Tag Archives: Hard Science Fiction

Writing Excuses 9.4: Artificial Intelligence with Nancy Fulda

Nancy Fulda, herself a lettered student of artificial intelligence, joins us to talk about writing artificial intelligence believably. We fire questions at her so that you don’t have to!

We talk about what’s current, what’s coming, and what it is that we’re all expecting. We also cover some of the things that writers get wrong (at least insofar as they knock the cognoscenti out of the story.)

Liner Notes: Here’s the article Howard mentioned, “Evolving a Conscious Machine,” from the June 1998 Discover. He got the details almost 100% wrong, but the gist of it was still there.

Play

Go to the Internet and look up Bayesian learning, neural networks, and genetic algorithms. Yes, it’s more of a reading prompt.

Rainbows End, by Vernor Vinge, narrated by Eric Conger

(note: Howard got this wrong — no apostrophe at all! And yes, a lantern got hung upon that particular missing bit of punctuation.)

Writing Excuses 9.2: Hard Science Fiction with Eric James Stone

Eric James Stone joins us for a discussion of hard science fiction. We begin with a discussion of definitions, and then we take care not to spend the whole episode just talking about that. We talk about what we like about hard science fiction (with examples) and of course we address the crux of the matter: can you write hard science fiction without having a degree in the hard sciences?

Play

Think of a way to combine two technologies that are currently not combined, and weave them into a story.

Bowl of Heaven, by Gregory Benford and Larry Niven, narrated by Zach Villa

Writing Excuses 7.32: Astronomy 101 for Writers

Eric James Stone, Nebula winner and “graduate” of NASA’s Launchpad workshop, joins us to talk about astronomy in our world-building.

We talk about tides, habitable zones, planetary orbits and axial tilts, stellar life-cycles, and other fun factors for authors to take into account. But obviously we can’t teach you everything you need to know about astronomy in 15 minutes, so we wrap with some handy resources for you to begin your continuing education:

Play

Your colonists are going to a world whose axial tilt is different from Earth’s. How are the seasons different?

Helliconia Spring by Brian Aldiss, narrated by Christopher Slade

Writing Excuses 6.13: World Building Communications Technology

Let’s talk commo! How does the ubiquity of communication tech affect your story? How far out of your own experience do you need to step in order to build a culture whose communications are believable?

We talk about the Great Wall of China, Napoleon’s visual semaphore, the Brin P2P Plan, and cell-phones in the X-files. Our goal? To get you to think about how the people in your stories communicate with each other, and how those communications can fail whether you’re writing fantasy or science-fiction.

Audiobook Pick-of-the-Week: Snow Crash, by Neal Stephenson, narrated by Jonathan Davis.

Errata: The Ringworld is not 93 million miles in diameter. That was the approximate radius. Also, Howard got the circumference wrong. If only we’d had instant access to some sort of database, some network of computational resources while we were recording this episode…

Writing Prompt: Start with a fax machine, make it a 3d-printer/prototyper, and run from there…

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

Play