By Writing Excuses | October 10, 2010 - 4:58 pm - Posted in Business, Characters, Q&A

You’re going to love this one. This fast-paced episode of Writing Excuses goes out to everybody who thinks Writing Excuses isn’t already fast-paced enough.

We’ve done Q&A episodes before, but this one is special. This time we applied our “shot clock” to each question we fielded, and set out to knock each one down within three minutes.

The Questions:

What’s the right way to kill a character?

Who are the authors who have influenced you the most, and why?

When do you quit your day-job?

Brandon, would killing you and partaking of your flesh grant the killer your powers?

What do you do when you discover you hate a character you’re writing?

How do you respond to accusations of having written Mary Sue characters?

What are some basic tools for ensuring that all characters in a story have different voices?

Audiobook Pick-of-the-Week: Dragonflight, by Anne McCaffrey

Writing Prompt: Two critics who reviewed Dan Wells’ book and who had completely opposite reactions actually read two different books…

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

By Writing Excuses | August 29, 2010 - 4:00 pm - Posted in Business, Career, Q&A, Submitting

The last of our three recorded-live episodes is also the last episode of Writing Excuses Season 4. We took questions from the audience, and answered them with ABSOLUTE APLOMB.

Questions asked include:

How did we, as beginning writers, manage to write while holding down day-jobs and/or going to school?
What is the process for getting published?
How do you portray the various dynamics of an ensemble cast?
How do you keep tension up when death isn’t a problem for your characters?
How do you make the transition from writing fan-fiction to writing original fiction?
How important is it for an author to stay in touch with the fans online and at events?
What do you do when your cast of characters has grown too large for you to manage it?
What was the biggest stumbling-block for our creativity, and how did we overcome it?

You want the answers? Have a listen!

Writing Prompt: You walk out of a bookstore into torrential rain, and Howard attacks you with the POWER OF THUNDER.

By Writing Excuses | August 22, 2010 - 8:17 pm - Posted in Business, Characters, Editing, Ideas, Plot

Recorded live at Dragons & Fairy Tales, this episode is for anybody who has a novel or two (or more) sitting in the bottom of their trunk. What are the best ways to re-use old material you’ve set aside? We talk about rewriting entire novels, repurposing plots or characters, and moving stories from one place to another.

Sometimes we do this because an idea is just too good to let sit, but the execution on that idea (at least the first time around) wasn’t good enough. And sometimes we shouldn’t do it at all.

Audiobook Pick-of-the-Week: Feed by Mira Grant – it’s 1/3 zombie novel, 2/3 political thriller.

Writing Prompt: “Interspeciated workplace.” Go!

Prompt #2: You just got a “Cease & Desist” from a webcartoonist…

Audience Noises: Delivered on cue, thanks to cleverly positioned signs…

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

By Writing Excuses | June 27, 2010 - 4:00 pm - Posted in Artwork, Business, Conflicts, Editing

James Dashner and Julie Wright join Brandon and Dan for an episode about what Lou Anders called “Mating Plumage” back in this 2008 episode of Writing Excuses recorded at Denvention. Lou was just referring to covers, but for this ‘cast Dan has extended the metaphor to include  titles and first lines.

These are the three things that are best positioned to quickly “sell” a book. But to whom? And why?

The crew talks about their experiences with each of these. Yes, we judge books by covers, and no, writers don’t have any control over them. We have a little more control of our titles, and still more over our first lines.  Humorous and tragic anecdotes follow, along with a great example of a first line from Barbara Hambly.

Audiobook Pick-of-the-Week: The Maze Runner, by James Dashner

Writing Prompt: Julie Wright, when offered the chance to use the word” monkey,” came up with “I can’t believe you did this to me.” James suggested “Brandon and Julie go on safari and get attacked by monkeys.” Plenty of material there. PLENTY.

Big Hugs One Last Time: With the absence of Producer Jordo and Former Audio Engineer Howard (neither of whom could make it to CONduit) Revan and Malek of Dungeon Crawlers Radio stepped up and made each of these last FIVE EPISODES of Writing Excuses possible. We owe them big-time, and you should go check out their podcast.

