Let’s talk mystery! Specifically, how do you plot a good mystery? We’re not focusing on the mystery genre but many of these principles will apply there. For fantasy and science-fiction work this usually means creating plots or sub-plots in which the main experience for the reader is one of discovery or revelation, rather than anticipation.
Tools we discuss include the presentation of clues, unreliable character (and narrator) viewpoints, and how to offer the reader multiple plausible explanations prior to the big reveal. Howard talks about the plotting of the next Schlock Mercenary book, Random Access Memorabilia, and Dan tells us a little about his next book, Partials. Both titles have a mystery and a reveal, while neither is a whodunit.
Special Audible Sponsor: Neil Gaiman has teamed up with Audible and the Audiobook Creation Exchange (ACX), personally selecting several of his favorite books and producing them with some of his favorite narrators. Check out “Neil Gaiman Presents” at Audible for a list of titles and the reasons why Neil selected these books.
Audiobook Pick-of-the-Week: Snuff, by Terry Pratchett, narrated by Stephen Briggs.
Writing Prompt: Write your way backwards into a puzzle-box mystery. The answer is that someone’s soul is in the box — now reverse-engineer the plot so that the presence of a soul in the box is surprising yet inevitable.
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This entry was posted on Sunday, November 27th, 2011 at 6:42 pm and is filed under Mystery, Plot, POV, Structure. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.