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	<title>Writing Excuses &#187; Alcatraz</title>
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	<description>Fifteen minutes long, because you&#039;re in a hurry, and we&#039;re not that smart.</description>
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	<managingEditor>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</managingEditor>
	<webMaster>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</webMaster>
	<category>Writing books</category>
	<ttl>1440</ttl>
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		<title>Writing Excuses</title>
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	<itunes:subtitle>15 minutes long because you&#039;re in a hurry, and we&#039;re not that smart.</itunes:subtitle>
	<itunes:summary>Fantasy Novelist Brandon Sanderson, science-fiction cartoonist Howard Tayler, and horror writer Daniel Wells discuss writing techniques in a fast-paced, 15-minute format.</itunes:summary>
	<itunes:keywords>writing, books, how, to, write, Brandon, Sanderson, Howard, Tayler, Dan, Wells, Mary</itunes:keywords>
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	<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
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		<itunes:name>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:name>
		<itunes:email>howard.tayler@gmail.com</itunes:email>
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		<title>Writing Excuses 5.3: First Person Viewpoint</title>
		<link>http://www.writingexcuses.com/2010/09/19/writing-excuses-5-3-first-person-viewpoint/</link>
		<comments>http://www.writingexcuses.com/2010/09/19/writing-excuses-5-3-first-person-viewpoint/#comments</comments>
		<pubDate>Sun, 19 Sep 2010 22:37:41 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Characters]]></category>
		<category><![CDATA[POV]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[Alcatraz]]></category>
		<category><![CDATA[Bree Despain]]></category>
		<category><![CDATA[First Person]]></category>
		<category><![CDATA[Frankenstein]]></category>
		<category><![CDATA[I Am Not a Serial Killer]]></category>
		<category><![CDATA[Mary Shelley]]></category>
		<category><![CDATA[Patrick Rothfuss]]></category>
		<category><![CDATA[The Name of the Wind]]></category>
		<category><![CDATA[Unreliable Narrator]]></category>
		<category><![CDATA[Viewpoint]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=637</guid>
		<description><![CDATA[Bree Despain joins Brandon, Dan, and Howard for a discussion of writing in the 1st-person]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.breedespain.com/">Bree Despain</a> joins us for a discussion of writing the first-person viewpoint. We talk about &#8220;method writing&#8221; and get briefly creeped out by Dan. We discuss some key aspects of this particular POV, including the unreliable narrator, the over-the-shoulder vs. the memoir perspective, and the presence or absence of a framing story.</p>
<p>We cover a few pitfalls, including the clichéd &#8220;mirror scene,&#8221; and then offer advice to new writers who are looking for ways to get first person right the first time.</p>
<p><strong>Audiobook Pick-of-the-Week: <em><span style="font-weight: normal;"><a href="http://www.audible.com/pd/ref=sr_1_1?asin=B003R1BH3S&amp;qid=1284935356&amp;sr=1-1">Beastly</a>, </span></em><span style="font-weight: normal;">by Alex Finn</span></strong></p>
<p><strong>Writing Prompt: </strong>The main character has a secret. Write from that character&#8217;s point of view, but keep the secret from the reader.<br />
<strong> </strong><br />
<strong>This episode of Writing Excuses has been brought to you by Audible.</strong><br />
Visit <a href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.<br />
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p><strong>Audible® Free Trial Details</strong><br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</p>
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		<slash:comments>14</slash:comments>
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		<itunes:duration>0:16:08</itunes:duration>
		<itunes:subtitle>Bree Despain joins Brandon, Dan, and Howard for a discussion of writing in the 1st-person</itunes:subtitle>
		<itunes:summary>Fantasy Novelist Brandon Sanderson, science-fiction cartoonist Howard Tayler, and horror writer Daniel Wells discuss writing techniques in a fast-paced, 15-minute format.</itunes:summary>
		<itunes:keywords>writing, books, how, to, write, Brandon, Sanderson, Howard, Tayler, Dan, Wells, Mary</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<title>Writing Excuses 4.16: Breaking the Fourth Wall</title>
		<link>http://www.writingexcuses.com/2010/04/25/writing-excuses-4-16-breaking-the-fourth-wall/</link>
		<comments>http://www.writingexcuses.com/2010/04/25/writing-excuses-4-16-breaking-the-fourth-wall/#comments</comments>
		<pubDate>Mon, 26 Apr 2010 02:00:07 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alcatraz]]></category>
		<category><![CDATA[Ferris Bueller]]></category>
		<category><![CDATA[Fourth Wall]]></category>
		<category><![CDATA[Game of Thrones]]></category>
		<category><![CDATA[Isaac Stewart]]></category>
		<category><![CDATA[Moshe Feder]]></category>
		<category><![CDATA[Narrator]]></category>
		<category><![CDATA[Robert Jordan]]></category>
		<category><![CDATA[Samuel L. Jackson]]></category>
		<category><![CDATA[Schlock Mercenary]]></category>
		<category><![CDATA[Warbreaker]]></category>

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		<description><![CDATA[What's the fourth wall? What happens when you break it? Should you be breaking it at all? ]]></description>
