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	<title>Writing Excuses &#187; Style</title>
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	<description>Fifteen minutes long, because you&#039;re in a hurry, and we&#039;re not that smart.</description>
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	<managingEditor>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</managingEditor>
	<webMaster>howard.tayler@gmail.com (Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler)</webMaster>
	<category>Writing books</category>
	<ttl>1440</ttl>
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		<title>Writing Excuses</title>
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	<itunes:subtitle>15 minutes long because you&#039;re in a hurry, and we&#039;re not that smart.</itunes:subtitle>
	<itunes:summary>Fantasy Novelist Brandon Sanderson, science-fiction cartoonist Howard Tayler, and horror writer Daniel Wells discuss writing techniques in a fast-paced, 15-minute format.</itunes:summary>
	<itunes:keywords>writing, books, how, to, write, Brandon, Sanderson, Howard, Tayler, Dan, Wells, Mary</itunes:keywords>
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	<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
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		<itunes:name>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:name>
		<itunes:email>howard.tayler@gmail.com</itunes:email>
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		<title>Writing Excuses 5.3: First Person Viewpoint</title>
		<link>http://www.writingexcuses.com/2010/09/19/writing-excuses-5-3-first-person-viewpoint/</link>
		<comments>http://www.writingexcuses.com/2010/09/19/writing-excuses-5-3-first-person-viewpoint/#comments</comments>
		<pubDate>Sun, 19 Sep 2010 22:37:41 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Characters]]></category>
		<category><![CDATA[POV]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[Alcatraz]]></category>
		<category><![CDATA[Bree Despain]]></category>
		<category><![CDATA[First Person]]></category>
		<category><![CDATA[Frankenstein]]></category>
		<category><![CDATA[I Am Not a Serial Killer]]></category>
		<category><![CDATA[Mary Shelley]]></category>
		<category><![CDATA[Patrick Rothfuss]]></category>
		<category><![CDATA[The Name of the Wind]]></category>
		<category><![CDATA[Unreliable Narrator]]></category>
		<category><![CDATA[Viewpoint]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=637</guid>
		<description><![CDATA[Bree Despain joins Brandon, Dan, and Howard for a discussion of writing in the 1st-person]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.breedespain.com/">Bree Despain</a> joins us for a discussion of writing the first-person viewpoint. We talk about &#8220;method writing&#8221; and get briefly creeped out by Dan. We discuss some key aspects of this particular POV, including the unreliable narrator, the over-the-shoulder vs. the memoir perspective, and the presence or absence of a framing story.</p>
<p>We cover a few pitfalls, including the clichéd &#8220;mirror scene,&#8221; and then offer advice to new writers who are looking for ways to get first person right the first time.</p>
<p><strong>Audiobook Pick-of-the-Week: <em><span style="font-weight: normal;"><a href="http://www.audible.com/pd/ref=sr_1_1?asin=B003R1BH3S&amp;qid=1284935356&amp;sr=1-1">Beastly</a>, </span></em><span style="font-weight: normal;">by Alex Finn</span></strong></p>
<p><strong>Writing Prompt: </strong>The main character has a secret. Write from that character&#8217;s point of view, but keep the secret from the reader.<br />
<strong> </strong><br />
<strong>This episode of Writing Excuses has been brought to you by Audible.</strong><br />
Visit <a href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.<br />
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p><strong>Audible® Free Trial Details</strong><br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</p>
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		<slash:comments>14</slash:comments>
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		<itunes:duration>0:16:08</itunes:duration>
		<itunes:subtitle>Bree Despain joins Brandon, Dan, and Howard for a discussion of writing in the 1st-person</itunes:subtitle>
		<itunes:summary>Fantasy Novelist Brandon Sanderson, science-fiction cartoonist Howard Tayler, and horror writer Daniel Wells discuss writing techniques in a fast-paced, 15-minute format.</itunes:summary>
		<itunes:keywords>writing, books, how, to, write, Brandon, Sanderson, Howard, Tayler, Dan, Wells, Mary</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 24: Writing Comics with Jake Black</title>
		<link>http://www.writingexcuses.com/2009/11/08/writing-excuses-season-3-episode-24-writing-comics-with-jake-black/</link>
		<comments>http://www.writingexcuses.com/2009/11/08/writing-excuses-season-3-episode-24-writing-comics-with-jake-black/#comments</comments>
		<pubDate>Mon, 09 Nov 2009 02:13:35 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Genre]]></category>
		<category><![CDATA[Scenes]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[Comics]]></category>
		<category><![CDATA[Jake Black]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/?p=180</guid>
