Tag Archives: Douglas Adams

Writing Excuses 6.20: Endings

Lou Anders joins Dan, Howard, and Mary for a discussion of endings. We begin by talking about how important it is to “stick your landing” at the end of the book, and then recap the Hollywood Formula to point out how endings work there. We get examples from Mary’s upcoming novel Glamour in Glass, Dan’s upcoming novel Partials, Howard’s work-in-progress short story, and Lou Anders’ award-worthy, dot-matrix printer.

Audiobook Pick-of-the-Week: Blood of Ambrose, by James Enge, narrated by Jay Snyder

Writing Prompt: Using the first fifteen minutes of your least favorite recent movie as a starting point, write a story with a powerful ending.

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Writing Excuses 5.37: Parody and Satire with Jim Hines

Jim Hines joins Brandon and Howard at Penguicon for a discussion of parody, satire, and why things are funny.

We start by defining parody and satire, and then Jim tells us why he wrote his he-calls-them-satirical Goblin novels, and why aspects of gamer culture so badly need to be satirized. Howard provides his formula for delivering the satire in Schlock Mercenary, and then we begin bandying about the terms “absurdification,” “commodification,” and “DisneyficationTM.”

And believe it or not, we manage to discuss humor in a way that is actually funny, at least some of the time.

Audiobook Pick-of-the-Week: Eyes Like Stars, by Lisa Mantchev, narrated by Cynthia Bishop

Writing Prompt: Start with a highly magical, pseudo-medieval fantasy setting. Now… how do you deal with baldness?

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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Writing Excuses 5.7: Avoiding Melodrama

Melodrama. What is it? What do people mean when they say something is too melodramatic?

Usually they do NOT mean “it’s too much like a classical melodrama,” but it helps if we start with that definition: a melodrama is a story in which each character only expresses one emotion, and/or only has one trait. When we refer to melodrama, we’re usually complaining about over-acting.

So… how do we avoid it? How do we create characters in conflict without overdoing the conflict or the characterization. In many ways it comes back to something we say over and over (and over and over) again: make your characters into real people.

But we’re not going to leave it at that. We’re not just going to repeat what we’ve been telling you for three years now. No, we’ve got good tools you can use for writing powerful, emotional moments without your readers whining about melodrama.

Audiobook Pick-of-the-Week: The Tomb: Repairman Jack #1, by F. Paul Wilson

Writing Prompt: Write a story in which you take a cliched, angsty hero in a completely new direction, so that it doesn’t feel cliched.

Dramatic Reading: Stick around after the ‘cast for Howard’s reading of Mike O’s response to our “magical ink” writing prompt.

This episode of Writing Excuses has been brought to you by Audible.
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*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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