Writing Excuses » Editing

Writing Excuses 7.4: Brevity

Writing Excuses — Mon, 23 Jan 2012 00:00:02 +0000

Brevity! Use fewer words!

After the obligatory “we-are-going-to-cut-this-short-after-the-intro” joke, we talk about how we can be appropriately brief, even in the context of writing epic fantasy. Mary offers us some rules of thumb for story brevity in the short fiction she writes, and Howard talks about how he accomplishes the extreme brevity of language required by his comic. Dan points out that the shorter you work, the more important your individual words become.

Audiobook Pick-of-the-Week: Farenheit 451, by Ray Bradbury, narrated by the author.

Writing Prompt: Give us a group of people on a long trip in space, with a problem, which they solve. Do it in 150 words.

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Writing Excuses 6.12: Revising For Description

Writing Excuses — Mon, 22 Aug 2011 01:00:44 +0000

It is Howard’s turn in the critique box! Brandon, Dan, and Mary dissect a 21-year-old manuscript from 22-year-old Howard, this time with an eye to making descriptions do more than one thing.

Since the manuscript runs for six pages before colliding with any inconvenient dialog, it’s a perfect fit. It might also be perfect because of how much work it needs.

Audiobook Pick-of-the-Week: The Sparrow, by Mary Doria Russell, narrated by David Colacci

Writing Prompt: Start with Howard’s concept and write your own story. The complete chapter whose pages we dissected can be found here in RTF format.

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

Writing Excuses 6.8: What an Agent Does

Writing Excuses — Mon, 25 Jul 2011 01:10:40 +0000

Agent Sara Crowe joins Dan and Howard again to talk about what an agent does. This simple, off-the-cuff episode offers a nice, inside look into what a literary agent can offer you, your manuscript, and your career.

Sara Crowe represents both Dan Wells and his brother Robison Wells. You can find her on Twitter at saraagent.

There’s no book-of-the-week this week. Audible only needs four of these per month from us, and five episodes will air in July. Listen for a book-of-the-week in Episode 9 on July 31st.

Writing Prompt: Your agent is actually a warlock using magic to make your book sell. Unfortunately, something about your book means this process is going to go horribly, horribly wrong.

Writing Excuses 5.33: Alpha Readers

Writing Excuses — Sun, 17 Apr 2011 23:55:37 +0000

It’s time to talk about alpha readers, and we start with a caveat from Howard: “I don’t want to read your book.” Let’s face it, we here at Writing Excuses might be great alpha readers, but we’re not YOUR alpha readers. We can’t be your back-door to fame and fortune as a genre fiction writer. The good news? There are good alpha readers out there waiting for you. You just need to know how to find them.

We talk about conventions a bit, those places that are full of genre-fiction lovers who might be able to help. We talk about Brandon’s writing group (his alpha readers) and how his agent and editor are actually beta readers. This contrast illustrates the sort of things you should be looking for in an alpha reader. We talk about Howard’s alpha reader (Sandra) and how she has to look at a script with no pictures, no blocking, and no dialog tags and figure out whether or not it’s going to work. This illustrates how she’s a genius and Howard’s just a hack.

Brandon and Dan also cover what they do not want in alpha readers — poor delivery of criticism and proof-reading topping the list.

And then we finally get around to some tricks for building a solid stable of alpha readers. It’s not something you’re going to pull off overnight.

Audiobook Pick-of-the-Week: The Dragon Factory: The Joe Ledger Novels, Book 2 by Jonathan Mayberry, narrated by Ray Porter.

Writing Prompt: Any time you’ve caught cold you’re actually being possessed. Gesundheit.

Loud Howard: brought to you by a too-close microphone. Jordo did his best to fix this in post, but we don’t record on multiple channels so there’s only so much that can be done on our budget.

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Writing Excuses 5.29: Rewriting

Writing Excuses — Mon, 21 Mar 2011 00:00:14 +0000

We were fortunate enough to record two episodes with Tracy Hickman and Dave Wolverton at Life, The Universe, and Everything XXIX. In this second installment these masters of the craft school us on the subject of rewrites.

We are introduced to terms like “triage editing” and “shotgun editing,” we talk about the difference between what you want to say and how you want to say it, and we have a great time telling stories on the sadly absent Brandon Sanderson, who we all agree to be a brilliant re-writer.

Audiobook Pick-of-the-Week: Dragons of the Dwarven Depths: The Lost Chronicles Volume 1, by Tracy Hickman and Margaret Weiss, narrated by Sandra Burr

Writing Prompt: Take the climax of your story and ask yourself what you’ve left out of earlier scenes that might be preventing it from being the best moment of the story. You’ve certainly left SOMETHING out. Go put it in.

Worst Podcast or Panel Etiquette Ever: Taking a phone call from the stage during a recording session in front of a live audience while Tracy Hickman is talking. What soulless knave would do such a thing? Listen and find out…

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Writing Excuses 5.28: E-publishing

Writing Excuses — Mon, 14 Mar 2011 01:18:53 +0000

Recording in front of a live audience is a treat. Doing so while interviewing one of our heroes is a rare treat. Having two of them on stage with us at once is so rare as to be a unique delight.

Dave Wolverton (aka David Farland) and Tracy Hickman joined Dan and Howard in a lecture hall at Brigham Young University during Life, The Universe, and Everything XXIX, and we managed to capture the session on a handheld recorder.

