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	<title>Writing Excuses &#187; Writing Prompt</title>
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	<link>http://www.writingexcuses.com</link>
	<description>Fifteen minutes long, because you&#039;re in a hurry, and we&#039;re not that smart.</description>
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	<copyright>2008-2011 Dragonsteel Entertainment </copyright>
	<managingEditor>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</managingEditor>
	<webMaster>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</webMaster>
	<category>Writing books</category>
	<ttl>1440</ttl>
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		<title>Writing Excuses</title>
		<link>http://www.writingexcuses.com</link>
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	<itunes:subtitle>15 minutes long because you&#039;re in a hurry, and we&#039;re not that smart.</itunes:subtitle>
	<itunes:summary>Fantasy Novelist Brandon Sanderson, science-fiction cartoonist Howard Tayler, and horror writer Daniel Wells discuss writing techniques in a fast-paced, 15-minute format.</itunes:summary>
	<itunes:keywords>writing, books, how, to, write, Brandon, Sanderson, Howard, Tayler, Dan, Wells, Mary</itunes:keywords>
	<itunes:category text="Arts">
		<itunes:category text="Literature" />
	</itunes:category>
	<itunes:category text="Education">
		<itunes:category text="Training" />
	</itunes:category>
	<itunes:category text="Business">
		<itunes:category text="Careers" />
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	<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
	<itunes:owner>
		<itunes:name>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:name>
		<itunes:email>howard.tayler@gmail.com</itunes:email>
	</itunes:owner>
	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
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		<item>
		<title>Writing Excuses 6.27: Fantasy Setting Yard Sale</title>
		<link>http://www.writingexcuses.com/2011/12/04/writing-excuses-6-27-fantasy-setting-yard-sale/</link>
		<comments>http://www.writingexcuses.com/2011/12/04/writing-excuses-6-27-fantasy-setting-yard-sale/#comments</comments>
		<pubDate>Sun, 04 Dec 2011 23:54:38 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Demonstration]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Setting]]></category>
		<category><![CDATA[World Building]]></category>
		<category><![CDATA[Writing Prompt]]></category>
		<category><![CDATA[Alloy of Law]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Worldbuilding]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=1421</guid>
		<description><![CDATA[Brandon, Dan, Mary, and Howard brainstorm some fantasy setting elements for you. Need a magic system on the cheap? How about a political power structure? ]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s the Writing Excuses Fantasy Setting Yard Sale!</p>
<p>In this experimental (at least for us) &#8216;cast, Brandon, Dan, Mary, and Howard build a couple of fantasy settings for you, and they&#8217;re free. Seriously. TAKE THEM.</p>
<p>We start our world-building with an unusual way for someone to obtain magical powers. We ended up with space-dust. We then head into what these powers do, and again we look for something unusual. We picked mutation. Then we start applying limitations: astrological, alchemical, and geological.</p>
<p>Our second pass (we&#8217;re giving away more than one of these!) began with cultural elements. We toy with how political power is granted, and end up with some neat linguistic bits, puerile humor, dance steps, ambidexterity, and a callback to the earlier puerility.</p>
<p><strong>Audiobook Pick-of-the-Week: </strong><em><a href="http://www.audible.com/pd/ref=sr_1_1?asin=B005ZUI3OA&amp;qid=1323042106&amp;sr=1_1">The Alloy of Law: A Mistborn Novel</a></em>, by Brandon Sanderson, narrated by Michael Kramer</p>
<p><strong>Writing Prompt: </strong>This whole episode is one big writing prompt, and you need one because NaNoWriMo is over, but that&#8217;s no excuse to not write. You&#8217;re out of excuses, as we&#8217;ve told you on more than one occasion. Write!</p>
<p><strong>Puerility: </strong>&#8220;Fart joke.&#8221;</p>
<p><strong>This episode of Writing Excuses has been brought to you by Audible.</strong><br />
Visit <a href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.<br />
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p><strong>Audible® Free Trial Details</strong><br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2011/12/04/writing-excuses-6-27-fantasy-setting-yard-sale/feed/</wfw:commentRss>
		<slash:comments>35</slash:comments>
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		<itunes:duration>0:17:21</itunes:duration>
		<itunes:subtitle>Brandon, Dan, Mary, and Howard brainstorm some fantasy setting elements for you. Need a magic system on the cheap? How about a political power structure?</itunes:subtitle>
