All posts by Howard Tayler

12.6: Variations on Third Person

Your Hosts: Brandon, Mary, Dan, and Howard

This episode focuses on the third person POV, and some variations on them, like omniscient and limited, and some sub-variants like cinematic and head-hopping.

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

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Write a passage, and then re-write it in limited, omniscient narrator, head-hopping, and cinematic POVs.

Sorcerer to the Crown, by Zen Cho, narrated by Jenny Sterlin

12.5: Literary Fiction

Your Hosts: Brandon, Mary, Mary Anne, and Wesley

This week we talk about the genre of Literary Fiction. Our first hurdle is the word “literary” whose use in this context can imply that all other genres are somehow not literature. In that vein, then, we’re talking about mainstream, or “non-genre” fiction which is crafted with close attention to the finer points of the prose. After framing our discussion, we dive into the nuts and bolts of writing in the Literary Fiction genre.

Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.

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You drive your spouse to the airport and watch them fly away on a trip. Then you go straight home, and find them there in the house, sitting at the computer…

Midnight’s Children, by Salman Rushdie (print and ebook available here)

12.4: Hybrid Viewpoints

Your Hosts: Brandon, Piper, Dan, and Howard, with Sandra Tayler

Piper J. Drake joins the cast for our week-four episodes, of which this is the first. This week we’ll be drilling down into hybrid viewpoints—blending 1st and 3rd person, framing stories, stories-within-stories, and unreliable narration—and how to best serve our work with these techniques.

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Put a framing story around something you’ve already written.

Absolute Trust, by Piper J. Drake

12.3: Project in Depth, “Risk Assessment,” by Sandra Tayler

Your Hosts: Brandon, Mary, Dan, and Howard, with Sandra Tayler

This Project in Depth episode contains spoilers for “Risk Assessment,” which is included in Force Multiplication: Schlock Mercenary Book 12The story was written by Sandra Tayler, and illustrated by Natalie Barahona. Howard handled the writing and illustrating for the framing story, but this episode isn’t about that part.

Risk Assessment is a romance wrapped up in an adventure, and is very different from most of the rest of Schlock Mercenary. Have a listen, and Sandra will tell you about it.

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

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Write a “meet cute,” that scene in which our romantic leads meet, and we get to have crushes with, or perhaps on them.

In the Cube, by David Alexander Smith (out of print, but available used)

Writing the Other: a Discount Code for Listeners

Our friends at Writing the Other continue to host a wide range of classes addressing the manifold facets, angles, and approaches to getting our not-the-same-as-us characters written correctly.

On February 26th, Beyond the Basic Bi: Writing Bisexual Characters will be taught by BiNet’s Faith Cheltenham from 3pm to 5pm Eastern Time. Writing Excuses listeners may use the promotional code “noexcuses” for a 25% discount, bringing the price from $110 to $82.50 (assuming Howard did this math correctly.)

Scholarship opportunities are also available.

Please follow the link above for details about the class, the instructor, the scholarships, and the technical requirements for online attendance. If you want to be notified about upcoming Writing The Other classes, be sure to subscribe to their mailing list.

12.2: How to Nail Character Voice in First Person

Your Hosts: Brandon, Mary, Mary Anne, and Wesley

This week we talk about character voice, and how to get it right in First Person. This POV is a strong tool for developing memorable characters. We cover sentence structure, linguistic tweaks, accents, and much more, as well as some exercises you can try out to develop these tools.

This week is also your introduction to our Chicago cast. You’ve already heard from Brandon and Mary; the new voices belong to Mary Anne Mohanraj and Wesley Chu.

Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.

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Write a page or two of first-person POV in which the character is trying to complete a task. Now write that same task-completion scene from the POV of someone else who is attempting the task.

Perennial, by Mary Anne Mohanraj