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	<title>Comments on: Writing Excuses 4.21: Writing Practical Fantasy</title>
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	<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/</link>
	<description>Fifteen minutes long, because you&#039;re in a hurry, and we&#039;re not that smart.</description>
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		<title>By: NEWS &#124; David Friedman and L.E. Modesitt on Economics in (Their) Fiction — Prometheus Unbound</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-2/#comment-43771</link>
		<dc:creator>NEWS &#124; David Friedman and L.E. Modesitt on Economics in (Their) Fiction — Prometheus Unbound</dc:creator>
		<pubDate>Fri, 03 Feb 2012 06:52:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-43771</guid>
		<description>[...] in order to write practical fantasy: &#8220;Got a Job in Magic Land?&#8221; (Tor/Forge Blogpost)Writing Excuses 4.21: Writing Practical Fantasy (Podcast)Both writers and readers could stand to benefit from an understanding of at least the [...]</description>
		<content:encoded><![CDATA[<p>[...] in order to write practical fantasy: &#8220;Got a Job in Magic Land?&#8221; (Tor/Forge Blogpost)Writing Excuses 4.21: Writing Practical Fantasy (Podcast)Both writers and readers could stand to benefit from an understanding of at least the [...]</p>
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		<title>By: BigFire</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-2/#comment-42051</link>
		<dc:creator>BigFire</dc:creator>
		<pubDate>Sun, 11 Sep 2011 23:22:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-42051</guid>
		<description>BTW, the link in the transcript is wrong.  I have to google to get to this link.</description>
		<content:encoded><![CDATA[<p>BTW, the link in the transcript is wrong.  I have to google to get to this link.</p>
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		<title>By: sam</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-1/#comment-38627</link>
		<dc:creator>sam</dc:creator>
		<pubDate>Mon, 12 Jul 2010 03:39:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-38627</guid>
		<description>this was my favorite and most helpful post but even though its fantasy you should still research..alot</description>
		<content:encoded><![CDATA[<p>this was my favorite and most helpful post but even though its fantasy you should still research..alot</p>
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		<title>By: Leigh</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-1/#comment-38575</link>
		<dc:creator>Leigh</dc:creator>
		<pubDate>Wed, 30 Jun 2010 05:50:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-38575</guid>
		<description>@Howard Tayler:  50 bills weighs about 49.15 grams.   49150 grams for 1000 stacks for 20s.  Converts to roughly 108 pounds.  An unwieldy amount of cash.  Roughly one-fifth that for for 50s.  

I admit that I forgot the context for my critique of the writer&#039;s story was how the character was using the money.   The writer specifically used a large sum of money that was stored in a safety deposit box.  I read the story a couple years ago so I can&#039;t recall the specific amount but I do remember the key to my criticism, he described it as singles.  A simple mistake that distracted to the point that the technical problems of his story are the details that remain clearest in my mind. 

The key, I guess, is to know the details and use them the right way if you&#039;re going to use them.</description>
		<content:encoded><![CDATA[<p>@Howard Tayler:  50 bills weighs about 49.15 grams.   49150 grams for 1000 stacks for 20s.  Converts to roughly 108 pounds.  An unwieldy amount of cash.  Roughly one-fifth that for for 50s.  </p>
<p>I admit that I forgot the context for my critique of the writer&#8217;s story was how the character was using the money.   The writer specifically used a large sum of money that was stored in a safety deposit box.  I read the story a couple years ago so I can&#8217;t recall the specific amount but I do remember the key to my criticism, he described it as singles.  A simple mistake that distracted to the point that the technical problems of his story are the details that remain clearest in my mind. </p>
<p>The key, I guess, is to know the details and use them the right way if you&#8217;re going to use them.</p>
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		<title>By: Howard Tayler</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-1/#comment-38573</link>
		<dc:creator>Howard Tayler</dc:creator>
		<pubDate>Wed, 30 Jun 2010 05:10:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-38573</guid>
		<description>&lt;b&gt;@Leigh&lt;/b&gt;: A million dollars in $20 bills is 1000 stacks of 50. I&#039;ve seen about twenty times that much stacked on a bakers&#039; rack in the Federal Reserve bank. No, a million in twenties won&#039;t fit in a briefcase, but it WILL fit in a good suitcase.

