By Writing Excuses | January 27, 2013 - 8:20 pm - Posted in Characters, Uncategorized

Who needs a character arc?

Do your side characters, your non-POV characters need some sort of development during the story? We cover what we mean by “arc,” and we lay down some guidelines for who might need an arc, who might not, and what you might take into consideration when writing these characters.

Audiobook Pick-of-the-Week:  The Three Stigmata of Palmer Eldritch, by Philip K. Dick, narrated by Tom Weiner

Writing Prompt: The Hero of the Most Boring Story Ever — your job is to make it interesting.

This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
* Get your first 30 days of the AudibleListener® Gold membership plan free, which includes one credit. In almost all cases, one credit equals one audiobook. After your 30 day trial, your membership will automatically renew each month for just $14.95, billed to the credit card you used when you registered with Audible. With your membership, you will receive one credit per month plus members-only discounts on all audio purchases. If you cancel your membership before your free trial period is up, you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. See the complete terms and policy applicable to Audible memberships.

By Howard Tayler | November 23, 2012 - 9:24 am - Posted in NaNoWriMo, Uncategorized

You were expecting to hear from Howard on Wednesday, right? HAH! That deadline just FLEW by.

But Howard is here for you now. It’s Black Friday, November 23rd, 2012, and you’ve probably been counting words…

Last month we announced the first ever Writing Excuses retreat, and we were delighted to see how much interest you all had in this kind of event. We honestly didn’t know what to expect from this retreat, since it was the first time we’d ever attempted anything like it–would it be popular? Would nobody care? Would people actually pay for it? As a way of testing the waters, we limited the announcement to a highly dedicated subset of Writing Excuses listeners: the people who read and comment on the website. If they got excited, it was a good sign that others might get excited as well, and we could announce it to a much broader base of listeners.

The retreat sold out in 9 minutes.

In hindsight, we should have expected this. In foresight (that’s a thing, right?) this is a very good sign that we need to do another retreat next year. We’ll see how this one goes before announcing anything concrete, but yeah. This seems like something we need to do more of.

But fear not, because we have even more good news. Before registration opened we held back one slot, and that slot is still available. We just want to make sure it goes to someone who really deserves it, so we’re very pleased to announce a scholarship. This scholarship comes to you through the inspiration and funding of one of our listeners, who offered to help a worthy writer attend. We loved the idea, and moved some things around to help stretch his offer even further. The recipient of the scholarship will receive free registration to the retreat, a fully paid room in the nearby hotel, and up to $500 toward airfare. Note that the registration fee includes most of your food already, so this covers almost all of your expenses for the week.

We want to make sure that this scholarship goes to someone who both needs it and deserves it, so the submission process requires you to do a bit of work. To be considered for this scholarship, please submit the following to retreat@writingexcuses.com by midnight, January 15, 2013:

  • A brief example of your writing, consisting of 1-3 separate pieces and totaling no more than 10,000 words. These can be short stories or novel excerpts or whatever you want, just make sure it’s your best work. Don’t feel obligated to fill the word limit–if you can wow us in less, more power to you.
  • A personal essay explaining why you think you deserve the scholarship. This should be 450-700 words, and while we’re looking specifically for “need,” we’ll definitely be reviewing your writing style in terms of “merit.”
  • Three brief letters (no more than 300 words each) from people not related to you. While the fiction and the personal essay should be included in a single email, these letters can be emailed individually by the people who write them, just make sure they include your name in the subject line.

We anticipate a huge response to this scholarship, so please be aware that we will be culling the applications relentlessly, and those that don’t follow the guidelines will be the first to go. Submit your personal pieces in the body of a single email (no attachments), with the subject line “Scholarship Application: [name].” Make sure the people writing your letters of recommendation use the same subject line. Follow the word counts exactly, and don’t miss the deadline: January 15, 2013. We will review the submissions and announce our decision on February 15, 2013, which should still give you plenty of time to work out vacation time and babysitters and so on for the retreat in June.

We look forward to reading your submissions!

By Writing Excuses | - 1:37 am - Posted in Uncategorized

It’s microcasting time! This week we take a crack at the following listener questions:

  • What percentage of a rough draft makes it into print?
  • What are the pitfalls of jumping from novels to short fiction, and vice versa?
  • Do you need to start with short fiction first?
    • (This answer involves this link to Jim C. Hines.)
  • Should a novice writer fix glaring story problems during a draft, or wait until after?
  • Can a self-published author get picked up by a traditional publisher?
  • How do you get over the fear of writing something unoriginal?
    • (We break this question into two larger questions–we can do that, we use Author Math–and reference some previous episodes.)
    • (We should also point out the irony that yes, Howard is usually the one who writes these up, but on the one day we say it’s going to be Howard it’s actually Dan.)
  • Can I pay you to help me outline my story?

Audiobook Pick-of-the-Week: Hellhole by Kevin J. Anderson and Brian Herbert

Writing Prompt: Write a story about a squid who’s trying to write a space opera which is not about squids in space.