		<itunes:summary>Brandon, Dan, Mary, and Howard brainstorm some fantasy setting elements for you. Need a magic system on the cheap? How about a political power structure?</itunes:summary>
		<itunes:keywords>writing, books, how, to, write, Brandon, Sanderson, Howard, Tayler, Dan, Wells, Mary</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses 6.23: Pigeon Holes</title>
		<link>http://www.writingexcuses.com/2011/11/06/writing-excuses-6-23-pigeon-holes/</link>
		<comments>http://www.writingexcuses.com/2011/11/06/writing-excuses-6-23-pigeon-holes/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 00:02:50 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Career]]></category>
		<category><![CDATA[Guest]]></category>
		<category><![CDATA[Writing Prompt]]></category>
		<category><![CDATA[Dead of Night: A Zombie Novel]]></category>
		<category><![CDATA[Dean Koontz]]></category>
		<category><![CDATA[Jonathan Maberry]]></category>
		<category><![CDATA[L.E. Modesitt]]></category>
		<category><![CDATA[Ray Bradbury]]></category>
		<category><![CDATA[Rot and Ruin]]></category>
		<category><![CDATA[Schlock Mercenary]]></category>
		<category><![CDATA[Stephen King]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=1334</guid>
		<description><![CDATA[Jonathan Maberry joins Howard, Dan, and Mary to discuss pigeonholes -- specifically, not ending up in one.]]></description>
			<content:encoded><![CDATA[<p><a href="http://jonathanmaberry.com/">Jonathan Maberry</a> joins Howard, Dan, and Mary to discuss pigeonholes &#8212; specifically, not ending up in one. Jonathan was enthusiastic to address this subject, which he treats as serious career advice. Ray Bradbury said &#8220;A writer <strong><em>writes</em></strong>,&#8221; and Jonathan advises us all to consider that though we may be on fire about a particular genre, sub-genre, or even one given story, the market may not offer an open door for that project. Don&#8217;t let rejection keep you from writing, and don&#8217;t be unwilling to branch out and try writing something else.</p>
<p>We offer examples from our own careers, and Jonathan talks about the many, many different things he has written during the course of his career, which includes martial arts texts, magazine articles, and sarcastic greeting cards.</p>
<p>And of course we talk about how we&#8217;ve worked to broaden our own horizons, diversifying our income streams, and what specific tricks and techniques have helped us.</p>
<p><strong>Audiobook Pick-of-the-Week: </strong><em><a href="http://www.audible.com/pd/ref=sr_1_1?asin=B005XP1XHQ&amp;qid=1320623621&amp;sr=1-1">Dead of Night: A Zombie Novel</a>, </em>by Jonathan Maberry, narrated by William Dufris</p>
<p><strong>Writing Prompt: </strong>Jonathan writes one page to a writing prompt every day, pushing himself out of his comfort zone. Today his prompt for you is to write the opening scene of a steampunk version of Alice in Wonderland.</p>
<p><strong>This episode of Writing Excuses has been brought to you by Audible.</strong><br />
Visit <a href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.<br />
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p><strong>Audible® Free Trial Details</strong><br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2011/11/06/writing-excuses-6-23-pigeon-holes/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
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		<itunes:duration>0:17:18</itunes:duration>
		<itunes:subtitle>Jonathan Maberry joins Howard, Dan, and Mary to discuss pigeonholes -- specifically, not ending up in one.</itunes:subtitle>
		<itunes:summary>Jonathan Maberry joins Howard, Dan, and Mary to discuss pigeonholes -- specifically, not ending up in one.</itunes:summary>
		<itunes:keywords>Career, Guest</itunes:keywords>
		<itunes:author>Howard Tayler, Mary Robinette Kowal, and Daniel Wells with Jonathan Maberry</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 19: Emotion in Fiction with John Brown</title>
		<link>http://www.writingexcuses.com/2009/10/04/writing-excuses-season-3-episode-19-emotion-in-fiction-with-john-brown/</link>
		<comments>http://www.writingexcuses.com/2009/10/04/writing-excuses-season-3-episode-19-emotion-in-fiction-with-john-brown/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 00:53:11 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Guest]]></category>
		<category><![CDATA[Writing Prompt]]></category>
		<category><![CDATA[Adam Smith]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[Depression]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[F. Paul Wilson]]></category>
		<category><![CDATA[John Brown]]></category>
		<category><![CDATA[Orson Scott Card]]></category>
		<category><![CDATA[therapy]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=141</guid>
