We haven’t discussed beginnings this in a while, and when we did, we summed it up with “in late, out early.” Now we’re going to talk about what needs to be present when you’re “in.” We talk about tone, and how the tone you set in your beginning is a promise made to your reader, using examples from George R.R. Martin and David Brin. We also talk about how useful (and how dangerously trite) a labeled prologue can be, and how important it is to establish a setting, especially in genre fiction.
This episode appears out of order with something else we recorded which we refer to, specifically a piece Mary is working on. Tantalizing, yes? Here is the episode you probably wanted to hear first.
Audiobook Pick-of-the-Week: The Green Glass Sea, by Ellen Klages, narrated by Julie Dretzen
Writing Prompt: Start a new story. Give us character, place, and sense of tone. Do it one sentence, and do it within 13 lines (which is what typically appears on the first page of a manuscript.)
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This entry was posted on Sunday, December 2nd, 2012 at 7:53 pm and is filed under Season 7, Theory and Technique. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.