Tag Archives: Howard Tayler

Writing Excuses 7.21: Project In Depth — Force Multiplication

We’re doing something new, and Howard gets to go first.

The plan is to take something one of us has completed, and which you’ve had ample time to read, and grill the creator about the project. Obviously there will be spoilers. Also, we’re going to run a bit long on these.

First up in our “Project In Depth” series: Howard’s most recent online volume of Schlock Mercenary, Force Multiplication. You can read it for free at the link above. It’s been nominated in the Best Graphic Story category for this year’s Hugo Awards, this entire episode features Howard on the spot answering questions about the project from Brandon, Dan, and Mary.

The biggest issue discussed is the female perspective. In Force Multiplication Howard challenged himself by casting all of the leads for the story as women, and it changed the storytelling process for him significantly.

He also talks about the setting — Haven Hive — and how he needed the setting to functionally isolate a small ensemble cast. He talks about naming a little, and finally talks about how he turned a sterile-sounding high-concept plot into an interesting story.

Next up on our Project In Depth series: The Way of Kings, by Brandon Sanderson. You have been warned. We’ll also be doing Mary Robinette Kowal’s Glamour in Glass and Dan Wells’ Hollow City. We’re NOT doing this back-to-back. You’ve got a little time.

Thing That Would Make Howard Sound Smarter: Remove every last “you know” from his dialog. (Note that this would not actually increase Howard’s IQ.)


Do this with your own work—have your friends interview you in depth about something you’ve finished, or something you’re currently working on.

Going Postal, by Terry Pratchett, narrated by Stephen Briggs

Writing Excuses 6.12: Revising For Description

It is Howard’s turn in the critique box! Brandon, Dan, and Mary dissect a 21-year-old manuscript from 22-year-old Howard, this time with an eye to making descriptions do more than one thing.

Since the manuscript runs for six pages before colliding with any inconvenient dialog, it’s a perfect fit. It might also be perfect because of how much work it needs.

Audiobook Pick-of-the-Week: The Sparrow, by Mary Doria Russell, narrated by David Colacci

Writing Prompt: Start with Howard’s concept and write your own story. The complete chapter whose pages we dissected can be found here in RTF format.

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Writing Excuses on the 2011 Hugo Ballot

Question: What does Writing Excuses have in common with Isaac Asimov, Michael Whelan, and Batman?

Answer: We’ve all been nominated at some point for a Hugo award! (Just not all in the same year.)

Specifically: “Writing Excuses Season 4” by Brandon Sanderson, Howard Tayler, and Dan Wells, produced by Jordan Sanderson, has been nominated for the 2011 “Best Related Work” Hugo. We’re honored, and we’re thrilled.

In very, very related news, Dan Wells has been nominated for the John W. Campbell award for Best New Writer, and Howard Tayler’s Schlock Mercenary: Massively Parallel has been nominated for Best Graphic Story.

Several former guests here on Writing Excuses have also been honored with nominations. Larry Correia was nominated for a Campbell Award, Eric James Stone’s “That Leviathan, Whom Thou Hast Made” is up for Best Novelette, Moshe Feder is up for Best Editor, Long Form, Mary Robinette Kowal’s “For Want of a Nail” is up for Best Short Story, and Phil and Kaja Foglio’s Girl Genius Volume 10 is up for Best Graphic Story.

The voting will take place between now and sometime in July, and the winners will be announced at the World Science Fiction Convention in Reno.

For a full list of Hugo and Campbell award nominees, as well as information about voting, past awards, and the history of the award itself visit thehugoawards.org. There’s also a list here on the Worldcon site.

Note: We’ll have a regular episode of Writing Excuses up in an hour or so. Don’t worry — we’re not using this nomination as an excuse to depart from our regular schedule of leaving you out of excuses.