Writing Excuses 8.13: Fake It Till You Make it

What does it mean to “fake it till you make it?” For this episode we talk about the things that we do, or that we have done, that help us (or helped us) feel professional. Howard explains the origin of his legendary online buffer, and how eight years later he changed his wardrobe. Mary tells us the story of the omitted first line of Glamour in Glass, and how her reaction to it was destined to shape (or solidify) the image she wanted others to have. Brandon talks about his first time on the NYT Best-Sellers List.

Obviously the thing we should all be doing, first and foremost, is writing, but there are professional behaviors you can engage in that will help you feel more like a professional writer.

But! There is a logical fallacy to avoid, however. “Affirming the consequent” is when we look at the things our favorite authors do, and do them without realizing that those are consequences of being professionals rather than precursors. We talk about some of the consequences that we, as authors-aspirant, might find ourselves affirming.

Finally, we talk about “imposter syndrome,” and there’s good news on that front: even many full-time, award-winning professionals suffer from it.

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This is a submission prompt! Submit a story to a high-level market that you think you’ll never sell to.

A History of Warfare, by John Keegan, narrated by Ian Stuart