SPOILER ALERT!

This is our fourth and final SHADOWS BENEATH story critique episode. This episode’s story, “An Honest Death,” by Howard Tayler, is available as part of the aforementioned Writing Excuses anthology, pictured there on the right, which includes the the draft we critiqued in this episode along with the final version.

We still have a few of the first-printing hardcovers left, and if you purchase the hardcover, we’ll send you the electronic edition at no additional charge.

This week we find Howard in trouble. He is, in a word, stuck.

Can our heroes help him? Can special guest Eric James Stone lend enough of his special guest expertise to complete the rescue?

We start with a discussion of what was working, so that Howard doesn’t accidentally “fix” something that isn’t broken. Then we wade into the weeds and go hunting for the pieces he needs in order to finish the story. And when we say “the weeds,” we’re talking serious wandering. The episode runs a full half-hour long…

Audiobook Pick-of-the-Week: The Firebird, by Susanna Kearsley, narrated by Katherine Kellgren

Writing Prompt: You have, with actual paint, painted yourself into an actual corner. But the paint and the corner are in a world in which there is magic, and "you painted yourself into a corner" may very well be some sort of a spell.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership.

Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

SPOILER ALERT!

This is the third of our SHADOWS BENEATH story critique episodes. This episode’s story, “A Fire in the Heavens,” is available as part of the aforementioned Writing Excuses anthology, pictured there on the right, which includes the the draft we critiqued in this episode along with the final version.

We still have one more SHADOWS BENEATH critique episode, so it’s not too late to grab a copy for yourself. Oh, and if you purchase the hardcover, we’ll send you the ebook at no additional charge.

Mary runs this session like she runs her own critique groups using what’s often called the Milford method in which we each take two minutes to run through our thoughts on the story. We do that for the first half of the episode. During the second half Mary asks us questions, sometimes for clarification about what we said, and sometimes for suggestions.

Audiobook Pick-of-the-Week: Rip-Off! Written by: John Scalzi, Jack Campbell, Mike Resnick, Allen Steele, Lavie Tidhar, Nancy Kress, Gardner Dozois (editor) Narrated by: Wil Wheaton, Scott Brick, Christian Rummel, Jonathan Davis, Stefan Rudnicki, L. J. Ganser, Khristine Hvam

Writing Prompt: A brainstorming session spawns life somehow.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership.

Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

HERE THERE BE SPOILERS! Also, merchandising!

This is the second of our story critique episodes. The story, “Sixth of the Dusk,” is available as part of SHADOWS BENEATH, the Writing Excuses anthology, which includes the finished story (obviously) and the version we critiqued in this episode. SHADOWS BENEATH also includes the stories we’ll be critiquing for the rest of July’s episodes, and some other pretty cool stuff that you can read about here. If you purchase the hardcover, we’ll send you the ebook at no additional charge.

Can you get a lot out of this episode without having done the reading? Yes! But we don’t know what those things will be. Can you get a lot out of this episode without having listened to Part 1? Probably, but here’s a link to it in case you have doubts.

Having covered the stuff we loved in Part 1, this episode is the big downer where we just focus on the problems we found. But hey, that’s how stories get to be better! We start with the big ones, and then work our way back up to the little things.

We recorded this episode live at last year’s Out of Excuses Seminar and Retreat. Our audience of awesome attendees can be heard cheering when we finally slay the [SPOILERS REDACTED] with our collected powers of [REDACTED AGAIN.]

 

 

Audiobook Pick-of-the-Week: Even White Trash Zombies Get the Blues, by Diana Rowland, narrated by Allison McLemore

Writing Prompt: Have a man who plays the musical saw find more than one additional use for the saw during the story.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership.

Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

This is the first of our DANGER SPOILERS AHEAD story critique episodes. The story, “Sixth of the Dusk,” is available as part of SHADOWS BENEATH, the Writing Excuses anthology, which includes the finished story (obviously) and the version we critiqued in this episode. SHADOWS BENEATH also includes the stories we’ll be critiquing for the rest of July’s episodes, and some other pretty cool stuff that you can read about here. Oh, and if you purchase the hardcover, we’ll send you the ebook at no additional charge.

