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	<title>Writing Excuses &#187; Emotion</title>
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	<description>Fifteen minutes long, because you&#039;re in a hurry, and we&#039;re not that smart.</description>
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	<copyright>2008-2011 Dragonsteel Entertainment </copyright>
	<managingEditor>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</managingEditor>
	<webMaster>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</webMaster>
	<category>Writing books</category>
	<ttl>1440</ttl>
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		<title>Writing Excuses</title>
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	<itunes:subtitle>15 minutes long because you&#039;re in a hurry, and we&#039;re not that smart.</itunes:subtitle>
	<itunes:summary>Fantasy Novelist Brandon Sanderson, science-fiction cartoonist Howard Tayler, and horror writer Daniel Wells discuss writing techniques in a fast-paced, 15-minute format.</itunes:summary>
	<itunes:keywords>writing, books, how, to, write, Brandon, Sanderson, Howard, Tayler, Dan, Wells, Mary</itunes:keywords>
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	<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
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		<itunes:name>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:name>
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		<title>Writing Excuses 6.25: When Characters do Dumb Things</title>
		<link>http://www.writingexcuses.com/2011/11/20/writing-excuses-6-25-when-characters-do-dumb-things/</link>
		<comments>http://www.writingexcuses.com/2011/11/20/writing-excuses-6-25-when-characters-do-dumb-things/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 01:44:31 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Characters]]></category>
		<category><![CDATA[Plot]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Motivation]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Tragic Flaw]]></category>

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		<description><![CDATA[Brandon, Dan, Howard, and Mary talk about making characters do dumb things for smart reasons.]]></description>
			<content:encoded><![CDATA[<p>Let&#8217;s face it. The characters in your book will do some dumb things. We&#8217;re here to help you make sure they do those dumb things for the right reasons.</p>
<p>Brandon, Dan, Mary, and Howard talk about the good, the bad, and the ugly of dumb, and how you as an author can write dumb smart. Or smartly write dumb. Something like that.</p>
<p>&nbsp;</p>
<p><strong>Audiobook Pick-of-the-Week: </strong><em><a href="http://www.audible.com/pd/ref=sr_1_1?asin=B005P1FLDK&amp;qid=1321839122&amp;sr=1-1">Variant</a></em>, by Robison Wells, narrated by Michael Goldstrom.</p>
<p><strong>Writing Prompt: </strong>Create a solid romance in which the characters cannot be together because of good, intelligent, character-driven reasons.</p>
<p><strong>This episode of Writing Excuses has been brought to you by Audible.</strong><br />
Visit <a href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.<br />
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p><strong>Audible® Free Trial Details</strong><br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</p>
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		<slash:comments>16</slash:comments>
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		<itunes:duration>0:16:21</itunes:duration>
		<itunes:subtitle>Brandon, Dan, Howard, and Mary talk about making characters do dumb things for smart reasons.</itunes:subtitle>
		<itunes:summary>Brandon, Dan, Howard, and Mary talk about making characters do dumb things for smart reasons.</itunes:summary>
		<itunes:keywords>Characters, Emotion, Horror, Motivation, Romance, Tragic, Flaw</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
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		<title>Writing Excuses Season 3 Episode 19: Emotion in Fiction with John Brown</title>
		<link>http://www.writingexcuses.com/2009/10/04/writing-excuses-season-3-episode-19-emotion-in-fiction-with-john-brown/</link>
		<comments>http://www.writingexcuses.com/2009/10/04/writing-excuses-season-3-episode-19-emotion-in-fiction-with-john-brown/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 00:53:11 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Guest]]></category>
		<category><![CDATA[Writing Prompt]]></category>
		<category><![CDATA[Adam Smith]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[Depression]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[F. Paul Wilson]]></category>
		<category><![CDATA[John Brown]]></category>
		<category><![CDATA[Orson Scott Card]]></category>
		<category><![CDATA[therapy]]></category>

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		<description><![CDATA[John Brown joins us again, and tells us that fiction &#8220;is all about guiding an emotional response in a reader.&#8221; We begin with a discussion of depression, which John (like many of us) had to deal with. He tells us about the paths for emotional response, and how a beginning writer can end up in [...]]]></description>
			<content:encoded><![CDATA[<p>John Brown joins us again, and tells us that fiction &#8220;is all about guiding an emotional response in a reader.&#8221; We begin with a discussion of depression, which John (like many of us) had to deal with. He tells us about the paths for emotional response, and how a beginning writer can end up in the depths of depression just by looking at the work of successful writers.</p>
<p>But working through that, especially with cognitive therapy, can provide the writer with fantastic tools for informing his or her writing. And those tools are really why you&#8217;re here. Listen closely!</p>
<p>Writing Prompt: Give us villainous heroes, romance, and something that evokes terror.</p>
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		<slash:comments>30</slash:comments>
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		<itunes:duration>0:15:47</itunes:duration>
		<itunes:subtitle>John Brown joins us again, and tells us that fiction &#8220;is all about guiding an emotional response in a reader.&#8221; We begin with a discussion of depression, which John (like many of us) had to deal with. He tells us about the paths for emoti[...]</itunes:subtitle>
		<itunes:summary>John Brown joins us again, and tells us that fiction &#8220;is all about guiding an emotional response in a reader.&#8221; We begin with a discussion of depression, which John (like many of us) had to deal with. He tells us about the paths for emotional response, and how a beginning writer can end up in the depths of depression just by looking at the work of successful writers.
But working through that, especially with cognitive therapy, can provide the writer with fantastic tools for informing his or her writing. And those tools are really why you&#8217;re here. Listen closely!
Writing Prompt: Give us villainous heroes, romance, and something that evokes terror.</itunes:summary>
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