Writing Excuses » Business

Writing Excuses 6.19: Pitching

Writing Excuses — Mon, 10 Oct 2011 01:53:42 +0000

Pitching your work… authors often have difficulty with it. Even authors who have no trouble spinning a fantastic story may find themselves at a loss telling people ABOUT that story in a way that makes it compelling.

We cover three kinds of pitches — the one-liner or “elevator pitch,” the three- or four-paragraph explanation, and the in-depth synopsis. We also talk about the sorts of situations in which you’re going to need these.

Few skills are as important to new authors, and few weaknesses can be as career-limiting.

Audiobook Pick-of-the-Week: The Dispossessed, by Ursula K. Le Guin, narrated by Don Leslie

Writing Prompt: Take three of your favorite books and write one of each kind of pitch for each of those books. Now convince a friend of yours to read one of those books using one of those pitches.

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Writing Excuses 6.8: What an Agent Does

Writing Excuses — Mon, 25 Jul 2011 01:10:40 +0000

Agent Sara Crowe joins Dan and Howard again to talk about what an agent does. This simple, off-the-cuff episode offers a nice, inside look into what a literary agent can offer you, your manuscript, and your career.

Sara Crowe represents both Dan Wells and his brother Robison Wells. You can find her on Twitter at saraagent.

There’s no book-of-the-week this week. Audible only needs four of these per month from us, and five episodes will air in July. Listen for a book-of-the-week in Episode 9 on July 31st.

Writing Prompt: Your agent is actually a warlock using magic to make your book sell. Unfortunately, something about your book means this process is going to go horribly, horribly wrong.

Writing Excuses 6.5: Query Letters

Writing Excuses — Mon, 04 Jul 2011 01:00:56 +0000

Dan and Howard had the recent opportunity to interview Dan’s agent, http://saracrowe.com/index.html, who works with the Harvey Klinger agency. We decided to address a topic that is by far the most-requested (and under-addressed) topic on our list: query letters.

Dan begins by reading the query letter he sent to Sara four years ago. Sara then explains why she accepted him as a client. The letter had something to do with it, yes. Sara talks a bit about what she likes and doesn’t like in query letters, and this leads us into a nice discussion of what does and doesn’t work, and why.

We then further deconstruct the letter, and Dan’s decision-making process in writing it. We discuss the synopsis he included, and how well the hook of the novel was presented. We then distill this into some basic points for query-letter writing.

Audiobook Pick-of-the-Week: Alien Invasion and Other Inconveniences, by Brian Yansky, narrated by Alexander Cendese

Writing Prompt: Write a query letter based on your current project.

Writing Excuses 6.4: Microcasting

Writing Excuses — Mon, 27 Jun 2011 01:00:05 +0000

Microcasting! It’s our high-speed Q&A! Here are the Q’s, listen to the ‘cast for the A’s.

Is it still safe to go the commercial publishing route?
How do you find the balance when writing serious stories with silliness in them?
What are the alternatives to three-act structure?
Do you ever lose your drive, and what re-inspires you when you do?
How does your writing life affect your non-writing life?
What was the defining moment in your life where you decided to become a writer?
How effective are book trailers?

Audiobook Pick-of-the-Week: 1421: The Year China Discovered America, by Gavin Menzies, narrated by Simon Vance

Writing Prompt: Give us a story in which writers are using actual fantastic creatures in the process of writing fantasy — ink from unicorn horns, elf-skin parchment, etc.

Promised Liner Note Links: Dan’s 7-point Story Structure,

Writing Excuses 6.3: Professional Organizations

Writing Excuses — Mon, 20 Jun 2011 02:00:50 +0000

As you may or may not know, Mary Robinette Kowal is currently the Vice President (a volunteer position) of SFWA, the Science-fiction and Fantasy Writers of America. And after killing two minutes talking about acronyms and the composition and pronunciation thereof, we start into the actual topic — professional organizations, why or why not to join them, and what they offer.

We spend a lot of time talking about SFWA specifically, which is hopefully useful to anybody who might want to write genre fiction. We talk a little bit about the National Cartoonist’s Society (of which Howard is not a member), and about NASE (the National Association for the Self-Employed) to which Howard and Sandra do both belong.

Mary then gives us some considerations for joining any professional service organization — personal reasons (what can the organization do for you specifically), and societal reasons (what additional clout can your participation in the organization generate.) Dan talks to us about the Horror Writers Association, a group with the awesome “horror.org” domain.

If you’ve ever wondered what SFWA or other professional organizations have to offer, this ‘cast may be helpful.

Audiobook Pick-of-the-Week: Cryoburn, by Lois McMaster Bujold, narrated by Grover Gardner. This novel has been nominated for the Best Novel Hugo Award this year.

Writing Prompt: Come up with a way for Howard to join SFWA. It must involve rappelling.

Professional Organization Links of Note: SFWA, NCS, and NASE, the Horror Writers Association, and Webcomics.com.

Mary’s Herculean Task: Get 952 science-fiction and fantasy authors to vote on the upcoming SFWA ballot.

