Category Archives: Project in Depth

Writing Excuses 10.48: Project in Depth, The Devil’s Only Friend

Spoiler Alert! We’ll be discussing the latest John Cleaver book from Dan Wells with author, podcaster, and unrepentant bacon-lover Dan Wells! If you haven’t read it, and you want to be surprised by it, stop listening and grab a copy now!

If you have read it, we apologize on Dan’s behalf for any emotional scarring you may have experienced. Now… give the episode a listen, and learn how Dan managed to do that to you.

 

This episode was engineered aboard The Independence of the Seas by Bert Grimm, and mastered in an orbital communications array by Alex Jackson.

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We are on a ship. Set a story that doesn’t really fit on a ship onto a ship.

The Devil’s Only Friend, by Dan Wells, narrated by Kirby Heyborne

Writing Excuses 10.22: Project-in-Depth—Of Noble Family

If you haven’t read Mary’s latest novel, Of Noble Family, this episode contains many spoilers, and you’ll get a lot more out of the discussion if you read the book (or listen to the book) before listening.

So… spoilers.

Of Noble Family is set in Mary’s Glamourist Histories universe, an alternate history setting, on the island of Antigua. Our discussion focuses primarily upon the research that Mary did, and the way she tested and then applied that research to the story. This includes how the research touched on the magic system of  the Glamourist Histories, and how linguistic and cultural differences might affect the use of Glamour.

Liner Notes

 

 

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Take something common, an activity or object that you’re familiar with, and then have a character describe it to someone who has a completely different frame of reference.

Of Noble Family, by Mary Robinette Kowal, narrated by Prentice Onayemi, Robin Miles, and Mary Robinette Kowal

Writing Excuses 10.11: Project In Depth: “Parallel Perspectives”

If you haven’t yet read “Parallel Perspectives,” from Schlock Mercenary: Massively Parallel, we have a PDF for you to download and read before you start listening to this episode. It’s a 33mb file in a public DropBox folder.

Parallel Perspectives PDF for Writing Excuses listeners

Got the file? Done reading? Okay, let’s go…

This week is a Project in Depth episode focusing on a 13-page graphic story (“comic book”) found at the end of Schlock Mercenary: Massively Parallel, and our focus this week will be story structure. It’s fun, because the process of structuring a bonus story begins much differently than most projects, and the structure was laid in support of a four-creator collaboration.

The creators? Howard Tayler, Brenda Hickey, Travis Walton, and Keliana Tayler.

(If you’d like your own hard-copy of Schlock Mercenary: Massively Parallel, you can get it from Amazon.com or directly from the publisher.)

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Next month we’re going to talk Beginnings: decide on the promises you want to make to your readers in your story. Then outline according to those promises.

The Hero’s Guide to Storming the Castle,  by Christopher Healy, narrated by Bronson Pinchot

Writing Excuses 8.24: Project in Depth–Kiss Me Twice

Mary’s story “Kiss Me Twice,” is a murder mystery featuring an artificial intelligence using Mae West as an avatar. It appeared on the ballot for the 2012 Hugo Awards in the Best Novella category (our early discussion to the contrary, we totally did NOT air this episode in time for 2012 Hugo voting. Yes, we recorded this episode a full year prior to airing it.)

Mary walks us through the process of creating the story, and then cutting it down from novel-length to the novella-length at which it currently appears, as well as a bunch of the work that went into creating a compelling, character-driven mystery with an A.I. as a critical character. We also get a fun “what-if” argument as the cast talks about what we liked best about the story, and how we’d change it if it got bigger.

Public Service Announcement: Voting is now open for the 2013 Hugos. The ballot can be seen here. If you purchase, or have already purchased, a membership to LoneStarCon 3, you are eligible to vote on the 2013 Hugos, and will have access to the entire Hugo Voting Packet — a collection of all nominated works. Voting closes on July 31st. (Obligatory disclaimer: Brandon and Howard are on the ballot in the Novella and Graphic Story categories, respectively, and Writing Excuses Season 7 is on the ballot in the Best Related Work category.)

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Pick your favorite actor or actress, gather your favorite quotes from them in their films, and string them together in a single character’s voice in a new context.

Empire State, by Adam Christopher, narrated by Phil Gigante

Writing Excuses 8.12: Project in Depth — Deus ex Nauseum

Brandon, Dan, and Mary interview Howard about how he assembled “Deus ex Nauseum,” the bonus story that appears at the end of Schlock Mercenary: Emperor Pius Dei.

Howard begins with the story’s genesis, which was sort of a science-fiction Sherlock Holmes story, but which wasn’t working very well. He explains why it wasn’t working well, and the point at which he decided to change it completely.

Then the questions begin. We have a fascinating discussion about deus ex machina as a literary device, and how this story plays to that type, and plays against that type.

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Take one story and discard every other page. Use that as framing material for a second story.

The Improbable Adventures of Sherlock Holmes, edited by John Joseph Adams with stories by Robert J. Sawyer, Christopher Roden, Michael Moorcock, Anne Perry, Neil Gaiman, Anthony Burgess, and Laurie R. King, narrated by Simon Vance and Anne Flosnik.

Writing Excuses 7.46: Project in Depth The Emperor’s Soul

Spoiler alert! We’re going to talk in depth about The Emperor’s Soul, which just came out, and if you haven’t yet read it but want to, we’d rather not spoil it for you. The e-book is available here.

So… ready?

Brandon talks to us about the origin of the magic system, and why he decided it fit well for setting in the same world as Elantris. He also talks to us about the way in which he arrived at the ending, and how the ending grew very naturally from the early stages of defining the character.

We have fun comparing Howard’s interpretation of a story point with what Brandon actually intended, and Mary talks about the structural changes made between the draft she read and the final version, a change that perfectly fulfills the definition of killing a darling. And on the subject of darlings, Dan asks about the fight sequence, and whether that really needed to be part of the story. Then we talk about some darlings Brandon opted to NOT kill.

Audiobook Freebie (limited time only): Legion by Brandon Sanderson, narrated by Oliver Wyman

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Come up with a magic system based on stamps, but that has nothing to do with forgery.

Caves of Steel, by Isaac Asimov, narrated by William Dufris