By Writing Excuses | December 7, 2014 - 7:09 pm - Posted in Career, Characters, Q&A, Season 9

If there’s a crowd with good questions, it’s the Out of Excuses Workshop and Retreat attendees.

  • Given the trend toward moral ambiguity, is there still a place for an unquestionably evil character?
  • Should you publish a first book that isn’t in the style or genre that you’re ultimately interested in?
  • Is it possible to write epic fantasy with a single POV?
  • Of all of the myriad talents of the literary agents you work with, what’s the one that makes you stick with your agent?
  • How do you maintain your writing chops when you’re buried in the research phase of a project?
  • What are some issues a short story writer should be aware of when tackling a novel?
  • How do you go about discovery writing characters?
  • When you build a story, does the foreshadowing go in during the first pass, or in later edits?

Our sponsor, Audible, is giving away Legion: Skin Deep, by Brandon Sanderson between now and December 24th. Follow that link and get a free audio book!

Audiobook Pick-of-the-Week: Angelmaker, by Nick Harkaway, narrated by Daniel Weyman

Writing Prompt: "Everywhere I look, everyone is covered with ketchup."

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By Writing Excuses | November 30, 2014 - 6:23 pm - Posted in Characters, Guest, Season 9

As authors we spend a lot of time trying to make our readers care about the characters we create. We have a wide variety of techniques at our disposal to accomplish this. But do we ever ask ourselves why any of this is possible in the first place? What is it about our brains that makes us care about fictional characters?

Enter Cory Doctorow, who posed this question to us at Westercon 67. If you like the episodes where a guest comes in and blows our minds (and they’re some of our favorites) you need to put this one on the list.

Audiobook Pick of the Week: Homeland, by Cory Doctorow, narrated by Wil Wheaton, with Noah Swartz and Jacob Applebaum. (Note:  Cory Doctorow’s titles aren’t carried by Audible, but you can find all of them here and buy them DRM-free directly from Cory.)

Writing Prompt: Along the lines of the anecdote Cory shared, sever a character's corpus callosum so that they have to say things out loud in order to fully comprehend what they're seeing.

By Writing Excuses | November 23, 2014 - 8:01 pm - Posted in Characters

So, you’re planning to kill somebody, but you don’t want anyone to see it coming. How do you make that happen?

We begin by talking about the hints that writers inadvertently drop, and why they drop those hints. Then we look at how to write without sending those cues, and how to get away with that while still fulfilling promises made to the reader.

Special Offer: Our sponsor, Audible, is giving away Legion: Skin Deep, by Brandon Sanderson between now and December 24th. Follow that link and get a free audio book!

Audiobook Pick-of-the-Week: Ruins, by Dan Wells, narrated by Julia Whelan

Writing Prompt: Take a story you've been planning. Kill the protagonist in the first scene, then have a secondary character step in and pick up the plot. You don't need to finish the whole story this way--just get far enough into this exercise that you can see what a surprising death looks like from your side of the keyboard.

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By Writing Excuses | June 15, 2014 - 8:34 pm - Posted in Characters, Season 9

This podcast references episode 9.13 where we introduce a three-slider model for characters. Here we talk about character sympathy, or rather the sympathy that the reader will have for the character, and how we as writers go about adjusting that sympathy — moving the slider, if you will. We also talk about why we want to make that adjustment, whether we’re dealing with villains, side-characters, or protagonists.

Some of our tricks for moving the slider include changing the characters around them, controlling the distance between the reader and the character, showing character weaknesses, and using humor to mask the unsympathetic moments. We talk about how we’ve deployed these tools in our own work, and how we’ve seen it done well in the work of others.

Audiobook Pick-of-the-Week: The Butcher of Khardov: The Warcaster Chronicles Volume 2, by Dan Wells, narrated by Marc Vietor.

Writing Prompt: Take something that you've written recently. Swap out all of the dialog with completely different words (you can keep articles and pronouns) but retain the meaning.

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By Writing Excuses | May 4, 2014 - 6:00 pm - Posted in Season 9

How do you go about writing a character showing their emotions without them sounding whiny (or whatever the “too-much” version of the appropriate emotion might be)?

Adding to the difficulty of the exercise, how do you know where that “too much” line is for your book, your genre, and your audience?

We talk about how we’ve each faced this challenge, and how that’s been very different for each of us. Sometimes it comes down to “show, don’t tell,” and sometimes that rule flat out doesn’t work. And sometimes it doesn’t come down to a simple rule at all. (Okay, most of the time that’s what it comes down to.)

