Tag Archives: Cherie Priest

Writing Excuses 10.3: Lovecraftian Horror

Cherie Priest joins us for our “wildcard” episode on Lovecraftian horror this month. We’re still doing the master class format, and part of that format is that once per month we’ll have a guest, or otherwise step away from the month’s topic a bit.

This episode talks about what Lovecraftian horror is, its influence on genre fiction, and the tools it offers for modern writers.

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Take a character, and from that character’s point of view, describe their reaction to something horrific and awful, but do so without describing the thing itself.

Maplecroft, by Cherie Priest, narrated by Johanna Parker and Roger Wayne.

Writing Excuses 8.39: Dystopian Fiction with Cherie Priest

Cherie Priest stopped by for an evening during the Out Of Excuses Workshop and Retreat this summer, so of course we took the opportunity to drag her into the basement and grill her relentlessly about dystopian fiction, in front of witnesses.

(Okay, maybe that’s not exactly how it happened…)

After the requisite introductions, we give you a working definition of dystopian fiction, and why it’s popular. Cherie and Dan tell us about their dystopias, and then we dig into talking about how to build them well.

Steelheart Tweeting Thingy: Per the episode intro from Howard, this Monday, September 30th we’ll be giving away Steelheart audiobooks, courtesy of our sponsor Audible.com, to some randomly-selected people who tweet their epic weakness and the name of the book. Here’s the format:

“My epic weakness is {WEAKNESS} and the chance to win the STEELHEART audiobook from @WritingExcuses”

Obviously you’ll want to replace {WEAKNESS} with something clever. You have fifty-two characters to play with. Also, you should follow @WritingExcuses on Twitter so we can Direct Message you if you happen to be one of the lucky winners. We’ll announce the winners on Tuesday.

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Base a dystopia on breakfast cereal…

Dreadnought, by Cherie Priest, narrated by Kate Reading.

Writing Excuses 5.21: Alternate History

Mary Robinette Kowal and Eric Flint join Howard and Dan for a discussion of writing Alternate History. Eric divides the sub-genre into two categories for us. Dan adds a third category for us later. Summing up:

  1. Our history, but with a key change occurring (the “branching point.”)
  2. Our history, but with a time-traveler going back and changing something (aka “duck, Mister President!”)
  3. Our history, but with magic (usually with said magic being the key change at our branching point)

Mary’s first novel, Shades of Milk and Honey, grew out of a love for Jane Austen’s work and a love for the fantasy genre. Eric’s alternate histories (including the wildly popular 1632 series) grow out of the fact that he enjoyed history enough to obtain a Master’s degree in it. Write what you know, and write what you’re passionate about.

During the second half of the ‘cast Eric and Mary give us advice on how to go about writing alternate history. We talk about research, about when to sweat the details and when not to, and about some of the biggest challenges Mary and Eric faced during these projects.

At 22 minutes and 39 seconds it’s clear that we ran a little long on this one.

Audiobook Pick-of-the-Week (Two-for-One): Crown of Slaves and Torch of Freedom, both by Eric Flint and David Weber. These books fit in Weber’s Honor Harrington universe, but don’t require you to have read all the Honor Harrington books.

Writing Prompt: Pick a major event in history that you love, and make it come out differently.

Session Notes: We recorded seven guest episodes while at the Superstars Writing Seminar in Salt Lake City. This is the first of these. Brandon was absent for the first three sessions, but joined us for the last four.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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Writing Excuses 5.15: Steampunk with Scott Westerfeld

Brandon and Howard are again joined by Scott Westerfeld, again in a boomy room in the Provo Library, this time for a discussion of steampunk.

What is steampunk? Basically, it’s Victorian-era science-fiction as written by non-Victorian-era writers. Why do we write it? We talk about the way it lets authors bend some science-fiction rules, and how the sensibilities of an era a sesquicentury past inform the plot, prose, characters, and (of course) setting.

How does one go about writing steampunk? Scott offers some advice on the approach, from idea synthesis to world-building,. His books Leviathan and Behemoth are both great examples of the genre, though they might fit the “diesel-punk” label a little better.

Audiobook Pick-of-the-Week: Behemoth, by Scott Westerfeld, narrated by Alan Cumming.

Writing Prompt: It’s 1912, and Nikola Tesla is the President of the United States…

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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