By Writing Excuses | March 23, 2014 - 9:30 pm - Posted in Career, Editing, Gender, Guest, Prose, Q&A, Race, Season 9, Style

Aaand we’re microcasting again! A Q&A episode by any other name would sound as neat. Also neat? Eric James Stone joins us again!

  • What writing rule do you break the most?
  • When you review your novel do you print it out and mark it up, or do you edit on the computer?
  • How long do you wait between finishing a novel and starting the editing process?
  • What is the number-one issue that you have to overcome each day in order to put words to paper?
  • How do you feel with the fear of screwing up when you’re writing the other?
  • When giving a book as a gift, how do you decide on a book to give?
  • Any advice for people wanting to write a grand, universal story for their fantasy novel?
  • Is there a place you go to be inspired to write?
  • Do you ever have trouble writing characters out of the story (you know, by killing them)?
  • How do you strike the balance between too little description and too much?

A Note Regarding The Audio: Brandon’s microphone died just before we started, and we didn’t catch it, so if he sounds echoey it’s because we had to get his track from the other three microphones in the room.

 

 

 

Audiobook Pick-of-the-Week: Between Two Thorns: The Split Worlds Series Book 1, by Emma Newman, narrated by the author

Writing Prompt: The word "sesquipedalian" means 18 inches long, and is usually only used to describe words that are too long. Find a way to work it into a scene so that it fits.

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By Writing Excuses | November 17, 2013 - 4:53 pm - Posted in Career, Conventions, Editing, Guest, Live, Research, Season 8, Submitting

Aeryn Rudel, publications manager (it’s like the editor-in-chief) of Privateer Press‘s Skull Island X imprint, joins us to talk about editing. Obligatory disclaimer — Aeryn is Howard’s boss when Howard writes things like “Extraordinary Zoology.”

Aeryn begins by explaining to us what it is that he’s looking for in works, in the authors with whom he works, and how writers might prepare themselves for this kind of work, but his real job here on the ‘cast is to talk to us about the role of the editor. Much of that role deals with continuity of to the setting and the tone of the piece, but there’s plenty more.

Audiobook Pick-of-the-Week: The Blade Itself: The First Law: Book One by Joe Abercrombie, narrated by Steven Pacey

Writing Prompt: Hell's copyeditor.

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By Writing Excuses | November 3, 2013 - 2:27 pm - Posted in Career, Editing, Publishing, Season 8

Tom Doherty, founder, publisher, and president of Tor books, joins us to talk about publishing. If you’ve ever wondered what a publisher does — not the company, the human being to whom the editors report — this is the episode for you. Whether you want to work as an editor, want to find the right editor, or just have a burning curiosity about this industry, Tom has the answers. He talks to us about the history of the industry, the changes it’s currently undergoing, and the direction it may take in the future.

Audiobook Pick-of-the-Week: Ender's Game, by Orson Scott Card, narrated by Stefan Rudnicki and Harlan Ellison. As Tom points out during the cast, it's unusual for a book to make The New York Times Best Sellers list twenty-eight years after its publication.

Writing Prompt: Write a story about a publisher trying to predict the next trend, and the technology he's using to do it.

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Mary’s story “Kiss Me Twice,” is a murder mystery featuring an artificial intelligence using Mae West as an avatar. It appeared on the ballot for the 2012 Hugo Awards in the Best Novella category (our early discussion to the contrary, we totally did NOT air this episode in time for 2012 Hugo voting. Yes, we recorded this episode a full year prior to airing it.)

Mary walks us through the process of creating the story, and then cutting it down from novel-length to the novella-length at which it currently appears, as well as a bunch of the work that went into creating a compelling, character-driven mystery with an A.I. as a critical character. We also get a fun “what-if” argument as the cast talks about what we liked best about the story, and how we’d change it if it got bigger.

Public Service Announcement: Voting is now open for the 2013 Hugos. The ballot can be seen here. If you purchase, or have already purchased, a membership to LoneStarCon 3, you are eligible to vote on the 2013 Hugos, and will have access to the entire Hugo Voting Packet — a collection of all nominated works. Voting closes on July 31st. (Obligatory disclaimer: Brandon and Howard are on the ballot in the Novella and Graphic Story categories, respectively, and Writing Excuses Season 7 is on the ballot in the Best Related Work category.)

Audiobook Pick-of-the-Week: Empire State, by Adam Christopher, narrated by Phil Gigante

Writing Prompt: Pick your favorite actor or actress, gather your favorite quotes from them in their films, and string them together in a single character's voice in a new context.

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By Writing Excuses | May 27, 2012 - 5:27 pm - Posted in Business, Characters, Pacing, Plot, Q&A, Season 7

A microcast is our word for an asynchronous Q&A episode: you ask us tons of questions online, either through twitter or facebook or our listenermail account (on the sidebar), and we want to answer as many of them as we can. Not every answer can fill an entire episode, though, so we take the smaller ones and cover a bunch of them at once in a microcast. This week we take a brief, pithy look at the following:

  • Prologues and epilogues
  • Using drawings to get across settings
  • Simple tricks for naming things
  • Would you self publish if you had a do over?
  • How do you keep a powerful character interesting?
  • Foreshadowing
  • Trimming
  • Flashbacks

Audiobook Pick-of-the-Week: The Sweetness at the Bottom of the Pie, by Alan Bradley

Writing Prompt: Write a flashback, in a prologue, with a mirror scene. Yes.