		<description><![CDATA[John Brown joins us again, and tells us that fiction &#8220;is all about guiding an emotional response in a reader.&#8221; We begin with a discussion of depression, which John (like many of us) had to deal with. He tells us about the paths for emotional response, and how a beginning writer can end up in [...]]]></description>
			<content:encoded><![CDATA[<p>John Brown joins us again, and tells us that fiction &#8220;is all about guiding an emotional response in a reader.&#8221; We begin with a discussion of depression, which John (like many of us) had to deal with. He tells us about the paths for emotional response, and how a beginning writer can end up in the depths of depression just by looking at the work of successful writers.</p>
<p>But working through that, especially with cognitive therapy, can provide the writer with fantastic tools for informing his or her writing. And those tools are really why you&#8217;re here. Listen closely!</p>
<p>Writing Prompt: Give us villainous heroes, romance, and something that evokes terror.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/10/04/writing-excuses-season-3-episode-19-emotion-in-fiction-with-john-brown/feed/</wfw:commentRss>
		<slash:comments>30</slash:comments>
			<enclosure url="http://www.writingexcuses.com/podpress_trac/feed/141/0/Writing_Excuses_Episode3-19-Emotion.mp3" length="11365671" type="audio/mpeg" />
		<itunes:duration>0:15:47</itunes:duration>
		<itunes:subtitle>John Brown joins us again, and tells us that fiction &#8220;is all about guiding an emotional response in a reader.&#8221; We begin with a discussion of depression, which John (like many of us) had to deal with. He tells us about the paths for emoti[...]</itunes:subtitle>
		<itunes:summary>John Brown joins us again, and tells us that fiction &#8220;is all about guiding an emotional response in a reader.&#8221; We begin with a discussion of depression, which John (like many of us) had to deal with. He tells us about the paths for emotional response, and how a beginning writer can end up in the depths of depression just by looking at the work of successful writers.
But working through that, especially with cognitive therapy, can provide the writer with fantastic tools for informing his or her writing. And those tools are really why you&#8217;re here. Listen closely!
Writing Prompt: Give us villainous heroes, romance, and something that evokes terror.</itunes:summary>
		<itunes:keywords>Guest</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 14: The Four Principles of Puppetry, with Mary Robinette Kowal</title>
		<link>http://www.writingexcuses.com/2009/08/30/writing-excuses-season-3-episode-14-the-four-principles-of-puppetry-with-mary-robinette-kowal/</link>
		<comments>http://www.writingexcuses.com/2009/08/30/writing-excuses-season-3-episode-14-the-four-principles-of-puppetry-with-mary-robinette-kowal/#comments</comments>
		<pubDate>Mon, 31 Aug 2009 04:44:58 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Guest]]></category>
		<category><![CDATA[Live]]></category>
		<category><![CDATA[Writing Prompt]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2009/08/30/writing-excuses-season-3-episode-14-the-four-principles-of-puppetry-with-mary-robinette-kowal/</guid>
		<description><![CDATA[Aside from being a delightful author and a Campbell award winner, Mary Robinette Kowal is a professional puppeteer. She joined us at WorldCon 67 in Montreal, and totally schooled us in front of a live audience. I mean it. TOTALLY SCHOOLED. If you want to learn something new about writing, and I mean something really [...]]]></description>
			<content:encoded><![CDATA[<p>Aside from being a delightful author and a Campbell award winner, <a href="http://www.maryrobinettekowal.com/">Mary Robinette Kowal</a> is a professional puppeteer. She joined us at WorldCon 67 in Montreal, and totally schooled us in front of a live audience.</p>
<p>I mean it. TOTALLY SCHOOLED.</p>
<p>If you want to learn something new about writing, and I mean something really NEW you need to listen to Mary talk about puppetry. You can&#8217;t see the perpetual looks of astonishment and epiphany us jaded professionals wore during this recording, but I assure you they were there. We learned so much from Mary we decided to record two more episodes with her. Not because we felt like you, our listeners, necessarily deserved it. We wanted these recordings for ourselves.</p>
<p>Mary required us to share. It was part of the deal.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/08/30/writing-excuses-season-3-episode-14-the-four-principles-of-puppetry-with-mary-robinette-kowal/feed/</wfw:commentRss>
		<slash:comments>46</slash:comments>
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		<itunes:duration>0:14:19</itunes:duration>
		<itunes:subtitle>Aside from being a delightful author and a Campbell award winner, Mary Robinette Kowal is a professional puppeteer. She joined us at WorldCon 67 in Montreal, and totally schooled us in front of a live audience.
