Last week we wormcanned “fulfilling promises to the reader,” so this week we’ll tackle the discussion using actual examples. We start with a deconstruction of The Longshoreman of the Apocalypse, which Howard wrote and illustrated in 2008 and 2009. We then spoil the story of the game Borderlands, talking about the woefully-unfulfilled promise made to the player. We also spoil Legion for you, but that film kind of ruined itself. A lot. At any rate, in both of these latter cases we talk about the promises being broken.
Then we talk about how we, as writers, know when we’re making promises to the reader, and what those promises are.
Dan talks about how, in the first draft of I Am Not a Serial Killer, the main character won out in the wrong way, and how he had to go back and fix the ending. He also talks about the biggest complaint anybody has with that book, and how that stems from the plot twist that, to some readers, breaks a promise inherent in the book’s genre. And that leads us into a discussion of Million Dollar Baby and of the first outline of Mistborn, which could have had a very, very disappointing ending.
Audiobook Pick-of-the-Week: The World Without Us, by Alan Weisman, narrated by Adam Grupper
Writing Prompt: Pick a typical promise that a child might make, and use that as the promise you’re making to your readers.
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This entry was posted on Sunday, January 9th, 2011 at 6:00 pm and is filed under Theory and Technique. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.