different stories, one each for the M.I.C.E. elements, but that proves to be a pretty ambitious undertaking for us. Oh, the stumbling.

Audiobook Pick-of-the-Week: Enchantment, by Orson Scott Card, narrated by Stefan Rudnicki.

Writing Prompt: Apply the M.I.C.E. quotient to Red Riding Hood, and write at least one page of story per element. Wow, this sounds a lot like homework.

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Writing Excuses 6.10: Scott Card's M.I.C.E. Quotient [ 17:51 ] Play Now | Play in Popup | Download (18272)

It was so popular when we did it the first time, we decided to do it again. Here’s a second rapid-fire Q&A, with questions coming to us from Twitter, Facebook, and email.

1. How do you do bad things to your heroes and not feel bad about it?
2. How far into writing a novel should you begin letting others read it and provide feedback?
3. Do the bad things you do to your characters always have to suit the story?
4. How do you design frightening creatures?
5. How far into the outlining process do you actually start writing?

Audiobook Pick-of-the-Week: Fight Club, by Chuck Palahniuk, narrated by Jim Colby. Content warning! This book has naughty words and some very adult concepts in it. Dan recommends it anyway.

Writing Prompt: You have decided to start “Zoo Club,” and you just punched an elephant REALLY HARD.

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Writing Excuses 5.11: MicroPocasting 2 [ 16:02 ] Play Now | Play in Popup | Download (15898)

The now cancer-free John Brown joins us again, this time for a discussion of the creative process. John has presented a seminar on this subject in the past, the focus of which is to teach people to unlock their creativity. At the core of this is the problem-solving we all engage in at some point. You have a problem, so you sit down and try to solve it. BAM. Creativity.

With John’s help we set out to de-mystify creativity, showing how everybody has to be creative on a regular basis, and how this skill set can be broadened through certain types of behavior, and immersion in particular domains. We explore strategies for developing what feels like a good idea, tactics for getting un-stuck when we’re bogged down, and finally figuring out when we’re done.

Audiobook Pick-of-the-Week: The Hallowed Hunt by Lois McMaster Bujold, read by Marguerite Gavin

Writing Prompt: A person gets surgery so in order to imitate He Who Never Sleeps…

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Writing Excuses 5.10: John Brown and the Creative Process [ 16:57 ] Play Now | Play in Popup | Download (16303)

We’re off to a great start, with a dangling preposition right there in the title.

We end each podcast with the tagline “you’re out of excuses, now go write,” but many people still come up with plenty of excuses. How does the professional writer deal with these sorts of things? We talk about the absence of the muse, the wrong space, the absence of ideas, discouragement, lack of time, distractions, and pants.

Howard’s pants, of course.

Audiobook Pick-of-the-Week: Hyperion, by Dan Simmons.

Writing Prompt: You need to change your shoes, or something awful is going to happen.

Full Circle: Pants at the beginning and the end. Oh, good. That means we wore them the whole time.

This episode of Writing Excuses has been brought to you by Audible.
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Writing Excuses 5.8: The Excuses You're Out Of [ 19:02 ] Play Now | Play in Popup | Download (17277)

When Oscar Hammerstein wrote “Let’s start at the very beginning // A very good place to start” he was talking about teaching children to sing, not writing a novel. Sometimes the beginning is the very worst place to start, so in this ‘cast the Writing Excuses crew starts at the end.

Dan leads with a reminder that we should all watch his five-part lecture on story structure, and then hits a couple of the high points in his process. Brandon points out that he and Dan both start in the same way, even though Dan usually discovery-writes his way to the selected ending, and Brandon typically outlines towards it in advance of putting chapters down. Unsurprisingly, Howard starts in the same place.

So what are the problems with working backwards? How do we prevent those things from happening? What are some great things about working backwards? How can we ensure that those happen every time?

That’s the first half of the ‘cast. The second half is a right treat, as you get to listen to Brandon, Dan, and Howard attempt to brainstorm a great ending from which they can work backwards to a beginning. Producer Jordo provides a pair of headlines as prompts, including programmable matter, Harley Davidson motorcycles, and a thrown puppy.

Audiobook Pick-of-the-Week: Furies of Calderon: Codex Alera Book 1, by Jim Butcher — a book that Brandon tells us was written when somebody dared Jim Butcher to build epic fantasy around Pokémon.

Writing Prompt: What’s the character arc for our mathematical analyst biker dude? Yes, you’ll have to listen to the ‘cast in order to figure this prompt out.

Sound Effect of the Week: George Jetson’s Harley

Weekly Feature You Won’t See Every Week: Sound Effect of the Week.

This episode of Writing Excuses has been brought to you by Audible.

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Writing Excuses 4.28: Brainstorming Endings [ 18:26 ] Play Now | Play in Popup | Download (18362)