I mean it. TOTALLY SCHOOLED.
If you wa[...]</itunes:subtitle>
		<itunes:summary>Aside from being a delightful author and a Campbell award winner, Mary Robinette Kowal is a professional puppeteer. She joined us at WorldCon 67 in Montreal, and totally schooled us in front of a live audience.
I mean it. TOTALLY SCHOOLED.
If you want to learn something new about writing, and I mean something really NEW you need to listen to Mary talk about puppetry. You can&#8217;t see the perpetual looks of astonishment and epiphany us jaded professionals wore during this recording, but I assure you they were there. We learned so much from Mary we decided to record two more episodes with her. Not because we felt like you, our listeners, necessarily deserved it. We wanted these recordings for ourselves.
Mary required us to share. It was part of the deal.</itunes:summary>
		<itunes:keywords>Guest, Live</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 13: Dialects and In-World Jargon</title>
		<link>http://www.writingexcuses.com/2009/08/23/writing-excuses-season-3-episode-13-dialects-and-in-world-jargon/</link>
		<comments>http://www.writingexcuses.com/2009/08/23/writing-excuses-season-3-episode-13-dialects-and-in-world-jargon/#comments</comments>
		<pubDate>Mon, 24 Aug 2009 03:28:49 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Characters]]></category>
		<category><![CDATA[Grammar and Spelling]]></category>
		<category><![CDATA[World Building]]></category>
		<category><![CDATA[Writing Prompt]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2009/08/23/writing-excuses-season-3-episode-13-dialects-and-in-world-jargon/</guid>
		<description><![CDATA[Howard here, folks. On behalf of the entire Writing Excuses team I&#8217;d like to apologize in advance for that which you are about to receive. You know how sometimes one of those crazy thoughts seems like a good idea, and the more you talk about it the better the idea seems, and so then you [...]]]></description>
			<content:encoded><![CDATA[<p>Howard here, folks. On behalf of the entire Writing Excuses team I&#8217;d like to apologize in advance for that which you are about to receive.</p>
<p>You know how sometimes one of those crazy thoughts seems like a good idea, and the more you talk about it the better the idea seems, and so then you actually do it and are left looking back at it with a mixture of awe and horror? This episode is like that.</p>
<p>Brandon thought it would be funny to have  a discussion about dialects in which Dan and I actually do dialects. So we did.</p>
<p>We&#8217;re all very sorry. In the spirit of eponymy, I shall now write an excuse: &#8220;It was late, and we were so tired that we thought this would be funny.&#8221;</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/08/23/writing-excuses-season-3-episode-13-dialects-and-in-world-jargon/feed/</wfw:commentRss>
		<slash:comments>43</slash:comments>
			<enclosure url="http://www.writingexcuses.com/podpress_trac/feed/108/0/Writing_Excuses_Episode3-13-Dialects.mp3" length="12637103" type="audio/mpeg" />
		<itunes:duration>0:17:33</itunes:duration>
		<itunes:subtitle>Howard here, folks. On behalf of the entire Writing Excuses team I&#8217;d like to apologize in advance for that which you are about to receive.
You know how sometimes one of those crazy thoughts seems like a good idea, and the more you talk about i[...]</itunes:subtitle>
		<itunes:summary>Howard here, folks. On behalf of the entire Writing Excuses team I&#8217;d like to apologize in advance for that which you are about to receive.
You know how sometimes one of those crazy thoughts seems like a good idea, and the more you talk about it the better the idea seems, and so then you actually do it and are left looking back at it with a mixture of awe and horror? This episode is like that.
Brandon thought it would be funny to have  a discussion about dialects in which Dan and I actually do dialects. So we did.
