We haven’t discussed beginnings this in a while, and when we did, we summed it up with “in late, out early.” Now we’re going to talk about what needs to be present when you’re “in.” We talk about tone, and how the tone you set in your beginning is a promise made to your reader, using examples from George R.R. Martin and David Brin. We also talk about how useful (and how dangerously trite) a labeled prologue can be, and how important it is to establish a setting, especially in genre fiction.
This episode appears out of order with something else we recorded which we refer to, specifically a piece Mary is working on. Tantalizing, yes? Here is the episode you probably wanted to hear first.
Start a new story. Give us character, place, and sense of tone. Do it one sentence, and do it within 13 lines (which is what typically appears on the first page of a manuscript.)
The Green Glass Sea, by Ellen Klages, narrated by Julie Dretzen