The combination of dialogue, blocking, and description, can be considered from a couple of directions. The first is the idea that we’re really talking about making every element do double or triple duty. Dialogue, blocking, and description work together for exposition, answering questions the reader is asking.
The second is the “pyramid of abstraction.” The bottom of the pyramid, the scene setting, is the concrete foundation. The layers atop it can be more and more abstract, like tagless dialog without concrete descriptions, if that original foundation is firm enough.
In this ‘cast we take both approaches, and offer some tips, tricks, and examples so that you can learn to do this well.
Audiobook Pick-of-the-Week: Bloody Jack, by L.A. Meyer, narrated by Katherine Kellgren
Writing Prompt Which is Actually Homework: Write description for half an hour. A full half hour. Set a timer! Try to use all five senses. Now write a single paragraph in which we establish a single character in that setting. Finally, write three sentences that convey the character, the description, and the character’s emotional state. Want more exercises like this one? Here you go! (courtesy of Mary.)
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This entry was posted on Sunday, August 4th, 2013 at 3:02 pm and is filed under Dialog, Prose, Scenes. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.