A briefcase will nicely hold a million in hundreds, though. You only need 200 stacks of fifty.

(Note: This all assumes minty-fresh, crisp, wrapped bills.)</description>
		<content:encoded><![CDATA[<p><b>@Leigh</b>: A million dollars in $20 bills is 1000 stacks of 50. I&#8217;ve seen about twenty times that much stacked on a bakers&#8217; rack in the Federal Reserve bank. No, a million in twenties won&#8217;t fit in a briefcase, but it WILL fit in a good suitcase.</p>
<p>A briefcase will nicely hold a million in hundreds, though. You only need 200 stacks of fifty.</p>
<p>(Note: This all assumes minty-fresh, crisp, wrapped bills.)</p>
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		<title>By: Leigh</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-1/#comment-38571</link>
		<dc:creator>Leigh</dc:creator>
		<pubDate>Tue, 29 Jun 2010 22:50:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-38571</guid>
		<description>My take on the &quot;write what you know&quot; adage

Write what you know
Learn what you write
Write it the way you know it
Find someone who knows it better than you

I have been listening to this podcast for almost a year now.  As I struggle to become a better writer, I learn more each day.  I don&#039;t pretend to be an expert (on anything) but I have figured out ways to research and to write that work for me.  I&#039;m working on my second novel (deep into comprehensive editing) and there are several places where I&#039;ve felt woefully unqualified to write on the subject.  

First, I look it up.  I read books, I watch documentaries, I look at websites, and I talk to people.  Second, I find a way to write the subject.  If I&#039;m writing something that I&#039;m not an expert on, then I write it in a way that feels natural to me and according to my central character&#039;s opinion.

To use the example of horses:  I would go to the stable in town.  Some stables have special days where you can pay a flat rate for the day to go riding.  Talk to the people at the stable.  On a day like that, the stable is trying to get people interested in riding and potentially signing up for lessons.   Also, there are generally people who have taken lessons for a while and can provide insight into horsemanship.   

I&#039;m not saying that a couple hours on a horse will make you an expert.  But the information gained from such a day can give a writer insight into how to write an unfamiliar subject.

A specific problem that I&#039;ve encountered in practicality is the ONE MILLION DOLLAR RANSOM trope.  A fellow writer in a short story class wrote a story that used that trope.  When I was writing the critique for his short story, I looked up the weight of such an amount of money and it&#039;s impossible to shove a million dollars in a suitcase.  It seemed dramatic at the time so he used it.  

The Million Dollar Ransom trope leads me to another  problem, writers writing stories like movies.  Basing their concept of reality on movies and writing in such a way that evokes a detailed film or episode synopsis.