 

Audiobook Pick-of-the-Week: Valour and Vanity, by Mary Robinette Kowal, and narrated by Mary, too!

Writing Prompt: Write a letter to Jane or Vincent, and write that letter as if you were a person living in the setting of Mary's Glamourist Histories.

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By Writing Excuses | March 30, 2014 - 5:11 pm - Posted in Characters, Season 9

We talk about characters a lot, which is fitting since character are what make things go in most of our favorite books. Brandon introduces a new model for examining characters in which three primary attributes – Competence, Proactivity, and Sympathy – are contrasted. We treat each one as if controlled by a fader or slider, like on a mixing console, and we look at what the relative positions of those sliders do to a character.

It’s only a model, obviously, and it’s not how we go about starting a character, but it has proven useful in troubleshooting characters who aren’t accomplishing the story purposes we want them to accomplish.

Audiobook Pick-of-the-Week: The Killing Moon: Dreamblood, Book 1, by N.K. Jemisin, narrated by Sarah Zimmerman

Writing Prompt: Come up with a race of creatures in which there is a sum which you're not allowed to push past, and you have sliders on these people that control their attributes.

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By Writing Excuses | March 9, 2014 - 7:58 pm - Posted in Characters, Season 9

Nancy Fulda joins us for a discussion of engaging characters. We begin by explaining how engaging characters don’t need to be sympathetic, but certainly can be, and then we head into why we find particular characters engaging. We also talk about how this plays into the villain problem, where the villain is more interesting than the hero is.

Audiobook Pick-of-the-Week: Star Wars: Heir to the Empire, by Timothy Zahn, narrated by Marc Thompson. Note also the free excerpt of the "Behind the Scenes" recording, featuring Timothy Zahn and his editor, Betsy Mitchell.

Writing Prompt: Put a character in a difficult situation, and then throw away your first three ideas for how they're going to get out of that situation.

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By Writing Excuses | September 8, 2013 - 4:00 pm - Posted in Characters, POV, Season 8

After a quick, two-and-a-half-minute announcement about Writing Excuses winning the 2013 Hugo Award for Best Related Work, we get on with the topic at hand…

How do you go about transitioning characters in relative prominence during the course of a series? This might include fading a main character into the background, or drawing a side character into focus as the protagonist.

Howard talks about doing this in Schlock Mercenary, and how readers have reacted. Dan discusses doing this in the John Cleaver books, and what was required to make that work. Brandon tells us about Spook in the Mistborn trilogy, and why it was critical to the story for him to come to prominence. Mary explains that this shift is something that happens anytime there’s a POV shift.

Audiobook Pick-of-the-Week: The Rithmatist, by Brandon Sanderson, narrated by Michael Kramer

Writing Prompt: Take a minor character from a story you've already completed, and tell their story.

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By Writing Excuses | August 18, 2013 - 4:00 pm - Posted in Characters, Live Audience, POV, Season 8, Setting

How do you help your readers relate to the non-human characters in your fiction?

The first question to answer is why you’re putting non-human characters in the piece to begin with. What are your goals for that race, culture, or whatever? Once you know that, you can begin addressing the challenge of helping the reader relate.

We talk about our strategies, and we cover examples from Iain Banks’ Look to Windward, Vernor Vinge’s A Fire Upon the Deep, and of course from our own work, including Kiss Me Twice, I Am Not a Serial Killer, and The Body Politic.

Immediately Discarded Negative Example, Because the Rathole is Just Too Deep: The 1977 Star Wars Christmas Special

Audiobook Pick-of-the-Week: Thief of Time: Discworld, Book 26, by Terry Pratchett, narrated by Stephen Briggs

Writing Prompt: Depict a conversation between members of a non-human species who do something besides talk.

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By Writing Excuses | July 28, 2013 - 6:00 pm - Posted in Characters, Conflicts, Season 8

What’s a reluctant character? Well, it’s somebody who needs to be dragged along into the adventure, somebody who isn’t the sort of self-motivated, go-getter that we so often populate our books with. These characters feel a lot like real people — our world is full of folks like this. The trick lies in making these characters interesting to read.

We offer some examples from things we’ve read, some general structural tricks, and some of the tools we’ve used in our own work, including examples from Glamour in Glass, The Way of Kings, and The Hollow City.

Audiobook Pick-of-the-Week: Celebromancy, by Michael R. Underwood, narrated by Mary Robinette Kowal, who gets to make a light-saber noise as part of the narration...

Writing Prompt: Create a character who is either weak or reluctant, determine why they are weak or reluctant, and then write the decision point.

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