		<description><![CDATA[Jake Black fills in for Brandon &#8220;#1 New York Times Bestselling Author&#8221; Sanderson this week, and that&#8217;s perfect because Jake writes comics and Brandon doesn&#8217;t. So mostly this is Dan holding Jake&#8217;s and my feet to the fire. We&#8217;ll talk about the business of writing comics next week. This week it&#8217;s more nuts-and-bolts, and we [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://jakeboyslim.blogspot.com/">Jake Black</a> fills in for Brandon &#8220;#1 New York Times Bestselling Author&#8221; Sanderson this week, and that&#8217;s perfect because Jake writes comics and Brandon doesn&#8217;t. So mostly this is Dan holding Jake&#8217;s and my feet to the fire.</p>
<p>We&#8217;ll talk about the business of writing comics next week. This week it&#8217;s more nuts-and-bolts, and we run for almost 20 minutes&#8230;</p>
<p><strong>Writing Prompt: </strong>Write a story in which Superman swoops into a room, kicks something, and then turns into Spider-Man.</p>
<p>This episode of Writing Excuses has been brought to you by Audible. Visit <a style="color: #444444; font-weight: bold; text-decoration: underline;" href="http://audiblepodcast.com/excuse">http://AudiblePodcast.com/excuse</a> for a free trial membership*.</p>
<p><strong>*Note: </strong>From the Audible website, here are the terms of the free membership. Read the fine print, please!</p>
<p><span><em>Audible® Free Trial Details</em><br />
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</span></p>
]]></content:encoded>
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		<slash:comments>18</slash:comments>
			<enclosure url="http://www.writingexcuses.com/podpress_trac/feed/180/0/Writing_Excuses_Episode3-24-Writing-Comics.mp3" length="14140189" type="audio/mpeg" />
		<itunes:duration>0:19:38</itunes:duration>
		<itunes:subtitle>Jake Black fills in for Brandon &#8220;#1 New York Times Bestselling Author&#8221; Sanderson this week, and that&#8217;s perfect because Jake writes comics and Brandon doesn&#8217;t. So mostly this is Dan holding Jake&#8217;s and my feet to the fire[...]</itunes:subtitle>
		<itunes:summary>Jake Black fills in for Brandon &#8220;#1 New York Times Bestselling Author&#8221; Sanderson this week, and that&#8217;s perfect because Jake writes comics and Brandon doesn&#8217;t. So mostly this is Dan holding Jake&#8217;s and my feet to the fire.
We&#8217;ll talk about the business of writing comics next week. This week it&#8217;s more nuts-and-bolts, and we run for almost 20 minutes&#8230;
Writing Prompt: Write a story in which Superman swoops into a room, kicks something, and then turns into Spider-Man.
This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!
Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.</itunes:summary>
		<itunes:keywords>Genre, Scenes, Style</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Season 3 Episode 4: Non Linear Story Telling</title>
		<link>http://www.writingexcuses.com/2009/06/08/writing-excuses-season-3-episode-4-non-linear-story-telling/</link>
		<comments>http://www.writingexcuses.com/2009/06/08/writing-excuses-season-3-episode-4-non-linear-story-telling/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 07:02:04 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Plot]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[Writing Prompt]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2009/06/08/writing-excuses-season-3-episode-4-non-linear-story-telling/</guid>
		<description><![CDATA[Don&#8217;t you just hate it when things unfold out of order? Why do writers do that? We explain why they do it, and how they do it, and then we discuss how to avoid some common mistakes. Non-linear storytelling is inherently risky, after all. Maybe not as risky as jumping ahead two episodes in a [...]]]></description>
			<content:encoded><![CDATA[<p>Don&#8217;t you just hate it when things unfold out of order? Why do writers do that?</p>
<p>We explain why they do it, and how they do it, and then we discuss how to avoid some common mistakes. Non-linear storytelling is inherently risky, after all. Maybe not as risky as jumping ahead two episodes in a non-serial podcast schedule, but it&#8217;s still life on the edge.</p>
<p>Writing Prompt: Write a story about a flashback that is completely false&#8230;</p>
<p>This week&#8217;s episode of <em>Writing Excuses</em> is brought to you by  <em><a href="http://www.amazon.com/dp/product/0765320304/?tag=monkeyslothst-20&amp;linkCode=asn&amp;creativeASIN=0765320304">Warbreaker</a></em> by Brandon Sanderson, now available in hardback from TOR.</p>
<p>(If you&#8217;re waiting for Episodes 2 and 3, we&#8217;ll flash back to them in due time&#8230;)</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2009/06/08/writing-excuses-season-3-episode-4-non-linear-story-telling/feed/</wfw:commentRss>
		<slash:comments>37</slash:comments>
			<enclosure url="http://www.writingexcuses.com/podpress_trac/feed/95/0/Writing_Excuses_Episode3-4-linear-storytelling.mp3" length="11940888" type="audio/mpeg" />
		<itunes:duration>0:16:35</itunes:duration>
		<itunes:subtitle>Don&#8217;t you just hate it when things unfold out of order? Why do writers do that?