Our topic? Ebooks and e-publishing. We talk about New York publishing, syndicated comics, and how electronic publishing has disrupted these markets. Dave and Tracy both offer insights from their long careers as professional writers.

We then talk about what all this means to you, the creator. We offer advice that can be applied equally well at the beginning of your writing career and during those happy, established, halcyon days. This isn’t the be-all, end-all, predict-the-future-of-publishing podcast that the industry is hungry for, but we’re not trying to predict the future of publishing. We’re trying to help you shape your future as a writer.

Audiobook Pick-of-the-Week: The Golden Queen: Book 1, by David Farland, narrated by Peter Ganim.

Writing Prompt: Write something. Oh, it may seem trite, it may seem like a joke we played on our guest, but it sprang from the mind of Tracy Hickman himself, so, you know, get on it.

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Writing Excuses 5.20: More Dialog Exercises

Writing Excuses — Mon, 17 Jan 2011 01:00:28 +0000

The rules: Write dialog with no dialog tags and no narration. Write it in such a way that we get character, conflict, and setting. We did this a few weeks ago, and have more examples from you, our daring, sharing listeners!

We ran waaay long this time, but it’s okay because we spent a bunch of time reading the submissions. After each reading we discuss what went right and what went wrong, and what to learn from it.

Lots of principles come out of this, including avoiding Maid-and-Butler dialog, how to write natural banter, how to establish a character with that character’s voice, and how dialog-only, “white-room” pieces just can’t tell certain types of stories effectively.

Audiobook Pick-of-the-Week: Empire of the East, by Fred Saberhagen, narrated by Raymond Todd

Writing Prompt: Brandon decided to read the first two paragraphs of Empire of the East to us, because it’s all dialog and seemed to fit.

Special Guest Appearance: Howard’s pants. We haven’t heard from them in almost a month. They’re back.

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Writing Excuses 5.17: Dialog Exercises

Writing Excuses — Tue, 28 Dec 2010 03:27:51 +0000

This week’s episode, a day later than usual because of extended eggnogging*, features the submissions of a few brave souls who participated in Brandon’s tagless, unnarrated dialog exercise.

The rules were simple: Write a scene featuring nothing but dialog between two characters. The characters should have distinct voices, and the scene should communicate both setting and conflict. A great example of this is “They’re Made Out of Meat,” by Terry Bisson, which was a Nebula award nominee in 1992 (not a Hugo winner, though Brandon thought it was.) If you haven’t read it before, it’s a right treat and you should click on the story title and go read it right now.

Well… in 20 minutes or so (we ran long.) Listen to the podcast first, and pay attention as Brandon, Dan, and Howard gently dissect and critique the submissions of tagless, unnarrated dialog.

Audiobook Pick-of-the-Week: Dune, by Frank Herbert, narrated by Scott Brick , Orlagh Cassidy , Euan Morton , and Simon Vance

Writing Prompt: You are walking down a back alley, and you meet Jason from DragonMount. He’s getting all uppity about how good his submission was. What do you do to him?

Word That In This Context Is A Euphemism For “Howard Got Sick”: Eggnogging: [egg-nah-ging]

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Writing Excuses 5.16: Critiquing Dan’s First Novel

Writing Excuses — Mon, 20 Dec 2010 02:05:03 +0000

Late last season we took a look at Brandon’s first novel and did some line-editing and critiquing. It was so much fun we decided that Dan needed to take a turn in the dunking booth.

He totally gets wet.

In the course of dunking Dan we cover beginnings, descriptions, character development, pacing, and viewpoint as we tear into the first couple of pages of this novel. Brandon and Howard argue a bit over stylistic approaches, and of course Dan doesn’t get a say in things because he drowned. (Note: Dan does get a say in things, but mostly because he is not defending his old work at all.)

Audiobook Pick-of-the-Week: I Shall Wear Midnight, by Terry Pratchett, read by Stephen Briggs

Writing Prompt: Take an idiomatic expression and make it literal (not as a pun.) For instance, “the crack of dawn” as an actual crack in the sky through which dawn’s light shines.

Word That Is Not A Word But Totally Should Be: Discontiguity: [dis-kon-ti-gyoo-i-tee] – noun. A break in a series of things in continuous connection. A severance of contact.

Word That Isn’t In The Book, But Brandon Totally Put It There: Scrumptiously.

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Writing Excuses 4.33: Trunk Novels

Writing Excuses — Mon, 23 Aug 2010 03:17:34 +0000

Recorded live at Dragons & Fairy Tales, this episode is for anybody who has a novel or two (or more) sitting in the bottom of their trunk. What are the best ways to re-use old material you’ve set aside? We talk about rewriting entire novels, repurposing plots or characters, and moving stories from one place to another.

Sometimes we do this because an idea is just too good to let sit, but the execution on that idea (at least the first time around) wasn’t good enough. And sometimes we shouldn’t do it at all.

Audiobook Pick-of-the-Week: Feed by Mira Grant – it’s 1/3 zombie novel, 2/3 political thriller.

Writing Prompt: “Interspeciated workplace.” Go!

Prompt #2: You just got a “Cease & Desist” from a webcartoonist…

Audience Noises: Delivered on cue, thanks to cleverly positioned signs…

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

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Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.