Jessica Day George joins the Writing Excuses crew again, this time for a discussion of writing for young adults, and maybe for teens, or even middle-grade readers. This isn’t a podcast about rigidly defining the boundary between the YA and middle-grade genres, though. That’s publishing. We’re talking about writing.

If you enjoyed last week’s discussion with the sweeping generalizations and the appropriate application thereof, this ‘cast should be every bit as intriguing. What are teenagers interested in, and how is that different from what interests adults? Do stories need to be simplified for teenagers, or are we underestimating them when we do that? How does the age of your protagonist determine the age-group to whom your publisher will market the book? Why is it genre-appropriate for Dumbledore to repeatedly withhold crucial information from Harry, Hermione, and Ron?

Audiobook Pick-of-the-Week: Dragon’s Blood by Jane Yolen, because a pit-fighting dragon is way cooler than the dragons of Christopher Paolini.

Writing Prompt: Take a protagonist younger than about 16 and put him or her in charge of a group of adults.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

 

 Writing Excuses 4.10: Writing for Young Adults [18:14m]: Play Now | Play in Popup | Download (4425)

Question: Can you write a good book without a plot twist?

Better question: is it a good book if your readers predicted what was coming?

Best question: is a podcast about predictable prose itself predictable?

No, seriously… the best question is “how can we use predictable, formulaic plotting effectively?” We actually answer that one.

Writing Prompt: “Sense & Sensibility & Terrorists”

 

 Writing Excuses Season 3 Episode 23: How to Write Without Twists [15:41m]: Play Now | Play in Popup | Download (8159)

You are going to love this episode. Seriously.

Brandon throws an idea at Dan and Howard, and then we spend 15 minutes expanding on that idea as if we were going to base a story around it.

You people who keep asking where we get our ideas? You’re asking the wrong question. Ideas are easy to come by — everybody has them. The right question is “how do you turn an idea into a story?”

This podcast skips to the important part of answering the question: demonstration. Enjoy!

This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*.

Your writing prompt: Bugs are now magical. Ohcrap.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

 

 Writing Excuses Season 3 Episode 22: Idea to Story [17:50m]: Play Now | Play in Popup | Download (8521)

Meanwhile, several side-characters found themselves looking for a sub-plot in the tavern. Something funny, or perhaps romantic to take the load off of the main story, but still tense enough to keep the pace going. Or maybe something that will let them introduce important elements to the main plot without the reader knowing that’s what’s going on…

And that’s pretty much what subplots are, and what they’re for. But if we skip to the ending that way they can’t do their job! So listen to the whole eighteen-minute podcast, and we’ll rejoin our main characters next week, as the automated orbital lance counts down to zero…

 

 Writing Excuses Season 3 Episode 12: Subplots [18:05m]: Play Now | Play in Popup | Download (8564)

 Rob Wells joins the Writing Excuses crew for a second ‘cast, this time dealing with fight scenes. We talk about good blocking versus a bad blow-by-blow, and cover a few of the factors that may dictate the right style of description for that wicked-cool fight you’ve pictured in your head.

This episode is fast-paced and, well… punchy. No, really, it is. Seriously, that seemed like the right word there, pun notwithstanding.

Writing Prompt: Write a fight between two people who have never been in a fight before.

 

 Writing Excuses Season 2 Episode 21: Fight Scenes [15:49m]: Play Now | Play in Popup | Download (8096)

All three of your Writing Excuses hosts include a measure of violence in their written work. So Brandon, Dan, and Howard decide to clear the air a little bit.

Why do we write about violence? What does it bring to a work of fiction, and what challenges does it pose? Is there a morally appropriate way to write about violence? How does it impact the theme of your work?  Is there a difference between writing about violence and writing comedic mayhem?

Writing Prompt: Have some fun in the worst possible way. Write a scene that has an extremely violent sequence that glorifies the violence and then write a scene dealing with the consequences.

 

 Writing Excuses Season 2 Episode 13: Violence [16:43m]: Play Now | Play in Popup | Download (7393)