By Writing Excuses | August 22, 2010 - 8:17 pm - Posted in Business, Characters, Editing, Ideas, Plot

Recorded live at Dragons & Fairy Tales, this episode is for anybody who has a novel or two (or more) sitting in the bottom of their trunk. What are the best ways to re-use old material you’ve set aside? We talk about rewriting entire novels, repurposing plots or characters, and moving stories from one place to another.

Sometimes we do this because an idea is just too good to let sit, but the execution on that idea (at least the first time around) wasn’t good enough. And sometimes we shouldn’t do it at all.

Audiobook Pick-of-the-Week: Feed by Mira Grant – it’s 1/3 zombie novel, 2/3 political thriller.

Writing Prompt: “Interspeciated workplace.” Go!

Prompt #2: You just got a “Cease & Desist” from a webcartoonist…

Audience Noises: Delivered on cue, thanks to cleverly positioned signs…

This episode of Writing Excuses has been brought to you by Audible.

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By Writing Excuses | August 8, 2010 - 7:00 pm - Posted in Characters, Dialog, Editing

We return to White Sand (original version), Brandon’s first book, written while he was a teenager. Again, you’ll need to suspend your disbelief as we assume that the story edits and other major content passes are complete, and what’s on the page now only needs refinement.

In this episode we’re drilling down on the dialog, which includes not only what the characters are saying, but also the said-bookisms (most of which are going to need to go.) We prune, we trim, and do all kinds of little things to make the conversations flow better, serve the plot better, and better engage the reader.

Audiobook Pick-of-the-Week: The Importance of Being Earnest, by Oscar Wilde. Note that there are three dramatizations available. Our first link is to the one with James Marsters.

Writing Prompt: From Producer Jordo: The Importance of Being Earnest Goes To Jail. Or Camp. Whatever. Think “Oscar Wilde/Earnest mashup.”

White Sand Excuses: The decades-long spin-off podcast in which over the course of 10 years we line edit this book down to around 200,000 words.

This episode of Writing Excuses has been brought to you by Audible.

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*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

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By Writing Excuses | July 25, 2010 - 5:50 pm - Posted in Editing

By popular request, here’s a ‘cast where we demonstrate line-editing. A word of warning, though: we demonstrate this process on the very first book Brandon ever wrote. Not his first published, book, mind you. No, we’re working on an ancient, unpublished manuscript, and it needs a lot more help than just line-editing. For the purposes of this exercise, we shall pretend that the story edits are complete, the darlings have been killed, and all that remains to be done is a final pass to tighten the prose.

Suspend your disbelief, please.

Audiobook Pick-of-the-Week: The Mote in God’s Eye, by Larry Niven and Jerry Pournelle

Writing Prompt: A man stumbles through the desert and is aided in some way by a headless monkey.

The Number of Minutes Required to Fix This Book: More than fifteen. Many, many more…

This episode of Writing Excuses has been brought to you by Audible.

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*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

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Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

 
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By Writing Excuses | July 11, 2010 - 8:28 pm - Posted in Characters, Dialog, Editing, Plot, Scenes, Structure

What do you do when, halfway through the book you’re writing, you realize it needs to be completely rebuilt? More importantly, how do you figure this out in the first place? This podcast came about as a result of a question from a listener, but the question was specific to “what if you find out it’s too derivative?” As it turns out, that’s just one of the many problems you can discover midway through a novel.

We spend the first half of the cast discussing how each of us identify the showstopping problems that require us to overhaul our works.

We then talk about the process of fixing things that might, at first glance, appear to be completely unfixable. Sometimes we shift pieces of paper around, sometimes we push blocks of text around in our word processors, and sometimes we have to do something really significant, like adding an entirely new character or point-of-view.

One of the best features of this particular ‘cast is the bit in the second half where Howard and Dan grill Brandon about his process for Towers of Midnight. Wheel of Time fans won’t find any spoilers, but they’ll certainly gain some insight.

Audiobook Pick-of-the-Week: The Warded Man, by Peter V. Brett, which Howard loves because of the “stand-up-and-cheer” moments of heroism throughout the book.

Writing Prompt: Take something you’ve already written, grab a throwaway concept in that story, and rewrite that scene or chapter so the throwaway bit is now the major focus.

Moment of Extreme Hubris: “I give lessons.” Listen for it.

That Episode on Stealing for Fun and Profit: Right here.

This episode of Writing Excuses has been brought to you by Audible.

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*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

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By Writing Excuses | June 27, 2010 - 4:00 pm - Posted in Artwork, Business, Conflicts, Editing

James Dashner and Julie Wright join Brandon and Dan for an episode about what Lou Anders called “Mating Plumage” back in this 2008 episode of Writing Excuses recorded at Denvention. Lou was just referring to covers, but for this ‘cast Dan has extended the metaphor to include  titles and first lines.