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By Writing Excuses | May 6, 2012 - 9:33 pm - Posted in Editing, Outlining, Plot, Prose, Q&A, Season 7

James Dashner joins us for a Q&A at Utah Valley University during Life, The Universe, and Everything.

The first question starts out amazingly rough, but the 12-year-old asking it manages to stick the landing. The questions include:

  • Why is the ARC of James’ first book so different from the later books?
  • How do you handle paragraph- and sentence-level edits?
  • How do you plot your stories?
  • How do you craft endings that are both satisfying, and leave the reader wanting more?
  • What do you do when your compelling villain threatens to take over the whole book?

That Panel Howard Talked About: It’s actually at the end of Massively Parallel, and you can look at it right here.

Audiobook Pick-of-the-Week: Everneath, by Brody Ashton, narrated by Amy Rubinate

Writing Prompt: You get kidnapped and put in an asylum for the criminally sane.

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By Writing Excuses | April 15, 2012 - 6:29 pm - Posted in Demonstration, Editing, Outlining, Season 7

Once more into the breach, dear friends, once more… only without a big speech before the charge.

We’re still tearing into Mary’s first novel outline in this second part of a VERY SPECIAL two-part session of Writing Excuses. Mary reads from her outline, then Brandon, Dan, and Howard look for high-level problems like inactive protagonists, missing character arcs, or other structural issues.

As promised, this episode runs long. Hopefully you’re not in that much of a hurry, because clearly we weren’t smart enough to plow through all this material inside of 20 minutes.

Liner Notes: That link up there is the same as this one right here.

Audiobook Pick-of-the-Week: Under Heaven, by Guy Gavriel Kay, narrated by Simon Vance

Writing Prompt: Give us a monkey, a bronze pot, a baby, and pizza in completely different situations than what we heard in Mary's outline.

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By Writing Excuses | April 8, 2012 - 7:20 pm - Posted in Demonstration, Editing, Outlining, Season 7

Mary Robinette Kowal graciously loaned us an outline she was working on in 2003. For this podcast, Mary reads from her outline, Brandon interrupts her, and we dissect. This is a brutal process. Know, fair listener, that we love Mary a lot.

And LOVE HURTS.

In completely unrelated news, Writing Excuses Season Six has been nominated for a Hugo Award for “Best Related Work.” You may feel free to extend congratulations and good wishes in the comments below.

Liner Notes: Want to follow along in Mary’s outline? Here it is!

Audiobook Pick-of-the-Week: Glamour in Glass, by Mary Robinette Kowal, releases this week! We've put links to it over here on our brand new Book of the Week page!

Writing Prompt: Take an existing folk tale and re-tell it using the Dora the Explorer formula for quests.

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By Writing Excuses | January 22, 2012 - 5:00 pm - Posted in Editing, Prose, Season 7

Brevity! Use fewer words!

After the obligatory “we-are-going-to-cut-this-short-after-the-intro” joke, we talk about how we can be appropriately brief, even in the context of writing epic fantasy. Mary offers us some rules of thumb for story brevity in the short fiction she writes, and Howard talks about how he accomplishes the extreme brevity of language required by his comic. Dan points out that the shorter you work, the more important your individual words become.

Audiobook Pick-of-the-Week: Farenheit 451, by Ray Bradbury, narrated by the author

Writing Prompt: Give us a group of people on a long trip in space, with a problem, which they solve. Do it in 150 words.

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By Writing Excuses | April 17, 2011 - 4:55 pm - Posted in Conventions, Criticism, Editing

It’s time to talk about alpha readers, and we start with a caveat from Howard: “I don’t want to read your book.” Let’s face it, we here at Writing Excuses might be great alpha readers, but we’re not YOUR alpha readers. We can’t be your back-door to fame and fortune as a genre fiction writer. The good news? There are good alpha readers out there waiting for you. You just need to know how to find them.

We talk about conventions a bit, those places that are full of genre-fiction lovers who might be able to help. We talk about Brandon’s writing group (his alpha readers) and how his agent and editor are actually beta readers. This contrast illustrates the sort of things you should be looking for in an alpha reader. We talk about Howard’s alpha reader (Sandra) and how she has to look at a script with no pictures, no blocking, and no dialog tags and figure out whether or not it’s going to work. This illustrates how she’s a genius and Howard’s just a hack.

Brandon and Dan also cover what they do not want in alpha readers — poor delivery of criticism and proof-reading topping the list.

And then we finally get around to some tricks for building a solid stable of alpha readers. It’s not something you’re going to pull off overnight.

Audiobook Pick-of-the-Week: The Dragon Factory: The Joe Ledger Novels, Book 2 by Jonathan Mayberry, narrated by Ray Porter.

Writing Prompt: Any time you’ve caught cold you’re actually being possessed. Gesundheit.

Loud Howard: brought to you by a too-close microphone. Jordo did his best to fix this in post, but we don’t record on multiple channels so there’s only so much that can be done on our budget.

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