What’s a reluctant character? Well, it’s somebody who needs to be dragged along into the adventure, somebody who isn’t the sort of self-motivated, go-getter that we so often populate our books with. These characters feel a lot like real people — our world is full of folks like this. The trick lies in making these characters interesting to read.
We offer some examples from things we’ve read, some general structural tricks, and some of the tools we’ve used in our own work, including examples from Glamour in Glass, The Way of Kings, and The Hollow City.
Create a character who is either weak or reluctant, determine why they are weak or reluctant, and then write the decision point.
Celebromancy, by Michael R. Underwood, narrated by Mary Robinette Kowal, who gets to make a light-saber noise as part of the narration…