We&#8217;re all very sorry. In the spirit of eponymy, I shall now write an excuse: &#8220;It was late, and we were so tired that we thought this would be funny.&#8221;</itunes:summary>
		<itunes:keywords>Characters</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 8: What Star Trek Did Right</title>
		<link>http://www.writingexcuses.com/2009/07/20/writing-excuses-season-3-episode-8-what-star-trek-did-right/</link>
		<comments>http://www.writingexcuses.com/2009/07/20/writing-excuses-season-3-episode-8-what-star-trek-did-right/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 20:35:56 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Writing Prompt]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2009/07/20/writing-excuses-season-3-episode-8-what-star-trek-did-right/</guid>
		<description><![CDATA[As we did with The Dark Knight and Watchmen (the comic, not the movie), once again we turn our searing critical insight on a major work of successful storytelling talk about what they did right. If you loved the new Star Trek movie, or even just kind of liked it, we&#8217;ll tell you what the [...]]]></description>
			<content:encoded><![CDATA[<p>As we did with The Dark Knight and Watchmen (the comic, not the movie), once again we turn our searing critical insight on a major work of successful storytelling talk about what they did right. If you loved the new Star Trek movie, or even just kind of liked it, we&#8217;ll tell you what the writers did to achieve that; if you hated it, we&#8217;ll show you some things you can learn from it anyway. If you haven&#8217;t seen it, well, I think it goes without saying that this is a spoilerific spoiler episode full of spoilers. Listen at your own risk.</p>
<p>This episode of Writing Excuses is brought to you by <a href="http://www.stacylwhitman.com/critique-service/">Stacy Whitman</a>, a fantastic freelance editor beloved by all three Writing Excuses hosts. She does fantastic work on all manner of fantastic writing (including Howard&#8217;s recent project with Tracy Hickman, <a href="http://store.schlockmercenary.com/ProductDetails.asp?ProductCode=B-XDM">XDM: Extreme Dungeon Mastery</a>. If you&#8217;re looking for a good editor, she&#8217;s fantastic.</p>
<p>Writing Prompt: Spock-a-doodle doo!</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/07/20/writing-excuses-season-3-episode-8-what-star-trek-did-right/feed/</wfw:commentRss>
		<slash:comments>49</slash:comments>
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		<itunes:duration>0:20:06</itunes:duration>
		<itunes:subtitle>As we did with The Dark Knight and Watchmen (the comic, not the movie), once again we turn our searing critical insight on a major work of successful storytelling talk about what they did right. If you loved the new Star Trek movie, or even just kin[...]</itunes:subtitle>
		<itunes:summary>As we did with The Dark Knight and Watchmen (the comic, not the movie), once again we turn our searing critical insight on a major work of successful storytelling talk about what they did right. If you loved the new Star Trek movie, or even just kind of liked it, we&#8217;ll tell you what the writers did to achieve that; if you hated it, we&#8217;ll show you some things you can learn from it anyway. If you haven&#8217;t seen it, well, I think it goes without saying that this is a spoilerific spoiler episode full of spoilers. Listen at your own risk.
This episode of Writing Excuses is brought to you by Stacy Whitman, a fantastic freelance editor beloved by all three Writing Excuses hosts. She does fantastic work on all manner of fantastic writing (including Howard&#8217;s recent project with Tracy Hickman, XDM: Extreme Dungeon Mastery. If you&#8217;re looking for a good editor, she&#8217;s fantastic.