This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
* Get your first 30 days of the AudibleListener® Gold membership plan free, which includes one credit. In almost all cases, one credit equals one audiobook. After your 30 day trial, your membership will automatically renew each month for just $14.95, billed to the credit card you used when you registered with Audible. With your membership, you will receive one credit per month plus members-only discounts on all audio purchases. If you cancel your membership before your free trial period is up, you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. See the complete terms and policy applicable to Audible memberships.

By Writing Excuses | January 15, 2012 - 5:45 pm - Posted in Uncategorized

Animals and plants, round two! We begin this episode with examples where we think people did their flora and fauna wrong, or poorly, or at least in ways we can poke easy holes in. Our examples include:

  • Pitch Black
  • Twilight
  • Avatar
  • And then we get tired of negative examples, and talk about The Mote in God’s Eye.
We then attempt to brainstorm some flora and fauna on our world of mutagenic meteor dust. Pizza-trees, armored buffalo, fire-dandelions, and more… and that’s before we even get started populating the coast, and Brandon calls can-of-worms on the project and hands the brainstorming to you, the listener.

Audiobook Pick-of-the-Week: Speaker for the Dead, by Orson Scott Card, narrated by Stefan Rudniki. It’s a fantastic example of well-constructed flora and fauna, and it’s also a good example of how to make a sequel almost completely unlike the book that came before it.

Writing Prompt: Populate Excustoria’s coast with some magically, meteorically mutated life.

This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

By Writing Excuses | November 16, 2011 - 5:32 pm - Posted in Uncategorized

Mary Robinette Kowal finished her first published novel, Shades of Milk and Honey, as a NaNoWriMo project, and she’s here to offer some words of encouragement to those of you currently participating in November’s most authorial of pursuits.

You have her permission to write badly. Yes you do.

By Writing Excuses | April 10, 2011 - 3:27 pm - Posted in Uncategorized

We begin our discussion of Urban Fantasy with a discussion of definitions, which quickly devolves into an argument over what we are actually supposed to be talking about. Moving right along, we explore what sorts of things we find in an Urban Fantasy, and what sorts of rules these stories usually abide by.

Dan tells us how he set about writing the John Cleaver books, which certainly qualify as Urban Fantasy, Howard tackles the burning question of where one might start in the project of building a mythos, and Brandon explains
his own Urban Fantasy projects, including one failure from which we can all learn an important lesson.

Audiobook Pick-of-the-Week: The Dresden Files Book One: Storm Front, by Jim Butcher, narrated by James Marsters.

Writing Prompt: . Give us an Urban Fantasy in which the point of origin for your crossover is big box store retail spaces which somehow breach the boundary between our world and the magical one.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

By Howard Tayler | July 2, 2010 - 11:51 pm - Posted in Uncategorized

We have been validated!

Literally. See?

Thank you for the award, Parking Lot Confessional! We shall treasure this as soon as we’re done shopping and want to drive home.

By Writing Excuses | June 13, 2010 - 4:00 pm - Posted in Conventions, Editing, Uncategorized

Janci Patterson and Robison Wells join Brandon and Dan at CONduit in Salt Lake City. Both Janci and Rob have recently signed book deals, Robison with Harper Teen, and Janci with Henry Holt, and they tell us about those deals and how they got them.

Brandon puts both Janci and Rob on the spot, and asks them for advice on how to break in. This is cool, because it’s just about the most recent perspective on this advice you’re going to hear.

Audiobook Pick-of-the-Week: An Abundance of Katherines, by John Green

Writing Prompt: Two roommates… one sells a book and then vanishes. The second roommate decides to finish the book and pretend it was his.

Extra Special Thanks: Again,  this episode was made possible by our friends at Dungeon Crawlers Radio.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

By Howard Tayler | June 11, 2010 - 2:36 pm - Posted in Uncategorized

Fifteen minutes long, because we’re in too much of a hurry to report all the facts to you…

We here at Writing Excuses endeavor to give good advice, but we’re not good at telling long, complete stories. In our recent “getting published” episode we accidentally (I SWEAR) misrepresented our good friend Mary Robinette Kowal, and it was an egregious enough error that she decided, quite correctly, to post the actual facts in the comments. It’s comment #27 out of #31 (as of this writing.)

Properly apologizing in these circumstances is a multi-step process. Observe…

Step one: We fall on our swords. Mary, we’re sorry. That was totally our fault, and you’re absolutely right to correct us. We will try to do better in the future, but when we make mistakes like this we pray that others will be as gracious in their settings-straight as you have been.

Step two: We link to the correct information. Scroll down to Mary’s comment.

Step three: We state, for posterity and the record, that Mary Robinette Kowal won the 2008 Campbell award because she was, without question, the best new writer to emerge in publication during the qualifying years. Blogging and other web-centric things may have spread awareness of her work and helped garner the initial nomination, but Mary’s excellence was what ultimately carried the day.

Step four: We announce that our friend Mary has a novel out. Dan has reviewed it. You should buy it.

Step five: Maybe, if we’re careful, we can slide these swords back out of ourselves and stumble off to the hospital for medical attention.