Category Archives: Guest

12.12: Words as Words, with Linda Addison

Your Hosts: Howard and Dan, with Special Guest Linda Addison

Linda Addison joined us at the World Horror Convention in 2016 for a discussion of the shapes and sounds of words as seen from the perspective of the poet, and how this approach can inform our prose.

Play

12.8 Short Stories as Exploration, with Tananarive Due

Your Hosts: Brandon, Mary, Dan, and Howard

Tananrive Due, whose short-fiction expertise is exemplified in her collection, Ghost Summer, joined us on the Oasis of the Seas to talk about how to use short stories to explore aspects of the craft. We discuss the importance of allowing ourselves to fail, and how we can learn from those failures, and continue to push our own limits. We also talk about how we go about pushing those limits, and what we do in order to most effectively explore new techniques.

 

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

Take something larger that you’ve written  and find a short story in it. Write that story.

Summer“, by Tananarive Due, which you can find in the Ghost Summer collection.

12.3: Project in Depth, “Risk Assessment,” by Sandra Tayler

Your Hosts: Brandon, Mary, Dan, and Howard, with Sandra Tayler

This Project in Depth episode contains spoilers for “Risk Assessment,” which is included in Force Multiplication: Schlock Mercenary Book 12The story was written by Sandra Tayler, and illustrated by Natalie Barahona. Howard handled the writing and illustrating for the framing story, but this episode isn’t about that part.

Risk Assessment is a romance wrapped up in an adventure, and is very different from most of the rest of Schlock Mercenary. Have a listen, and Sandra will tell you about it.

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

Write a “meet cute,” that scene in which our romantic leads meet, and we get to have crushes with, or perhaps on them.

In the Cube, by David Alexander Smith (out of print, but available used)

11.51: Ensemble as a Sub-Genre, with Lynne M. Thomas

Lynne M. Thomas joins us to continue our discussion of the Elemental Ensemble, which is one of our favorite elemental tools. It’s not just for heists. It adds interest, emotion, and lots of plot possibilities to everything from sense of wonder to the hard-hitting issue.

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

Look at some of the elemental genres we’ve already discussed. Brainstorm some story ideas, looking at  what happens to them when you mix those genres up with the ensemble element.

Heroine Complex, by Sarah Kuhn

11.50: Hand-Selling Your Book to Potential Readers, with Michael R. Underwood

Michael R. Underwood has talked to us about hand-selling books before, but that was about pitching to agents and editors. This time around he’s talking about placing your product in the hand of your customer, the reader.

With Michael’s help, we cover some specific sales techniques, guidelines for convention displays, and strategies for bookstore appearances, with an eye toward helping you make that sort of activity effective.

 

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

This is a character creation exercise:

Take a fun, sci-fictional technological idea, and ask yourself who stands the most to gain, and the most to lose if it comes to pass. Imagine an individual in that group, and ask yourself what that person is going to do, and why.

11.49: Elemental Ensemble, with Michael Damien Thomas

Michael Damien Thomas, co-publisher and co-editor-in-chief of Uncanny Magazine, joined us for a discussion of the elemental genre that contains most of the stories we refer to as “heists.” It’s all about a well-rounded cast in which the group relationship is what’s pulling us forward.

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

Play

Look at professions with a front-person, and with behind-the-scenes staff. Create a story that focuses on the behind-the-scenes folks.

Uncanny Magazine, edited by Lynne M. Thomas and Michael Damien Thomas