Tag Archives: I Am Not a Serial Killer

Writing Excuses 10.48: Project in Depth, The Devil’s Only Friend

Spoiler Alert! We’ll be discussing the latest John Cleaver book from Dan Wells with author, podcaster, and unrepentant bacon-lover Dan Wells! If you haven’t read it, and you want to be surprised by it, stop listening and grab a copy now!

If you have read it, we apologize on Dan’s behalf for any emotional scarring you may have experienced. Now… give the episode a listen, and learn how Dan managed to do that to you.

 

This episode was engineered aboard The Independence of the Seas by Bert Grimm, and mastered in an orbital communications array by Alex Jackson.

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We are on a ship. Set a story that doesn’t really fit on a ship onto a ship.

The Devil’s Only Friend, by Dan Wells, narrated by Kirby Heyborne

Writing Excuses 8.37: When Fail Happens in Your Career

What do you do when something goes wrong, really wrong, with your career? What happens if it’s your fault? What about if it’s someone else’s fault?

Mary leads by talking about the Glamour in Glass misprint — the first line was omitted in the hardback — and the difference between her private and public reactions to the issue.  She likens this to similar sorts of situations that might happen on stage in live theater, and how those teams are expected to behave.

Dan tells us about the issue in I Am Not a Serial Killer, which gave some readers fits because it was edited in such a way that readers didn’t know there were supernatural elements in the story until chapter 10.

From these and other experiences, we extrapolate some behaviors you can use, and some things to steer clear of.

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Write a character who really screws up, and then take them to the moment where they realize they need to apologize.

The Blinding Knife, by Brent Weeks, narrated by Simon Vance.

Writing Excuses 6.30: Help! I Can’t End My Book!

Merry Christmas! Here’s the last episode of Writing Excuses Season 6! We decided to end the season with a discussion of endings. Specifically, we answer cries for help that we’ve gotten. The cries answered include:

  • I’m 90% done and I’ve painted myself into a corner! How do I end this book without resorting to deus ex machina?
  • The best part of this book was 75% of the way through! I need the highlight to be at the END!
  • My outline isn’t working here at the end! How do I know when to abandon it?
  • Help! I want both a satisfying ending and room for a sequel! (hint: we use an object lesson here…)
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Dan needs a hamburger. What’s stopping him? And what is he going to end up with instead of a hamburger? (Hint: it should be more satisfying than the end he had in mind at the beginning…)

The Hitchhiker’s Guide to the Galaxy, by Douglas Adams. Try it narrated by Stephen Fry, or try out the original radio teleplays!

Writing Excuses 6.29: Character Foils

Let’s talk about character foils, and how to use them. We begin with a definition of character foils, expertly read by Mary. Then we talk about some archetypes, like the straight-man and the funny-guy, the hero and the sidekick, and offer some examples.

And then it’s nuts-and-bolts time: we talk about how and why to do this. Howard offers the example of Reverend Theo and Kevyn in the Schlock Mercenary books. Mary explains how she used a foil to strengthen her short story “For Want of a Nail,” (which went on to win a Hugo award.) Brandon tells us how adding a foil character was critical to The Way of Kings. Finally, Dan reveals to us (spoiler alert!) how John Cleaver and Mr. Crowley are foils for one another in I Am Not a Serial Killer.

 

Audiobook Pick-of-the-Week: Late Eclipses: an October Daye Novel, by Seanan McGuire, narrated by Mary Robinette Kowal.

Writing Prompt: Generate a list of five character pairs. Pick the most interesting of the set, and write about them.

This episode of Writing Excuses has been brought to you by Audible.
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Writing Excuses 6.5: Query Letters

Dan and Howard had the recent opportunity to interview Dan’s agent, http://saracrowe.com/index.html, who works with the Harvey Klinger agency. We decided to address a topic that is by far the most-requested (and under-addressed) topic on our list: query letters.

Dan begins by reading the query letter he sent to Sara four years ago. Sara then explains why she accepted him as a client. The letter had something to do with it, yes. Sara talks a bit about what she likes and doesn’t like in query letters, and this leads us into a nice discussion of what does and doesn’t work, and why.

We then further deconstruct the letter, and Dan’s decision-making process in writing it. We discuss the synopsis he included, and how well the hook of the novel was presented. We then distill this into some basic points for query-letter writing.

Audiobook Pick-of-the-Week: Alien Invasion and Other Inconveniences, by Brian Yansky, narrated by Alexander Cendese

Writing Prompt: Write a query letter based on your current project.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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Writing Excuses 5.26: Scared for the Characters

Sherrilyn Kenyon, a multiple New York Times bestselling author of all kinds of novels, helps us tackle the tricky work of making the reader fear for the characters in the book.

The first step? Make the reader sympathize with the characters. Then make the reader love them. And then? Then you put them through the wringer while your readers bite their nails bloody in horror.

Here in the blurb we make it sound easy and formulaic. Listen to the ‘cast for pointers on the difficult bits.

Audiobook Pick-of-the-Week: Night Pleasures: The Dark Hunters, Book 1, by Sherrilyn Kenyon, narrated by Carrington MacDuffie

Writing Prompt: Take a Lovecraftian beastie and shove him into The Shire.

Legal Note: The Lovecraftian beastie may lie in the public domain, but The Shire most certainly does not. Additional points for making your Shire and your Hobbits C&D-proof with clever name changes and a shave of their feet.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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