Writing Excuses Episode 23: Viewpoint

You’ve heard about viewpoint, but do you really know what it means? Discover along with Howard the magic world of person, tense, and omniscience, and how you can use them to tell your story. It’s a short journey, as quests go, but we’ll all learn a valuable lesson about writing–and about ourselves.*

*Heartfelt lessons about ourselves not guaranteed. Contents non-refundable.

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Sorry!

Our podcast today will be available this evening, and we are very sorry for the delay. This is a prime example of “doing the unpopular,” but since we don’t have a good reason it’s also a prime example of “doing the unpopular in such a way that it doesn’t work at all.” So, you know, it’s an object lesson? We’re only trying to help? We’ll get it posted this evening, and all will be right again.

Writing Excuses Episode 22: Doing The Unpopular

As a writer it’s sometimes difficult to decide between doing things the readers want, and things that are right for the story. But as Dan says, writers can get away with doing things to readers that readers would never do to themselves.

Beware! This podcast contains spoilers for The Lord of the Rings, Return of the Jedi, and Serenity (the statute of limitations should have passed on all of these) as well as for the current week of Schlock Mercenary.

This Week’s Episode is brought to you by one of our favorite causes, “Buy Dan Bacon.” Mmmm, bacon.

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Writing Excuses Episode 21: Humor

Enough of this highbrow literary crap–make with the funny! Or, if you’re Howard, do both. In this this episode we talk about why to write humor, how to write humor, how to recognize humor in others, how to steal from learn from what they do, and, in the end, what makes things funny in the first place.

This week, Writing Excuses is sponsored by The Well of Ascension: Book Two of Mistborn Mass Market Paperback by Brandon Sanderson, which is good but really not all that funny.

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Writing Excuses Episode 20: More Q&A from Conduit

Writer Eric James Stone joins the Writing Excuses crew for our third Conduit installment. We tackle questions from the audience again (except for when Brandon throws a question AT the audience, which still had Mike Stackpole in it.)

Are plot twists necessary? How does the web change the market for writers? How do you make protagonists as interesting as the villains are? How much should you charge for your work?

We ran a little long on this one. “Fifteen minutes long, because you’re in a hurry, and we can’t count to fifteen without getting to eighteen first.”

Liner Notes:

Eric’s Website

Bob Defendi’s Website

Anthology Builder

http://www.ralan.com/

This week’s episode is sponsored by Hold on to Your Horses, by Sandra Tayler

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Writing Excuses Episode 19: Plot Twists

Michael Stackpole, author and podcaster, joined us at CONduit, and the four of us tackled plot twists in front of a live audience. Whether you write from a solid outline or discover your plot as you go, we’ve got tricks and tools for you. We talk about “surprising yet inevitable,” the fine art of making our characters miserable, and the importance of foreshadowing (but not telegraphing) the twist.

Liner Notes:

Michael Stackpoles’ official website, and the site where he hosts his podcasts.

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