			<content:encoded><![CDATA[<p><a href="http://rocketroadtrip.com/">Isaac Stewart</a>, interior artist for the Mistborn books and Rocket Road-Tripper joins us again for a discussion of the <a href="http://en.wikipedia.org/wiki/Fourth_wall">fourth wall</a>, and the breaking thereof. We talk about the theatrical origins of the term, and how the technique it represents might be used by authors and others. We talk about why Howard broke the fourth wall a lot more in early <em>Schlock Mercenary </em>strips than he does now, and why Isaac broke the fourth wall in some video game writing he did. We also talk about when it would be absolutely, inarguably inappropriate to break the fourth wall.</p>
<p><strong>Audiobook Pick-of-the-Week: </strong><em><a href="http://www.audible.com/adbl/site/products/ProductDetail.jsp?productID=BK_SCHC_000058&amp;BV_UseBVCookie=Yes">Alcatraz vs. The Evil Librarians</a></em>, by Brandon Sanderson, in which the 1st-person narrator, Alcatraz, breaks the fourth wall a lot.</p>
<p><strong>Writing Prompt: </strong>Write something in which somebody is literally the son of a shark, and in which you break the fourth wall. Oh, and the fourth wall is the glass wall of an aquarium.</p>
<p><strong>Audio Glitch We Hate at 3:13: </strong>For some reason we lost one channel of audio for about 20 seconds. That&#8217;s why this episode is monaural, and why between 3:13 and 3:34 the volume drops off a bit.</p>
<p><strong>Related Linkage:</strong> Here&#8217;s a link to the <a href="http://www.bscreview.com/2010/04/hbos-a-game-of-thrones-time-to-learn-dothraki/">article about the HBO Game of Thrones adaptation</a> Isaac mentioned.</p>
<p><strong>This episode of Writing Excuses has been brought to you by Audible.</strong></p>
<p>Visit <a href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.</p>
<p>*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p><strong>Audible® Free Trial Details</strong><br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</p>
]]></content:encoded>
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		<slash:comments>26</slash:comments>
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		<itunes:duration>0:17:42</itunes:duration>
		<itunes:subtitle>What's the fourth wall? What happens when you break it? Should you be breaking it at all?</itunes:subtitle>
		<itunes:summary>What's the fourth wall? What happens when you break it? Should you be breaking it at all?</itunes:summary>
		<itunes:keywords>Uncategorized</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<title>Writing Excuses Season 3 Episode 16: The Anti-Mary Sue Episode</title>
		<link>http://www.writingexcuses.com/2009/09/13/writing-excuses-season-3-episode-16-the-anti-mary-sue-episode/</link>
		<comments>http://www.writingexcuses.com/2009/09/13/writing-excuses-season-3-episode-16-the-anti-mary-sue-episode/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 23:54:37 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Characters]]></category>
		<category><![CDATA[Guest]]></category>
		<category><![CDATA[A Calculus of Angels]]></category>
		<category><![CDATA[Alcatraz]]></category>
		<category><![CDATA[Can of Worms]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[Fix it in post]]></category>
		<category><![CDATA[J. Gregory Keyes]]></category>
		<category><![CDATA[John Brown]]></category>
		<category><![CDATA[LUXURY!]]></category>
		<category><![CDATA[Mary Sue]]></category>
		<category><![CDATA[Robert Jordan]]></category>
		<category><![CDATA[voice]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=114</guid>
		<description><![CDATA[John Brown, debut author of Servant of a Dark God, joins us for this discussion of  the avoidance of self-insertion. In polite company we call this the &#8220;Mary Sue,&#8221; because it&#8217;s difficult to say &#8220;self-insertion&#8221; in polite company, much less with a straight face. In broader terms, what we&#8217;re covering is voice, and how to [...]]]></description>
			<content:encoded><![CDATA[<p>John Brown, debut author of <em>Servant of a Dark God</em>, joins us for this discussion of  the avoidance of self-insertion. In polite company we call this the &#8220;Mary Sue,&#8221; because it&#8217;s difficult to say &#8220;self-insertion&#8221; in polite company, much less with a straight face.</p>
<p>In broader terms, what we&#8217;re covering is voice, and how to make our characters sound like themselves rather than us.</p>
<p>This week&#8217;s Writing Excuses is Brought to you by <em><a href="http://www.amazon.com/dp/product/0765322358/?tag=monkeyslothst-20&amp;linkCode=asn&amp;creativeASIN=0765322358" target="_blank">Servant of a Dark God</a></em> by John Brown.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/09/13/writing-excuses-season-3-episode-16-the-anti-mary-sue-episode/feed/</wfw:commentRss>
		<slash:comments>35</slash:comments>
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		<itunes:duration>0:17:43</itunes:duration>
		<itunes:subtitle>John Brown, debut author of Servant of a Dark God, joins us for this discussion of  the avoidance of self-insertion. In polite company we call this the &#8220;Mary Sue,&#8221; because it&#8217;s difficult to say &#8220;self-insertion&#8221; in polit[...]</itunes:subtitle>
		<itunes:summary>John Brown, debut author of Servant of a Dark God, joins us for this discussion of  the avoidance of self-insertion. In polite company we call this the &#8220;Mary Sue,&#8221; because it&#8217;s difficult to say &#8220;self-insertion&#8221; in polite company, much less with a straight face.
In broader terms, what we&#8217;re covering is voice, and how to make our characters sound like themselves rather than us.
This week&#8217;s Writing Excuses is Brought to you by Servant of a Dark God by John Brown.</itunes:summary>
		<itunes:keywords>Characters, Guest</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
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