Well, I&#039;m out of excuses, I&#039;d better get back to writing.</description>
		<content:encoded><![CDATA[<p>My take on the &#8220;write what you know&#8221; adage</p>
<p>Write what you know<br />
Learn what you write<br />
Write it the way you know it<br />
Find someone who knows it better than you</p>
<p>I have been listening to this podcast for almost a year now.  As I struggle to become a better writer, I learn more each day.  I don&#8217;t pretend to be an expert (on anything) but I have figured out ways to research and to write that work for me.  I&#8217;m working on my second novel (deep into comprehensive editing) and there are several places where I&#8217;ve felt woefully unqualified to write on the subject.  </p>
<p>First, I look it up.  I read books, I watch documentaries, I look at websites, and I talk to people.  Second, I find a way to write the subject.  If I&#8217;m writing something that I&#8217;m not an expert on, then I write it in a way that feels natural to me and according to my central character&#8217;s opinion.</p>
<p>To use the example of horses:  I would go to the stable in town.  Some stables have special days where you can pay a flat rate for the day to go riding.  Talk to the people at the stable.  On a day like that, the stable is trying to get people interested in riding and potentially signing up for lessons.   Also, there are generally people who have taken lessons for a while and can provide insight into horsemanship.   </p>
<p>I&#8217;m not saying that a couple hours on a horse will make you an expert.  But the information gained from such a day can give a writer insight into how to write an unfamiliar subject.</p>
<p>A specific problem that I&#8217;ve encountered in practicality is the ONE MILLION DOLLAR RANSOM trope.  A fellow writer in a short story class wrote a story that used that trope.  When I was writing the critique for his short story, I looked up the weight of such an amount of money and it&#8217;s impossible to shove a million dollars in a suitcase.  It seemed dramatic at the time so he used it.  </p>
<p>The Million Dollar Ransom trope leads me to another  problem, writers writing stories like movies.  Basing their concept of reality on movies and writing in such a way that evokes a detailed film or episode synopsis.</p>
<p>Well, I&#8217;m out of excuses, I&#8217;d better get back to writing.</p>
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		<title>By: Fantasy und Realismus &#171; Katastrophengebiet</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-1/#comment-38485</link>
		<dc:creator>Fantasy und Realismus &#171; Katastrophengebiet</dc:creator>
		<pubDate>Tue, 15 Jun 2010 09:35:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-38485</guid>
		<description>[...] 15, 2010 von Andrea    Diese Folge von Writing Excuses sollte man sich unbedingt anhören. Ihr Inhalt wird folgendermaßen [...]</description>
		<content:encoded><![CDATA[<p>[...] 15, 2010 von Andrea    Diese Folge von Writing Excuses sollte man sich unbedingt anhören. Ihr Inhalt wird folgendermaßen [...]</p>
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		<title>By: Writing Excuses &#124; Robison Wells</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-1/#comment-38474</link>
		<dc:creator>Writing Excuses &#124; Robison Wells</dc:creator>
		<pubDate>Mon, 14 Jun 2010 14:49:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-38474</guid>
		<description>[...] The first features me saying very little. I&#8217;m not the official guest on that one; I&#8217;m just filling in for Howard Tayler. The real guest is L.E. Modesitt, and the topic is How To Write Practical Fantasy. Since I don&#8217;t write fantasy at all (either practical or impractical) I didn&#8217;t have a ton to say. But I&#8217;m there. [...]</description>
		<content:encoded><![CDATA[<p>[...] The first features me saying very little. I&#8217;m not the official guest on that one; I&#8217;m just filling in for Howard Tayler. The real guest is L.E. Modesitt, and the topic is How To Write Practical Fantasy. Since I don&#8217;t write fantasy at all (either practical or impractical) I didn&#8217;t have a ton to say. But I&#8217;m there. [...]</p>
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		<title>By: From the Tubes: Fifty pages of Brandon Sanderson&#8217;s &#8216;The Way of Kings&#8217; &#171; MatthewGnann.com</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-1/#comment-38471</link>
		<dc:creator>From the Tubes: Fifty pages of Brandon Sanderson&#8217;s &#8216;The Way of Kings&#8217; &#171; MatthewGnann.com</dc:creator>
		<pubDate>Mon, 14 Jun 2010 06:42:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-38471</guid>
		<description>[...] he is with his craft. Whether its giving writing lessons at Jordoncon, or his podcast for writers, Writing Excuses, or his Twitter account where he routinely posts, the dude has really embraced his fans and given [...]</description>
		<content:encoded><![CDATA[<p>[...] he is with his craft. Whether its giving writing lessons at Jordoncon, or his podcast for writers, Writing Excuses, or his Twitter account where he routinely posts, the dude has really embraced his fans and given [...]</p>
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		<title>By: Ed</title>
		<link>http://www.writingexcuses.com/2010/05/30/writing-excuses-4-21-writing-practical-fantasy/comment-page-1/#comment-38458</link>
		<dc:creator>Ed</dc:creator>
		<pubDate>Thu, 10 Jun 2010 17:15:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.writingexcuses.com/?p=468#comment-38458</guid>
		<description>Now we have the full set. The patronising, point-missing scientist, and the patronising, point-missing religious person.</description>
		<content:encoded><![CDATA[<p>Now we have the full set. The patronising, point-missing scientist, and the patronising, point-missing religious person.</p>
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