Sure, you can totally listen to this episode without having done the reading. We cannot stop you! Howard looked around for a full hour, but there’s no “stop playback for people who have not done the homework” button anywhere here.

This is also the first half of a two-part episode. We spent about 40 minutes hammering on Brandon’s story, and that’s just too much Writing Excuses for one week. Oh, and we recorded this episode live at last year’s Out of Excuses Seminar and Retreat. You’ll hear our audience of awesome attendees responding to us.

We run this session like Brandon runs his critique group — we begin by talking about what we liked, so that the writer knows what not to accidentally remove during revisions. Then we drill down on the things we have problems with, and you know what? There were a bunch of those things! Like most writers, Brandon’s first drafts are imperfect things that have problems in them.

We also run this session in a way that we don’t actually suggest you run your critique groups, at least not until you’ve put a bunch of critique sessions under your belt.

That Thing Howard Said to Brandon Between Sessions has been lost to time. Or repressed memory. Sorry.

Audiobook Pick-of-the-Week: I, Robot, by Isaac Asimov, narrated by Scott Brick. (Note: This version of the audiobook has the Will Smith movie cover, but it's also the best-ranked version.)

Writing Prompt: A setting in which you can vote through time for things.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership.

Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

By Writing Excuses | June 29, 2014 - 7:47 pm - Posted in Outlining, Research, Season 9, Site News, Voice, World Building

What’s pre-writing? Well, it’s a little bit like “pre-cooking,” in which something is cooked prior to being put in the final recipe, but in food terms it might also be like “cleaning the kitchen” or “grocery shopping.” Outlining is one kind of pre-writing, but so is the creation of that 5,000-word prologue you decide not to keep, but which informed the whole rest of your story.

We talk about the different things that each of us do prior to actually laying down lines of prose, and how our processes differ between projects, genres, and mediums.

Special Announcement: The first ever Writing Excuses anthology, SHADOWS BENEATH, is available now. This anthology features stories brainstormed and critiqued here on the podcast, and includes draft versions, related episode transcripts, and authorial commentaries as well. Let Brandon tell you more about it!

Our critiquing episodes will begin airing next week, so if you want to read ahead, now’s the time to pick up SHADOWS BENEATH. Oh, and if you order the hardcover, you get the ebook free of charge!

SHADOWS BENEATH launches this weekend at Westercon 67, where Brandon, Mary, Dan, and Howard are Guests of Honor alongside Cory Doctorow, Christopher Garcia, William Stout, and Bradley Voytek.

Loving That Cover Art? Us too! It’s the work of Julie Dillon, who is on the 2014 Hugo ballot for Best Artist. You can admire (and comment upon!) the unobstructed original here in her DeviantArt gallery.

Dave Farland’s Writing Workshops sponsored us for this episode! Both Brandon and Dan have studied under Dave, and we’re all happy to wholeheartedly recommend his workshops to you. If you can’t fly to his place, well, visit MyStoryDoctor.com and take the online course. The coupon code for your Writing Excuses discount is EXCUSES, but don’t think that means you actually HAVE any of those…

Writing Prompt: Sapient smells. Odors that think. Scents with their own hopes, dreams, and passions. Go.

By Writing Excuses | June 22, 2014 - 9:40 pm - Posted in Characters, Season 9

This podcast references episode 9.13 where we introduce a three-slider model for characters.  In this episode we’re talking about how we adjust the reader’s perception of character competence, and why we might want to make the character more or less competent (or seem more or less competent.) We also talk about how competencies vary between domains, and how important it is for our characters to move between those domains.

Techniques discussed include showing failure, giving context, raising the stakes, and having competent antagonists.

Audiobook Pick-of-the-Week: The Republic of Thieves, by Scott Lynch, narrated by Michael Page

Writing Prompt: Take a very minor side character and make them hyper-competent at something.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership.

Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

By Writing Excuses | June 15, 2014 - 8:34 pm - Posted in Characters, Season 9

This podcast references episode 9.13 where we introduce a three-slider model for characters. Here we talk about character sympathy, or rather the sympathy that the reader will have for the character, and how we as writers go about adjusting that sympathy — moving the slider, if you will. We also talk about why we want to make that adjustment, whether we’re dealing with villains, side-characters, or protagonists.

