Writing Excuses » Setting

Writing Excuses 6.27: Fantasy Setting Yard Sale

Writing Excuses — Sun, 04 Dec 2011 23:54:38 +0000

It’s the Writing Excuses Fantasy Setting Yard Sale!

In this experimental (at least for us) ‘cast, Brandon, Dan, Mary, and Howard build a couple of fantasy settings for you, and they’re free. Seriously. TAKE THEM.

We start our world-building with an unusual way for someone to obtain magical powers. We ended up with space-dust. We then head into what these powers do, and again we look for something unusual. We picked mutation. Then we start applying limitations: astrological, alchemical, and geological.

Our second pass (we’re giving away more than one of these!) began with cultural elements. We toy with how political power is granted, and end up with some neat linguistic bits, puerile humor, dance steps, ambidexterity, and a callback to the earlier puerility.

Audiobook Pick-of-the-Week: The Alloy of Law: A Mistborn Novel, by Brandon Sanderson, narrated by Michael Kramer

Writing Prompt: This whole episode is one big writing prompt, and you need one because NaNoWriMo is over, but that’s no excuse to not write. You’re out of excuses, as we’ve told you on more than one occasion. Write!

Puerility: “Fart joke.”

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

Writing Excuses 6.14: Suspension of Disbelief

Writing Excuses — Mon, 05 Sep 2011 01:00:20 +0000

Patrick Rothfuss joins Brandon, Dan, Mary, and Howard at WorldCon 69, where we recorded before a live, enthusiastic audience.

The topic? Suspension of disbelief, specifically, how to get your readers to do this. Patrick leads us off with verisimilitude, and how the reader will accept the fantastic if you’re presenting the mundane in a believable way. We talk about laying groundwork, about Chekov’s gun, the promises we have to make to our readers, and the dramatic tool bathos.

Audiobook Pick-of-the-Week: The Wise Man’s Fear, by Patrick Rothfuss, narrated by Nick Podehl.

Writing Prompt: Make the reader believe one impossible thing. If you can’t think of something on your own, start with teleportation.

Writing Excuses 6.13: World Building Communications Technology

Writing Excuses — Mon, 29 Aug 2011 01:46:56 +0000

Let’s talk commo! How does the ubiquity of communication tech affect your story? How far out of your own experience do you need to step in order to build a culture whose communications are believable?

We talk about the Great Wall of China, Napoleon’s visual semaphore, the Brin P2P Plan, and cell-phones in the X-files. Our goal? To get you to think about how the people in your stories communicate with each other, and how those communications can fail whether you’re writing fantasy or science-fiction.

Audiobook Pick-of-the-Week: Snow Crash, by Neal Stephenson, narrated by Jonathan Davis.

Errata: The Ringworld is not 93 million miles in diameter. That was the approximate radius. Also, Howard got the circumference wrong. If only we’d had instant access to some sort of database, some network of computational resources while we were recording this episode…

Writing Prompt: Start with a fax machine, make it a 3d-printer/prototyper, and run from there…

Writing Excuses 6.11: Making Your Descriptions Do More Than One Thing

Writing Excuses — Mon, 15 Aug 2011 00:00:52 +0000

Let’s talk about some ways in which your descriptions can do more than just describe. You’re not just trying to tell us what the room is like. You’re also setting the mood, telling us about the POV character, and establishing some of our progress through the story.

Howard (who rarely works in prose) offers some unexpected insight by talking about the way panels are composed in his comic. Mary offers even better insight by pulling the same principles through the domain of puppetry. Dan tells us how some of this is done by filmmakers. But yes, we finally do come back around to prose and how to accomplish these things with words.

Audiobook Pick-of-the-Week: Shades of Milk and Honey, written and narrated by Mary Robinette Kowal

Writing Prompt: Go someplace, use all five of your senses, and for thirty minutes write about the place you’re in. Not the people though. Just the place.

And Because It Needs To Be Google-able: “Mary Robinette Koala” — it might be more than just a pronunciation guide.

Writing Excuses 6.10: Scott Card’s M.I.C.E. Quotient

Writing Excuses — Mon, 08 Aug 2011 00:00:46 +0000

Orson Scott Card’s M.I.C.E. quotient is a concept from his books Character and Viewpoint and How to Write Science Fiction. M.I.C.E. stands for Milieu, Idea, Character, and Event, and can serve as a way to identify what kind of story you’re telling, and which elements you might need to spend more time fleshing out.

Mary walks us through each of the M.I.C.E. elements, and then we discuss ways in which writers can apply the quotient for improving their writing.

Then we try to take the Billy Goats Gruff tale and spin it as four different stories, one each for the M.I.C.E. elements, but that proves to be a pretty ambitious undertaking for us. Oh, the stumbling.

Audiobook Pick-of-the-Week: Enchantment, by Orson Scott Card, narrated by Stefan Rudnicki.

Writing Prompt: Apply the M.I.C.E. quotient to Red Riding Hood, and write at least one page of story per element. Wow, this sounds a lot like homework.