I bet it’s about puppies: I Don’t Want to Kill You, by Dan Wells.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

By Writing Excuses | January 31, 2010 - 7:56 pm - Posted in Business, Career

We’re going to wade into a recent e-brouhaha, but it’s not going to be the Amazon vs Macmillan one. No, this is the one where Dean Wesley Smith argued that authors do not need agents. But you don’t need to read that to appreciate this ‘cast.

So… do you need an agent? This depends on the operating definition of “you” and “agent.” What kind of contractual experience do you have? What kinds of things will your agent do for you? And if you decide you do need an agent, how do you go about identifying the agent who is right for you? We’ll cover all of this and more!

Unrelated to agents (but definitely in the “and more” category): Howard reveals deeply personal information in this podcast!

Audiobook Plug: The Maze Runner, by James Dashner

Writing Prompt: Write a story in which a bestselling recluse author dies, and his agent scrambles to keep the career alive without telling anybody. Skin in the game, baby!

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

Larry Correia is either the guy who did everything wrong and then broke into publishing anyway, or he’s the exception who proves the rule. He self-published Monster Hunter International, and then got picked up by Baen Books.

If you’re considering self-publishing, this is the podcast for you.

This week’s episode of Writing Excuses is brought to you by Scenting the Dark by Mary Robinette Kowal.

Writing Prompt: A self-published book becomes a threat that will end the world…

This the third in our series of retrospective episodes. The most important thing Dan learned this year? Being a full-time author is a lot different than he thought it would be.

How different? What was Dan expecting? Was he really imagining silk pajamas and a notebook computer on the beach? We talk about the types of non-writing work that we’ve found ourselves doing, and why those things are so important to us and to our careers. We discuss how our publishers’ schedules impact our own, and why writers are often expected to drop whatever they’re doing in order to handle something for their publisher.

During our discussion we mention a new local novelist Aprilynne Pike, whose debut book Wings is available now, and made #6 on the NYT Bestsellers List for Children’s Chapter Books.

Episode 32 has been brought to you by “A Snack.” But hurry! We don’t pause for long!

Writing Prompt: Write the first page of a story, stop, write a first page of a different story and then go back and finish the first story.

Nancy Fulda, assistant editor at Baen’s Universe and  editor-in-chief and founder of Anthology Builder, joins us again while Dan Wells is out celebrating his birthday. We discuss the rise of digital SF magazines, and touch on concepts like user-generated content, the Superconducting Copy Machine, and disruptive technology. We talk about print-on-demand vs. self-publishing, we laugh as Nancy puts her foot in her mouth, and then we argue over whether free online content can generate income for authors, as opposed to webcartoonists.

This week’s episode is 20 minutes long, because you’re not in as much of a hurry as we originally suspected, and Nancy made us at least a little smarter.

This week’s Writing Excuses is brought to you by I Am Not A Serial Killer by our very own absent-two-weeks-running Dan Wells. The book is only available in the UK, but you can get now from http://www.bookdepository.co.uk which has free shipping to anywhere in the world.

Writing Prompt: Write a story that convincingly describes the death of the traditional publishing industry 25 years from now.

Tracy Hickman joins us again at “Life, The Universe, and Everything,” and in this episode we let Brandon ask him random questions while Dan and Howard chime in with comments that hopefully don’t detract from the discussion.

During the interview Tracy mentions his latest project, XDM: Extreme Dungeon Mastery, but he doesn’t mention the very latest news about it. That news is that Tracy and Curtis Hickman (the authors) have contracted with Howard Tayler to illustrate and publish it. So that bit about Tracy doing it in his basement? It’s no longer accurate.

This week’s Writing Excuses is brought to you by I Am Not A Serial Killer by our very own Dan Wells. The book is only available in the UK, but you can get now from http://www.bookdepository.co.uk which has free shipping to anywhere in the world.

Writing Prompt: Give us Winnie the Pooh’s big death scene. On a destroyer in the South Pacific.

“Branding,”  not “Brandon,” just so we’re clear. Brand-ING.

We open with the definition of “branding,” talking about what it is, and (just as importantly) what it is not. With that out of the way we forge ahead and talk about author brands, brand messaging, and why any of this really matters. We throw down a few examples, and use them to help the listener arrive at a decent author-branding strategy.

Writing Prompt: Pick your favorite author and in 50 words or less write down what you think their brand is, then compare it on the forums with what others write.