Writing Prompt: Spock-a-doodle doo!</itunes:summary>
		<itunes:keywords>Criticism</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 6: Dramatic Breaks</title>
		<link>http://www.writingexcuses.com/2009/07/07/writing-excuses-season-3-episode-6-dramatic-breaks/</link>
		<comments>http://www.writingexcuses.com/2009/07/07/writing-excuses-season-3-episode-6-dramatic-breaks/#comments</comments>
		<pubDate>Tue, 07 Jul 2009 16:59:45 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Plot]]></category>
		<category><![CDATA[Structure]]></category>
		<category><![CDATA[Writing Prompt]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2009/07/07/writing-excuses-season-3-episode-6-dramatic-breaks/</guid>
		<description><![CDATA[What are dramatic breaks? We open this episode with Howard very genuinely playing Doctor Watson to Brandon&#8217;s Holmes, which is amusing because as it turns out, Howard uses dramatic breaks every day. Simply put they are the points in the narrative, typically at the end of a chapter, where we cut to another scene. Sometimes [...]]]></description>
			<content:encoded><![CDATA[<p>What are dramatic breaks? We open this episode with Howard very genuinely playing Doctor Watson to Brandon&#8217;s Holmes, which is amusing because as it turns out, Howard uses dramatic breaks every day. Simply put they are the points in the narrative, typically at the end of a chapter, where we cut to another scene. Sometimes we are shifting perspective, sometimes we are advancing the clock, and sometimes we&#8217;re merely pausing to take a breath.</p>
<p>What are we looking for in a dramatic break? How do we identify the right place to cut away from one group of characters and focus on others? How do we avoid doing it the same way every time?</p>
<p>And so we discuss those stopping points and the starting points that follow them. We cover the flow of time and the flow of story. We talk about delivering satisfying installments. We even hang from a cliff or two.</p>
<p>Meanwhile&#8230;</p>
<p>This episode of <em>Writing Excuses</em> is brought to you by <a href="http://store.schlockmercenary.com/ProductDetails.asp?ProductCode=B-XDM"><em>XDM: X-Treme Dungeon Mastery</em></a> by <a href="http://www.xtremedungeonmastery.com/">Tracy &amp; Curtis Hickman</a>, illustrated by <a href="http://www.schlockmercenary.com">Howard Tayler</a>. <a href="http://store.schlockmercenary.com/ProductDetails.asp?ProductCode=B-XDM">Autograph editions are now on pre-order</a>!</p>
<p>Writing Prompt: Write a story in which Howard hates elephants and dramatically breaks one.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/07/07/writing-excuses-season-3-episode-6-dramatic-breaks/feed/</wfw:commentRss>
		<slash:comments>31</slash:comments>
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		<itunes:duration>0:17:19</itunes:duration>
		<itunes:subtitle>What are dramatic breaks? We open this episode with Howard very genuinely playing Doctor Watson to Brandon&#8217;s Holmes, which is amusing because as it turns out, Howard uses dramatic breaks every day. Simply put they are the points in the narrati[...]</itunes:subtitle>
		<itunes:summary>What are dramatic breaks? We open this episode with Howard very genuinely playing Doctor Watson to Brandon&#8217;s Holmes, which is amusing because as it turns out, Howard uses dramatic breaks every day. Simply put they are the points in the narrative, typically at the end of a chapter, where we cut to another scene. Sometimes we are shifting perspective, sometimes we are advancing the clock, and sometimes we&#8217;re merely pausing to take a breath.
What are we looking for in a dramatic break? How do we identify the right place to cut away from one group of characters and focus on others? How do we avoid doing it the same way every time?
And so we discuss those stopping points and the starting points that follow them. We cover the flow of time and the flow of story. We talk about delivering satisfying installments. We even hang from a cliff or two.
Meanwhile&#8230;
This episode of Writing Excuses is brought to you by XDM: X-Treme Dungeon Mastery by Tracy &#38; Curtis Hickman, illustrated by Howard Tayler. Autograph editions are now on pre-order!
