12.33: How to be Brief, Yet Powerful

Your Hosts: Brandon, Mary, Mary Anne, and Wesley

We’ve talked about some of the structural guidelines for short stories. In this episode we’ll discuss how to write in the short form while still putting down enough words to convey the story powerfully.

Credits: This episode was recorded in Chicago by Andrew Twiss, and mastered by Alex Jackson


Select 1 character, 1 object, and 1 genre. Write a 250 word short story.

Ghost Talkers by Mary Robinette Kowal

4 thoughts on “12.33: How to be Brief, Yet Powerful”

  1. Thanks for the great discussion!

    I moved away from writing short stories after college to focus on novel length works, but I always take a step back, pull from that tool set, and write focused 250-500 word shorts featuring new characters and new locations whenever I start feeling burn out. I try to avoid doing any pre-planning, instead choosing a subject or encounter I’ve had recently and putting a spin on it. Oh, I recently adopted a husky pup and did some work mapping a remote alpine lake at the base of glacier? What about a dog sled driver who delivers giant blocks of ice cut from frozen lakes by sled? 250 words later and I know a lot about her feelings toward members of her dog team as she tries to free the sled from entanglement with a forest pine. Then I jump back to my novel and my mind starts working out a way I can get her to cross paths with my desert sheepherders. My readers will never see her trying to untangle six brawling dogs in the middle of a snow storm, but the character behaviors I developed exploring that scene will hopefully make her memorable if she shows up in the novel. Ultimately, even if the story goes off the rails and she never makes the cut, I kept writing that day and didn’t lose momentum.

    This recent discussion series has me excited to go back to writing short stories. I’ve resolved to have the last 20% of this novel draft completed before attending any of Mary’s short story talks at the Surrey conference. I refuse to be inspired away from my current project and I know there’s no resisting the pep talk, so better to be safely done with my long form project before walking in the door.

  2. Out of Chicago, the frolicking foursome, Brandon, Mary, Mary Anne, and Wesley, brought us a discussion of how to make ideas linger after reading, even in a few words. Keep the character, and the action, focused. Watch out for headbutts! Keep the stakes in mind. Ice-cold opens! Titles, evoking a world in a word or five, and the wonder of specificity? Read the transcript, and see how even long form writers like Brandon and Wesley put brevity to use! Now in the archives or over here


  3. This really helped! I had a really hard time grasping the nuances of flash fiction when we learned about it in college. So learning that it is one try-fail cycle really helped me understand the concept!

    On a side note, would it be out of line to post my flash fiction piece in the comments and see how I did?

    1. On a side note, would it be out of line to post my flash fiction piece in the comments and see how I did?

      “Gentlemen, You Can’t Fight In Here! This is The War Room!”

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