Writing Excuses 5.28: E-publishing

Writing Excuses — Mon, 14 Mar 2011 01:18:53 +0000

Recording in front of a live audience is a treat. Doing so while interviewing one of our heroes is a rare treat. Having two of them on stage with us at once is so rare as to be a unique delight.

Dave Wolverton (aka David Farland) and Tracy Hickman joined Dan and Howard in a lecture hall at Brigham Young University during Life, The Universe, and Everything XXIX, and we managed to capture the session on a handheld recorder.

Our topic? Ebooks and e-publishing. We talk about New York publishing, syndicated comics, and how electronic publishing has disrupted these markets. Dave and Tracy both offer insights from their long careers as professional writers.

We then talk about what all this means to you, the creator. We offer advice that can be applied equally well at the beginning of your writing career and during those happy, established, halcyon days. This isn’t the be-all, end-all, predict-the-future-of-publishing podcast that the industry is hungry for, but we’re not trying to predict the future of publishing. We’re trying to help you shape your future as a writer.

Audiobook Pick-of-the-Week: The Golden Queen: Book 1, by David Farland, narrated by Peter Ganim.

Writing Prompt: Write something. Oh, it may seem trite, it may seem like a joke we played on our guest, but it sprang from the mind of Tracy Hickman himself, so, you know, get on it.

Writing Excuses 5.27: Perseverance

Writing Excuses — Mon, 07 Mar 2011 01:00:26 +0000

We’re joined again by Sherrilyn Kenyon for a discussion of perseverence, at her request no less. Sherri tells us about how the struggles she’s had, even after having bestsellers and 98% sell-throughs. And many of us have heard stories like this from other authors.

We talk about breaking in, about how each of us have had discouraging spells, and how important it is to persevere throughout it all. Hopefully the advice we offer will help some of you through the grind as well. Never give up. Never surrender. By Grabthar’s Hammer, even.

Audiobook Pick-of-the-Week: Born of Night: A League Novel, by Sherrilyn Kenyon, narrated by Kelly Fish.

Writing Prompt: Somebody wrote a novel about an alien invasion. One year later the aliens invade exactly per the details in the novel.

Writing Excuses 5.24: The Author’s Responsibility to the Reader

Writing Excuses — Mon, 14 Feb 2011 03:14:35 +0000

Kevin J. Anderson, multiple New York Times bestseller, joins us for a discussion of becoming productive, and how this is a reflection of our commitment to our readers.

He starts by telling us about his work day, and it’s pretty obvious that he never lets up. Kevin J. Anderson is known for hitting his deadlines, fulfilling his contracts, and being prolific, and his work day is part of how that happens.

We talk about what it really means for an author to have a contract with a publisher, and how being a writer really is a job, just like any other. Which leads us to a discussion of the mathematics of productivity, and some good suggestions for new and old writers alike.

We close with a the idea that we as authors have a contract with our readers, and that contract is both a privilege and responsibility.

Audiobook Pick-of-the-Week: Island Realm: Crystal Doors, Book 1, by Kevin J. Anderson and Rebecca Moesta

Writing Prompt: Envision a world in which writers are subject to the whims of their readers via a pleasure-pain induction system… in real-time.

Writing Excuses 5.22: Film Considerations

Writing Excuses — Mon, 31 Jan 2011 01:12:53 +0000

Mary Robinette Kowal and Dave Wolverton join Dan and Howard for a discussion of movie considerations and formulas. Dave explains the three-act structure to us, and we talk about how this applies for transitioning stories to the screen.

And on the subject of screens, Moses Siregar III of Adventures in Sci-Fi Publishing captured us on video as we recorded this ‘cast. It’s up on YouTube.

We talk about taglines, and for an example Mary tells us that Shades of Milk and Honey would be pitched as “Jane Austen with magic.” She then relates to us the tale of how Lou Anders Hollywood formula saved the ending of her book.

Audiobook Pick-of-the-Week: The Runelords, by David Farland, narrated by Ray Porter. The first four books in the series which are available now in audio format.

Writing Prompt: Come up with an eight-word tagline for your novel or short story. It needs to be pithy, punchy, memorable, and easily comprehensible.

Writing Excuses 5.6: MicroPodcasts

Writing Excuses — Sun, 10 Oct 2010 23:58:42 +0000

You’re going to love this one. This fast-paced episode of Writing Excuses goes out to everybody who thinks Writing Excuses isn’t already fast-paced enough.

We’ve done Q&A episodes before, but this one is special. This time we applied our “shot clock” to each question we fielded, and set out to knock each one down within three minutes.

The Questions:

What’s the right way to kill a character?

Who are the authors who have influenced you the most, and why?

When do you quit your day-job?

Brandon, would killing you and partaking of your flesh grant the killer your powers?

What do you do when you discover you hate a character you’re writing?

How do you respond to accusations of having written Mary Sue characters?

What are some basic tools for ensuring that all characters in a story have different voices?

Audiobook Pick-of-the-Week: Dragonflight, by Anne McCaffrey

Writing Prompt: Two critics who reviewed Dan Wells’ book and who had completely opposite reactions actually read two different books…