Writing Prompt: Write a story in which Howard hates elephants and dramatically breaks one.</itunes:summary>
		<itunes:keywords>Plot, Structure</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 5: How to Take Criticism</title>
		<link>http://www.writingexcuses.com/2009/06/28/writing-excuses-season-3-episode-5-how-to-take-criticism/</link>
		<comments>http://www.writingexcuses.com/2009/06/28/writing-excuses-season-3-episode-5-how-to-take-criticism/#comments</comments>
		<pubDate>Mon, 29 Jun 2009 02:29:20 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Submitting]]></category>
		<category><![CDATA[Writing Prompt]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2009/06/28/writing-excuses-season-3-episode-5-how-to-take-criticism/</guid>
		<description><![CDATA[How do you take criticism? How do you react, if you even do react? Does criticism cause you to change the way you work? Criticism can come from your peers in a writing group, from editors sending you rejection letters, and from those one-star Amazon reviewers who are out there looking for something to hate. [...]]]></description>
			<content:encoded><![CDATA[<p>How do you take criticism? How do you react, if you even do react? Does criticism cause you to change the way you work? Criticism can come from your peers in a writing group, from editors sending you rejection letters, and from those one-star Amazon reviewers who are out there looking for something to hate.</p>
<p>In this episode we provide anecdotes from other authors including Patrick Rothfuss and Kevin J. Anderson, and share our own experiences about criticism we&#8217;ve gotten and how we&#8217;ve responded to it.</p>
<p>This episode of Writing Excuses is brought to you by <a href="http://www.xtremedungeonmastery.com/"><em>XDM: X-Treme Dungeon Mastery</em></a>, by Tracy and Curtis Hickman, and illustrated by Howard Tayler. <a href="http://store.schlockmercenary.com/SearchResults.asp?Cat=25">Pre-orders for <em>XDM</em> open on Wednesday, July 1st</a>.</p>
<p>Writing Prompt: Write a story about a critic who is the hero.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/06/28/writing-excuses-season-3-episode-5-how-to-take-criticism/feed/</wfw:commentRss>
		<slash:comments>36</slash:comments>
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		<itunes:duration>0:16:29</itunes:duration>
		<itunes:subtitle>How do you take criticism? How do you react, if you even do react? Does criticism cause you to change the way you work? Criticism can come from your peers in a writing group, from editors sending you rejection letters, and from those one-star Amazon[...]</itunes:subtitle>
		<itunes:summary>How do you take criticism? How do you react, if you even do react? Does criticism cause you to change the way you work? Criticism can come from your peers in a writing group, from editors sending you rejection letters, and from those one-star Amazon reviewers who are out there looking for something to hate.
In this episode we provide anecdotes from other authors including Patrick Rothfuss and Kevin J. Anderson, and share our own experiences about criticism we&#8217;ve gotten and how we&#8217;ve responded to it.
This episode of Writing Excuses is brought to you by XDM: X-Treme Dungeon Mastery, by Tracy and Curtis Hickman, and illustrated by Howard Tayler. Pre-orders for XDM open on Wednesday, July 1st.
Writing Prompt: Write a story about a critic who is the hero.</itunes:summary>
		<itunes:keywords>Criticism, Submitting</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 4: Non Linear Story Telling</title>
		<link>http://www.writingexcuses.com/2009/06/08/writing-excuses-season-3-episode-4-non-linear-story-telling/</link>
		<comments>http://www.writingexcuses.com/2009/06/08/writing-excuses-season-3-episode-4-non-linear-story-telling/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 07:02:04 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Plot]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[Writing Prompt]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2009/06/08/writing-excuses-season-3-episode-4-non-linear-story-telling/</guid>
		<description><![CDATA[Don&#8217;t you just hate it when things unfold out of order? Why do writers do that? We explain why they do it, and how they do it, and then we discuss how to avoid some common mistakes. Non-linear storytelling is inherently risky, after all. Maybe not as risky as jumping ahead two episodes in a [...]]]></description>
			<content:encoded><![CDATA[<p>Don&#8217;t you just hate it when things unfold out of order? Why do writers do that?</p>
<p>We explain why they do it, and how they do it, and then we discuss how to avoid some common mistakes. Non-linear storytelling is inherently risky, after all. Maybe not as risky as jumping ahead two episodes in a non-serial podcast schedule, but it&#8217;s still life on the edge.</p>
<p>Writing Prompt: Write a story about a flashback that is completely false&#8230;</p>
<p>This week&#8217;s episode of <em>Writing Excuses</em> is brought to you by  <em><a href="http://www.amazon.com/dp/product/0765320304/?tag=monkeyslothst-20&amp;linkCode=asn&amp;creativeASIN=0765320304">Warbreaker</a></em> by Brandon Sanderson, now available in hardback from TOR.</p>
<p>(If you&#8217;re waiting for Episodes 2 and 3, we&#8217;ll flash back to them in due time&#8230;)</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/06/08/writing-excuses-season-3-episode-4-non-linear-story-telling/feed/</wfw:commentRss>
		<slash:comments>37</slash:comments>
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		<itunes:duration>0:16:35</itunes:duration>
		<itunes:subtitle>Don&#8217;t you just hate it when things unfold out of order? Why do writers do that?