These are the three things that are best positioned to quickly “sell” a book. But to whom? And why?

The crew talks about their experiences with each of these. Yes, we judge books by covers, and no, writers don’t have any control over them. We have a little more control of our titles, and still more over our first lines.  Humorous and tragic anecdotes follow, along with a great example of a first line from Barbara Hambly.

Audiobook Pick-of-the-Week: The Maze Runner, by James Dashner

Writing Prompt: Julie Wright, when offered the chance to use the word” monkey,” came up with “I can’t believe you did this to me.” James suggested “Brandon and Julie go on safari and get attacked by monkeys.” Plenty of material there. PLENTY.

Big Hugs One Last Time: With the absence of Producer Jordo and Former Audio Engineer Howard (neither of whom could make it to CONduit) Revan and Malek of Dungeon Crawlers Radio stepped up and made each of these last FIVE EPISODES of Writing Excuses possible. We owe them big-time, and you should go check out their podcast.

I bet it’s about puppies: I Don’t Want to Kill You, by Dan Wells.

This episode of Writing Excuses has been brought to you by Audible.

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*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

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Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

 
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By Writing Excuses | June 13, 2010 - 4:00 pm - Posted in Conventions, Editing, Uncategorized

Janci Patterson and Robison Wells join Brandon and Dan at CONduit in Salt Lake City. Both Janci and Rob have recently signed book deals, Robison with Harper Teen, and Janci with Henry Holt, and they tell us about those deals and how they got them.

Brandon puts both Janci and Rob on the spot, and asks them for advice on how to break in. This is cool, because it’s just about the most recent perspective on this advice you’re going to hear.

Audiobook Pick-of-the-Week: An Abundance of Katherines, by John Green

Writing Prompt: Two roommates… one sells a book and then vanishes. The second roommate decides to finish the book and pretend it was his.

Extra Special Thanks: Again,  this episode was made possible by our friends at Dungeon Crawlers Radio.

This episode of Writing Excuses has been brought to you by Audible.

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*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

 
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By Writing Excuses | February 28, 2010 - 7:17 pm - Posted in Career, Editing, Guest

Jessica Day George, author of The Dragon Slippers and a host of other things, joins us to talk about working with editors, and she’s got stories to tell. But so do Dan and Brandon. And hey, surprise! Even self-published Howard has an appropriate anecdote here!

What should you expect when you work with an editor? Are they going to ask you to add sex and violence, or are they going to demand that you tone everything down? Are they going to buy your book and then force unconscionable changes down your throat, or are they going to warn you before the contract is signed?

The answer is, not surprisingly, yes. Editors may do all this and more. Or less. More or less. Have a listen…

Audiobook Pick-of-the-Week: Sun and Moon, Ice and Snow, by Jessica Day George

Writing Prompt: An author and an editor are disagreeing on a matter that nobody else would ever think to disagree on.

This episode of Writing Excuses has been brought to you by Audible.

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*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

 
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By Writing Excuses | November 22, 2009 - 8:02 pm - Posted in Characters, Editing, Live

Dan, Howard, and Jordo descended into the basement at Dragon’s Keep where members of the local NaNoWriMo chapter were attempting to bolster their word-counts for the day. We talked to them about National Novel Writing Month, and about the things that were getting them stuck. Good times!

Writing Prompt: Kill one of your characters with a shovel.

This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

 
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By Writing Excuses | August 8, 2009 - 11:47 pm - Posted in Editing, Prose

Let’s talk “trimming.” Why do it? Well… because your manuscript is longer than it needs to be. Yes, we’re talking to you. AND you. And you, too. None of you are exempt! (Well… maybe YOU are, but you can’t be allowed to believe it.)

So… what do you trim? We’ve covered “Killing Your Darlings” way back in Season One Episode Three, so while those are certainly on the list of things to cut, we’re going to focus on tightening your prose and reducing word-count without changing the story. So that’s what we cover in a brisk, 15-minute ‘cast whose synopsis is at least fifty words longer than it needs to be. Maybe fifty-two.

 
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This the third in our series of retrospective episodes. The most important thing Dan learned this year? Being a full-time author is a lot different than he thought it would be.

How different? What was Dan expecting? Was he really imagining silk pajamas and a notebook computer on the beach? We talk about the types of non-writing work that we’ve found ourselves doing, and why those things are so important to us and to our careers. We discuss how our publishers’ schedules impact our own, and why writers are often expected to drop whatever they’re doing in order to handle something for their publisher.

During our discussion we mention a new local novelist Aprilynne Pike, whose debut book Wings is available now, and made #6 on the NYT Bestsellers List for Children’s Chapter Books.

Episode 32 has been brought to you by “A Snack.” But hurry! We don’t pause for long!

Writing Prompt: Write the first page of a story, stop, write a first page of a different story and then go back and finish the first story.

 
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