We explain why they do it, and how they do it, and then we discuss how to avoid some common mistakes. Non-linear storytelling is inherently risky, after all. Maybe[...]</itunes:subtitle>
		<itunes:summary>Don&#8217;t you just hate it when things unfold out of order? Why do writers do that?
We explain why they do it, and how they do it, and then we discuss how to avoid some common mistakes. Non-linear storytelling is inherently risky, after all. Maybe not as risky as jumping ahead two episodes in a non-serial podcast schedule, but it&#8217;s still life on the edge.
Writing Prompt: Write a story about a flashback that is completely false&#8230;
This week&#8217;s episode of Writing Excuses is brought to you by  Warbreaker by Brandon Sanderson, now available in hardback from TOR.
(If you&#8217;re waiting for Episodes 2 and 3, we&#8217;ll flash back to them in due time&#8230;)</itunes:summary>
		<itunes:keywords>Plot, Style</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<item>
		<title>Writing Excuses Season 2 Episode 31: The Most Important Thing Brandon Learned In The Last Year</title>
		<link>http://www.writingexcuses.com/2009/05/10/writing-excuses-season-2-episode-31-the-most-important-thing-brandon-learned-in-the-last-year/</link>
		<comments>http://www.writingexcuses.com/2009/05/10/writing-excuses-season-2-episode-31-the-most-important-thing-brandon-learned-in-the-last-year/#comments</comments>
		<pubDate>Mon, 11 May 2009 05:10:59 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Plot]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[Writing Prompt]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2009/05/10/writing-excuses-season-2-episode-31-the-most-important-thing-brandon-learned-in-the-last-year/</guid>
		<description><![CDATA[Here&#8217;s the second part of our three-part &#8220;what we learned this year&#8221; series. This time around Brandon tells us the most important thing he learned this year. Summed up? Gimmicks cannot compensate for bad writing. So&#8230; what&#8217;s a gimmick? We begin with hooks and pitches, but gimmicks can include things like photo-realistic cover art, internet [...]]]></description>
			<content:encoded><![CDATA[<p>Here&#8217;s the second part of our three-part &#8220;what we learned this year&#8221; series. This time around Brandon tells us the most important thing he learned this year. Summed up? Gimmicks cannot compensate for bad writing.</p>
<p>So&#8230; what&#8217;s a gimmick? We begin with hooks and pitches, but gimmicks can include things like photo-realistic cover art, internet grass-roots campaigns, and factoids like &#8220;the author is only 17 years old.&#8221; Story elements like cool magic systems, uniquely alien aliens, and diamond-hard science can all be gimmicks. They&#8217;re good to have, certainly, and they can work to sell the book, but real staying power (read: earning out your advance, and getting royalty checks for years to come) comes from good writing, page after page.</p>
<p>Brandon confesses to some gimmick use himself, but fortunately we (and many of his readers) believe that his writing is strong enough that we don&#8217;t begrudge him the gimmick one bit.</p>
<p>This week&#8217;s episode of Writing Excuses is brought to you again by the opportunity you have to <a href="http://www.writingexcuses.com/advertise-with-writing-excuses/">sponsor Writing Excuses</a>.</p>
<p>Writing Prompt:  An author comes up with a wacky, crazy gimmick for a book&#8230; and then it happens to the author in real life.</p>
]]></content:encoded>
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		<slash:comments>23</slash:comments>
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		<itunes:duration>0:16:18</itunes:duration>
		<itunes:subtitle>Here&#8217;s the second part of our three-part &#8220;what we learned this year&#8221; series. This time around Brandon tells us the most important thing he learned this year. Summed up? Gimmicks cannot compensate for bad writing.