We explain why they do it, and how they do it, and then we discuss how to avoid some common mistakes. Non-linear storytelling is inherently risky, after all. Maybe[...]</itunes:subtitle>
		<itunes:summary>Don&#8217;t you just hate it when things unfold out of order? Why do writers do that?
We explain why they do it, and how they do it, and then we discuss how to avoid some common mistakes. Non-linear storytelling is inherently risky, after all. Maybe not as risky as jumping ahead two episodes in a non-serial podcast schedule, but it&#8217;s still life on the edge.
Writing Prompt: Write a story about a flashback that is completely false&#8230;
This week&#8217;s episode of Writing Excuses is brought to you by  Warbreaker by Brandon Sanderson, now available in hardback from TOR.
(If you&#8217;re waiting for Episodes 2 and 3, we&#8217;ll flash back to them in due time&#8230;)</itunes:summary>
		<itunes:keywords>Plot, Style</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<item>
		<title>Writing Excuses Season 3 Episode 1: World-Building History</title>
		<link>http://www.writingexcuses.com/2009/06/01/writing-excuses-season-3-episode-1-world-building-history/</link>
		<comments>http://www.writingexcuses.com/2009/06/01/writing-excuses-season-3-episode-1-world-building-history/#comments</comments>
		<pubDate>Mon, 01 Jun 2009 15:33:31 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Setting]]></category>
		<category><![CDATA[World Building]]></category>
		<category><![CDATA[Writing Prompt]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2009/06/01/writing-excuses-season-3-episode-1-world-building-history/</guid>
		<description><![CDATA[Welcome to Season 3 of Writing Excuses! With eighteen hours and fourteen months of podcasting history behind us, it seems appropriate for us to talk about history, and how to write it. We talk about the iceberg principle &#8212; 90% of the history stuff you write never gets seen by the reader, it&#8217;s just there [...]]]></description>
			<content:encoded><![CDATA[<p>Welcome to Season 3 of Writing Excuses! With eighteen hours and fourteen months of podcasting history behind us, it seems appropriate for us to talk about history, and how to write it.</p>
<p>We talk about the iceberg principle &#8212; 90% of the history stuff you write never gets seen by the reader, it&#8217;s just there to support the 10% that they do see, the &#8220;tip of the iceberg&#8221; &#8212; and why for some writers it&#8217;s just not the right ratio. We also discuss Worldbuilder&#8217;s Disease &#8212; none of the writing you&#8217;re doing is prose for the novel &#8212; and how to avoid it while still knuckling down and doing the work.</p>
<p>And then (after a shiny commercial break) we knuckle down and talk about writing history, making it interesting, finding conflict, and avoiding oversimplified causality (&#8220;monocausationalism.&#8221;)</p>
<p>Writing Prompt: Write an encyclopedia article about a war that has 5 distinct causes. Identify and justify each of them.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/06/01/writing-excuses-season-3-episode-1-world-building-history/feed/</wfw:commentRss>
		<slash:comments>33</slash:comments>
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		<itunes:duration>0:16:08</itunes:duration>
		<itunes:subtitle>Welcome to Season 3 of Writing Excuses! With eighteen hours and fourteen months of podcasting history behind us, it seems appropriate for us to talk about history, and how to write it.
We talk about the iceberg principle &#8212; 90% of the history s[...]</itunes:subtitle>
		<itunes:summary>Welcome to Season 3 of Writing Excuses! With eighteen hours and fourteen months of podcasting history behind us, it seems appropriate for us to talk about history, and how to write it.
We talk about the iceberg principle &#8212; 90% of the history stuff you write never gets seen by the reader, it&#8217;s just there to support the 10% that they do see, the &#8220;tip of the iceberg&#8221; &#8212; and why for some writers it&#8217;s just not the right ratio. We also discuss Worldbuilder&#8217;s Disease &#8212; none of the writing you&#8217;re doing is prose for the novel &#8212; and how to avoid it while still knuckling down and doing the work.
And then (after a shiny commercial break) we knuckle down and talk about writing history, making it interesting, finding conflict, and avoiding oversimplified causality (&#8220;monocausationalism.&#8221;)
Writing Prompt: Write an encyclopedia article about a war that has 5 distinct causes. Identify and justify each of them.</itunes:summary>
		<itunes:keywords>Setting</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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