Writing Excuses 6.7: Brainstorming a Cyberpunk Story

Writing Excuses — Mon, 18 Jul 2011 00:07:59 +0000

Here’s a brainstorming episode in which Brandon throws random concepts from a textbook of his on gods and goddesses, and we attempt to brainstorm a cyberpunk story from these elements.

The elements thrown at us include clay, Sanskrit, fire god, and Buddhism.

If you’ve ever wanted to watch professionals wrestle with story genesis, this is the episode for you.

Audiobook Pick-of-the-Week: A Scanner Darkly, by Phillip K. Dick, narrated by Paul Giamatti.

Writing Prompt: Come up with a cyberpunk world using the seed “penguins.”

Writing Excuses 6.6: Cyberpunk

Writing Excuses — Mon, 11 Jul 2011 00:56:46 +0000

Cyberpunk: What is it? Why is it? We’ve mentioned it before, but we’ve never attempted to tackle it.

We begin with an attempt to define cyberpunk (the literary genre), which is typically near-future SF, anti-establishment, early dystopian fiction featuring connectivity, body modification, and culture shifts. We argue a bit over the finer points, which fits the topic perfectly.

We move on to discuss how you might set about writing cyberpunk, which is, as Dan points out, the SF genre we’re catching up to. We almost live in that world already. You’re going to need to do some research, reading up on the genre and looking closely at where current technology is taking us.

Audiobook Pick-of-the-Week: The Diamond Age, by Neil Stephenson, narrated by Jennifer Wiltsie.

Writing Prompt: A cyberpunk setting in which tattoos are the equivalent of implanted tech… and somebody has hacked your tattoo.

Writing Excuses 5.36: Non-Traditional Settings with Saladin Ahmed

Writing Excuses — Mon, 09 May 2011 02:37:16 +0000

Saladin Ahmed, Nebula- and Campbell-award nominee joins Brandon and Howard at Penguicon 9.0 in Troy, Michigan for a discussion of setting — specifically, setting an epic fantasy in something besides the traditional, Western European middle ages.

We talk about the importance of familiarity, and how we balance that against more exotic elements. Saladin offers us some tools and tricks for doing this. One of these is the “Daily Life In” series of books, research tools for authors wanting to leverage ancient Rome, Egypt, or other places in the creation of their settings. Yes, you might want to go out and buy a book or two after we’re done.

Audiobook Pick-of-the-Week: The Hundred Thousand Kingdoms: Inheritance Trilogy, Book 1, by N. K. Jemisin, narrated by Casaundra Freeman

Writing Prompt: Describe a food that is familiar to you from the point of view of a character who has never encountered it, nor anything like it.

Did You Hear Something Different? This episode marks the debut of our new digital mixer! We’re new to it, but so far it’s wonderful. Also, this is the third or fourth episode where Mary Robinette Kowal has voiced the sponsorship plug. Expect to hear a LOT more from her in Season Six…

Writing Excuses 5.35: Brainstorming Urban Fantasy

Writing Excuses — Mon, 02 May 2011 01:00:22 +0000

Okay, let’s have some fun. Not that we weren’t having fun for the previous 150+ episodes, mind you. But this is extra-fun.

Brandon, Dan, and Howard take the urban fantasy writing prompt about big-box stores and decide to brainstorm a story out of it. When we begin this ‘cast all we have is the prompt.

Then we brainstorm, plowing through setting, character, conflict, and story.

By the end of the ‘cast we’re ready to make a pitch to an editor and sell the book.

Okay, maybe not. But the book is totally ready for us to sit down and write. Or, better yet, for YOU to sit down and write.

Audiobook Pick-of-the-Week: Kitty and the Midnight Hour, by Carrie Vaughn, narrated by Marguerite Gavin

Writing Prompt: Take what we’ve done in this ‘cast and try to come up with a plot and an ending. Alternatively, take the list of competition films from the most recent Sundance Film Festival and pick six that are somehow part of a Fey plot.

Writing Excuses 5.34: Story Bibles

Writing Excuses — Sun, 24 Apr 2011 22:42:46 +0000

Let’s talk about bibles. Specifically, story bibles. What are they, why do we use them, why might we NOT use them, and what tools are working for us?

Howard again plugs wikidpad, which he converted Brandon to, and which Dan Wells just couldn’t bring himself to love. Dan uses several different Open Office files. The important thing, though, is that when we need to store information about the book in someplace besides the book itself, we write it down in our story bibles.

Dan talks about his new project, how important the story bible was for that, and what sorts of things absolutely have to go in there. Howard talks about the sorts of Schlock-tech that often end up

Audiobook Pick-of-the-Week: Freakonomics, by Steven D. Leavitt and Stephen J. Dubner, narrated by Stephen J. Dubner.

Writing Prompt: Someone is a were-animal. Pick an animal that hasn’t been done. Were-banana-slug, perhaps?

9:40 through 10:10: Yes, we went kind of quiet there. Somebody kicked a cable, maybe?