Some of our tricks for moving the slider include changing the characters around them, controlling the distance between the reader and the character, showing character weaknesses, and using humor to mask the unsympathetic moments. We talk about how we’ve deployed these tools in our own work, and how we’ve seen it done well in the work of others.

Audiobook Pick-of-the-Week: The Butcher of Khardov: The Warcaster Chronicles Volume 2, by Dan Wells, narrated by Marc Vietor.

Writing Prompt: Take something that you've written recently. Swap out all of the dialog with completely different words (you can keep articles and pronouns) but retain the meaning.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership.

Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

By Writing Excuses | June 9, 2014 - 10:45 am - Posted in Characters, Conflicts, eBooks, Publishing, Scenes, Season 9

Side quests come in a couple of forms — they may be something inside the book that takes the characters away from the main plotline, or they may be adventures that take place outside of the book itself.

We talk about the first type, and how to make sure they’re in the book for the right reasons, citing examples from The Wizard of Oz, The Hobbit, Redshirts, The Way of Kings, and The Hollow City among other stories.

In covering the second type, we talk about how ebooks have made ancillary, side-quest releases more common, and we cite the book trailers for the Partials series, the Glamourist Histories Christmas Stories, Steelheart, and the Schlock Mercenary Bonus Stories.

Audiobook Pick-of-the-Week: The Hero's Guide to Saving Your Kingdom, by Christopher Healy and Todd Harris, narrated by Bronson Pinchot

Writing Prompt: Create a story in which you have an incredibly powerful character, and a sidekick, then flip the relationship so the sidekick is in charge.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership.

Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

By Writing Excuses | June 1, 2014 - 6:20 pm - Posted in Sci-fi, Season 9, World Building

Can you use a character with a limited viewpoint to introduce a reader to the fantastic elements of the world you’re building? Even if from that character’s point of view, those elements are not fantastic? In short, how do you get a fish to tell you about water?

This question came from a listener, and before we set about attempting to answer it, we need to establish that this is really difficult. It is one of the grand achievements of well-written genre fiction. There are lots of hacks we use to get around the problem, but what we try to do in this cast is answer the question without any of those tricks. Of course, we also want to cover the hacks, because we use them.

Audiobook Pick-of-the-Week: Extraordinary Zoology: Tales from the Monsternomicon, Vol. 1, by Howard Tayler, narrated by Scott Aiello

Writing Prompt: Come up with a really nifty, high-tech setting, and then present it using POV characters who have no idea how all these wonders work, and who take them for granted.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership.

Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.

By Writing Excuses | May 25, 2014 - 6:57 pm - Posted in Career, Characters, Q&A, Season 9, Submitting

Microcasting! It’s a Q&A, with each question serving as its own little micro-podcast. This week’s questions:

  • Should you include your prologue as one of the three chapters you send in a submission packet?
  • How do you get out of the spot where your protagonist has no motivation?
  • What’s the best way to prove to a spouse that your writing is more than a hobby?
  • How do you get back into a project after taking a break from it?
  • Where do you start research for historical fiction?
  • Let’s say you sold your first book. How do you tackle book 2 in a series?
  • How do you go about writing an overarching setting, like Brandon’s “Cosmere?”
  • What part about being a writer do you most enjoy, besides the actual writing?

Those are the questions. You’ll have to listen for the answers. Fortunately they’re not hidden or anything. We just come right out and say them.

Audiobook Pick-of-the-Week: The Fall of the Kings, by Ellen Kushner and Delia Sherman, narrated by Ellen Kushner, Nick Sullivan, Neil Gaiman, Simon Jones, Katherine Kellgren, Robert Fass, Richard Ferrone, and Tim Jerome

Writing Prompt: Look around, identify an everyday object, and then create a post-apocalyptic setting in which that object is currency.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership.

Audible Free Trial Details

Get an audiobook of your choice, free, with a 30-day trial. After the trial, your paid membership will begin at $14.95 per month. With your membership, you will receive one credit every month, good for any audiobook on Audible.

Cancel anytime, effective the next monthly billing cycle. Cancel before your trial ends and you will not be charged. Check out the full terms and policies that apply to Audible membership.