So&#8230; what[...]</itunes:subtitle>
		<itunes:summary>Here&#8217;s the second part of our three-part &#8220;what we learned this year&#8221; series. This time around Brandon tells us the most important thing he learned this year. Summed up? Gimmicks cannot compensate for bad writing.
So&#8230; what&#8217;s a gimmick? We begin with hooks and pitches, but gimmicks can include things like photo-realistic cover art, internet grass-roots campaigns, and factoids like &#8220;the author is only 17 years old.&#8221; Story elements like cool magic systems, uniquely alien aliens, and diamond-hard science can all be gimmicks. They&#8217;re good to have, certainly, and they can work to sell the book, but real staying power (read: earning out your advance, and getting royalty checks for years to come) comes from good writing, page after page.
Brandon confesses to some gimmick use himself, but fortunately we (and many of his readers) believe that his writing is strong enough that we don&#8217;t begrudge him the gimmick one bit.
This week&#8217;s episode of Writing Excuses is brought to you again by the opportunity you have to sponsor Writing Excuses.
Writing Prompt:  An author comes up with a wacky, crazy gimmick for a book&#8230; and then it happens to the author in real life.</itunes:summary>
		<itunes:keywords>Plot, Prose, Style</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Writing Excuses Episode 35: Voice, Tone and Style</title>
		<link>http://www.writingexcuses.com/2008/10/06/writing-excuses-episode-35-voice-tone-and-style/</link>
		<comments>http://www.writingexcuses.com/2008/10/06/writing-excuses-episode-35-voice-tone-and-style/#comments</comments>
		<pubDate>Mon, 06 Oct 2008 15:43:00 +0000</pubDate>
		<dc:creator>Writing Excuses</dc:creator>
				<category><![CDATA[Characters]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[World Building]]></category>

		<guid isPermaLink="false">http://www.writingexcuses.com/2008/10/06/writing-excuses-episode-35-voice-tone-and-style/</guid>
		<description><![CDATA[Everyone says you can&#8217;t teach style&#8211;each writer just has to figure it out on his or her own.  Well, we here at Writing Excuses have never met an ultimatum we didn&#8217;t immediately challenge, so today we take it head on. Can you teach style? Can you learn tone? What makes each writer&#8217;s voice unique? Writing [...]]]></description>
			<content:encoded><![CDATA[<p>Everyone says you can&#8217;t teach style&#8211;each writer just has to figure it out on his or her own.  Well, we here at Writing Excuses have never met an ultimatum we didn&#8217;t immediately challenge, so today we take it head on. Can you teach style? Can you learn tone? What makes each writer&#8217;s voice unique?</p>
<p>Writing Prompt: Take a scene and write it as Dan would write it, then write it as Brandon would write it, and then write it as Howard would write it.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.writingexcuses.com/2008/10/06/writing-excuses-episode-35-voice-tone-and-style/feed/</wfw:commentRss>
		<slash:comments>27</slash:comments>
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		<itunes:duration>0:16:47</itunes:duration>
		<itunes:subtitle>Everyone says you can&#8217;t teach style&#8211;each writer just has to figure it out on his or her own.  Well, we here at Writing Excuses have never met an ultimatum we didn&#8217;t immediately challenge, so today we take it head on. Can you teach [...]</itunes:subtitle>
		<itunes:summary>Everyone says you can&#8217;t teach style&#8211;each writer just has to figure it out on his or her own.  Well, we here at Writing Excuses have never met an ultimatum we didn&#8217;t immediately challenge, so today we take it head on. Can you teach style? Can you learn tone? What makes each writer&#8217;s voice unique?
Writing Prompt: Take a scene and write it as Dan would write it, then write it as Brandon would write it, and then write it as Howard would write it.</itunes:summary>
		<itunes:keywords>Characters, Style</itunes:keywords>
		<itunes:author>Brandon Sanderson, Mary Robinette Kowal, Dan Wells, and Howard Tayler</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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