Tag Archives: Editors

Writing Excuses 10.51: Q&A on Showing Your Work, with Daniel José Older

Daniel José Older joins us for a Q&A on showing your work around. Here are the questions, which were submitted by attendees at the Out of Excuses workshop:

  • What’s the best way to meet editors and agents at conventions?
  • How do you write a good query letter?
  • What do you mention as credentials in your query letter?
  • You didn’t cover self publishing at all this month. Self publishing is legit, right?
  • Can you submit the same work to more than one agent or editor at a time?
  • Can you re-submit a revised work to an agent who previously rejected the piece?
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Writing Prompt: Write a query letter for a book that you love, but did not write. Then write a query letter for your own work.

Audiobook Pick-of-the-Week: Mystic, by Jason Denzel, narrated by Mary Robinette Kowal

Writing Excuses 10.50: How to Hand-Sell Your Manuscript to Agents and Editors, with Michael Underwood and Marco Palmieri

Marco Palmieri and Michael Underwood took the stage with Howard and Dan at GenCon Indy 2015 to discuss hand-selling manuscripts. Marco Palmieri is a senior editor at Tor, and Michael Underwood is an author, and is also the North American Sales and Marketing manager for Angry Robot Books.

We begin with a list of the things to avoid doing, including the classic mistakes like chasing editors into restrooms, but we quickly move on to where you get started, and what your task list is going to look like. We cover resources like Literary Marketplace, Locus, and Publishers Lunch, and the not-so-secret-anymore #MSWL hash-tag.

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Writing Prompt: Your character has to go undercover at a writing conference, and steal a super-secret manuscript from an editor

Audiobook Pick-of-the-Week: The Providence of Fire: Chronicles of the Unhewn Throne, book 2, by Brian Staveley, narrated by Simon Vance

Writing Excuses 10.49: What Do I Do With This Thing Now?

We’re at the end of our Season Ten Master Class, and if you’ve been diligent about the homework, you may very well have a finished manuscript in your hands. What do you do with it?

Daniel José Older joins us for a bit of reminiscence. We talk about some of our first submissions, and what we did right, wrong, and weirdly. We cover our criteria for selecting publishers to whom we’d like to send our stuff, and we include the shiny intangibles in that list.

 

This episode was engineered aboard The Independence of the Seas by Bert Grimm, and mastered in an abandoned missile silo by Alex Jackson.

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Writing Prompt: Research the market for that thing you've written. Find things that are similar to what you wrote, and read up on who published them. Find out who the editors were. Then make a list of places where you'd like to submit your work.

Audiobook Pick-of-the-Week: Half-Resurrection Blues: Bone Street Rumba, Book 1, written and narrated by Daniel José Older.

Writing Excuses 9.35: What to do when you disagree with your editor

Peter Orullian joined us in front of a live audience at Westercon to talk with us about dealing with editors. We usually talk about craft, but this is a business discussion, and it’s about one of the most delicate and important relationships in the business. He begins by telling the short version of the story, and how he managed one of the worst-case scenarios: asking your publisher for a different editor.

We then move into some take-aways, and some additional experiences we’ve had that will hopefully help our listeners manage this sort of thing in the future.

 

 

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Writing Prompt: Write a sword-fighting scene, a la Princess Bride, in which the witticisms are part of a magic system, and are part of the fight itself.

Audiobook Pick-of-the-Week: Unfettered: Tales by Masters of Fantasy, Written by: Terry Brooks, Patrick Rothfuss, Robert Jordan, Jacqueline Carey, R.A. Salvatore, Naomi Novik, Peter V. Brett, Shawn Speakman (editor) Narrated by: Peter Ganim, Marc Vietor, Bronson Pinchot, Jay Snyder

Writing Excuses 9.11: Microcasting

Microcasting! It’s what we call our Q&A episodes, because they’re like multiple mini-casts. Eric James Stone joins us to help out. Here are the questions we field:

  • Should a pantser rewrite their book once they know the whole story?
  • What do you find most useful from an editor?
  • Story creation is cool, but can Writing Excuses talk more about sentence-level work?
  • What advice do you have for pitching to agents and editors?
  • What’s the worst writing advice you’ve ever gotten?
  • How do you encourage a writer-friend who is down on their work?

Give episode 9.11 a listen for our answers.

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Writing Prompt: Something magical is preventing your friend from pursuing their dreams, but you don't know what it is...

Audiobook Pick-of-the-Week: Ghost in the Wires: My Adventures as the World’s Most Wanted Hacker, by Kevin Mitnick and William L. Simon, narrated by Ray Porter

Writing Excuses 6.19: Pitching

Pitching your work… authors often have difficulty with it. Even authors who have no trouble spinning a fantastic story may find themselves at a loss telling people ABOUT that story in a way that makes it compelling.

We cover three kinds of pitches — the one-liner or “elevator pitch,” the three- or four-paragraph explanation, and the in-depth synopsis. We also talk about the sorts of situations in which you’re going to need these.

Few skills are as important to new authors, and few weaknesses can be as career-limiting.

Audiobook Pick-of-the-Week: The Dispossessed, by Ursula K. Le Guin, narrated by Don Leslie

Writing Prompt: Take three of your favorite books and write one of each kind of pitch for each of those books. Now convince a friend of yours to read one of those books using one of those pitches.

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