Category Archives: Live Audience

12.8 Short Stories as Exploration, with Tananarive Due

Your Hosts: Brandon, Mary, Dan, and Howard

Tananrive Due, whose short-fiction expertise is exemplified in her collection, Ghost Summer, joined us on the Oasis of the Seas to talk about how to use short stories to explore aspects of the craft. We discuss the importance of allowing ourselves to fail, and how we can learn from those failures, and continue to push our own limits. We also talk about how we go about pushing those limits, and what we do in order to most effectively explore new techniques.

 

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

Take something larger that you’ve written  and find a short story in it. Write that story.

Summer“, by Tananarive Due, which you can find in the Ghost Summer collection.

12.6: Variations on Third Person

Your Hosts: Brandon, Mary, Dan, and Howard

This episode focuses on the third person POV, and some variations on them, like omniscient and limited, and some sub-variants like cinematic and head-hopping.

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

Write a passage, and then re-write it in limited, omniscient narrator, head-hopping, and cinematic POVs.

Sorcerer to the Crown, by Zen Cho, narrated by Jenny Sterlin

12.3: Project in Depth, “Risk Assessment,” by Sandra Tayler

Your Hosts: Brandon, Mary, Dan, and Howard, with Sandra Tayler

This Project in Depth episode contains spoilers for “Risk Assessment,” which is included in Force Multiplication: Schlock Mercenary Book 12The story was written by Sandra Tayler, and illustrated by Natalie Barahona. Howard handled the writing and illustrating for the framing story, but this episode isn’t about that part.

Risk Assessment is a romance wrapped up in an adventure, and is very different from most of the rest of Schlock Mercenary. Have a listen, and Sandra will tell you about it.

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

Write a “meet cute,” that scene in which our romantic leads meet, and we get to have crushes with, or perhaps on them.

In the Cube, by David Alexander Smith (out of print, but available used)

11.52: Elemental Ensemble Q&A, With Claudia Gray

Claudia Gray joined us aboard Oasis of the Seas to answer our attendees questions about the Elemental Ensemble. Here are the questions:

  • Can you fit an ensemble into a short story?
  • What the minimum size for an ensemble? Is there a perfect length?
  • Can you put a traitor into an ensemble story?
  • How do I give my ensemble characters equal emotional weight if I only tell the story from a single POV?
  • How do you introduce your ensemble without infodumping?
  • If an ensemble is about falling in love with a group of friends, how does killing a character work?
  • How do you give every character a role in the climax without making it seem like the plot was cut to fit the team?

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

A Million Worlds With You, by Claudia Gray, narrated by Tavia Gilbert

11.51: Ensemble as a Sub-Genre, with Lynne M. Thomas

Lynne M. Thomas joins us to continue our discussion of the Elemental Ensemble, which is one of our favorite elemental tools. It’s not just for heists. It adds interest, emotion, and lots of plot possibilities to everything from sense of wonder to the hard-hitting issue.

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

Look at some of the elemental genres we’ve already discussed. Brainstorm some story ideas, looking at  what happens to them when you mix those genres up with the ensemble element.

Heroine Complex, by Sarah Kuhn

11.50: Hand-Selling Your Book to Potential Readers, with Michael R. Underwood

Michael R. Underwood has talked to us about hand-selling books before, but that was about pitching to agents and editors. This time around he’s talking about placing your product in the hand of your customer, the reader.

With Michael’s help, we cover some specific sales techniques, guidelines for convention displays, and strategies for bookstore appearances, with an eye toward helping you make that sort of activity effective.

 

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

This is a character creation exercise:

Take a fun, sci-fictional technological idea, and ask yourself who stands the most to gain, and the most to lose if it comes to pass. Imagine an individual in that group, and ask yourself what that person is going to do, and why.